Mark Rothko believed that the art of children and the work of modern painters were directly related. They were related because of their influence of “primitive” art. According to Rothko, it “transforms itself into primitivism, which is only the child producing a mimicry of himself.” (Jeffery Weiss 2000) He also observed that “the face that one usually begins with drawing is already academic. We start with color.” (Jeffery Weiss 2000) Modern artists like children who are influenced by the primitive both express a natural feeling in their best work through art that is created without mental interference. It is created out of a physical and emotional experience. It is free from intellect and no concern for the formal. He believes though that the composition itself portrays deep intellect. The research Rothko did toward this helped to move him into his development of “color field” paintings. These paintings incorporate elements from his earlier works as well as later pieces. They were greatly influenced by two important events in his life. One was the onset of World War II. The other was his reading of Friedrich Nietzsche’s, “The Birth of Tragedy”...

Read more: The Effect of Friedrich Nietzsche's The Birth of Tragedy on Mark Rothko.

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