Interesting post from Andrew Seal on point of view:

At times, I think David Foster Wallace actually takes his reader in the opposite direction: convincing them that they're reading a 'highbrow' modernist novel par excellence, where the question of point-of-view is always problematic and the reader mustn't fall into the trap of identifying with one point-of-view. And then he basically makes you commit to a point-of-view: I question whether anyone can get through it (and enjoy it) without doing so. And that doesn't mean that you pick a character to empathize with for the rest of the novel, but that you have to create a position of provisional coherence from which to view the events and data of the novel and process them—whether that is identified with a character or with the author or with some external position. So by the end, you're just reading a very complex "middlebrow" novel (more...)

Readers Comments

  1. I think Andrew Seal has written a very essential essay and I really was excited to read it, agreeing with him of course.

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