Book of the Week Archive
Books of the Week: Monday, February 22, 2010
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Christian Salmon
Ever since its emergence, humanity has cultivated the art of telling stories, an art that is everywhere at the heart of the social bond. But since the 1990s, first in the US and then in Europe, this art has been colonized by the domain of public relations and triumphant capitalism, and relabelled with the anodyne name of storytelling. This has become a weapon in the hands of marketing, management and political gurus, so as to better format the minds of consumers and citizens. Behind the advertising campaigns, but also in the shadows of victorious electoral campaigns from Bush to Sarkozy and Obama hide sophisticated storytelling management or digital storytelling technicians. It is this incredible hold-up of human imagination that Christian Salmon reveals here, after an enquiry into the ever greater number of applications for which storytelling has been mobilized. Marketing now depends more on the history of brands than on their images, managers have to tell stories to motivate their employees, soldiers in Iraq train themselves on computer games conceived in Hollywood, and spin doctors construct a political life as if it were a narrative. Salmon unveils here the mechanics of a storytelling machine, far more effective than Orwellian visions of totalitarian society. The subject that it wants to create is a bewitched individual, immersed in a fictive universe that filters perceptions, stimulates feelings and frames behavior and ideas.
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Jonathan Safran Foer
Eating Animals is a riveting exposé which presents the gut-wrenching truth about the price paid by the environment, the government, the Third World and the animals themselves in order to put meat on our tables more quickly and conveniently than ever before. Interweaving a variety of monologues and balancing humour and suspense with informed rationalism, Eating Animals is as much a novelistic account of an intellectual journey as it is a fresh and open look at the ethical debate around meat-eating. Unlike most other books on the subject, Eating Animals also explores the possibilites for those who do eat meat to do so more responsibly, making this an important book not just for vegetarians, but for anyone who is concerned about the ramifications and significance of their chosen lifestyle.
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Books of the Week: Monday, February 15, 2010
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Alain Badiou
In this title, two controversial thinkers discuss a timeless but nonetheless urgent question: should philosophy interfere in the world? Nothing less than philosophy is at stake because, according to Badiou, philosophy is nothing but interference and commitment and will not be restrained by academic discipline. Philosophy is strange and new, and yet speaks in the name of all - as Badiou shows with his theory of universality. Similarly, Zizek believes that the philosopher must intervene, contrary to all expectations, in the key issues of the time. He can offer no direction, but this only shows that the question has been posed incorrectly: it is valid to change the terms of the debate and settle on philosophy as abnormality and excess. At once an invitation to philosophy and an introduction to the thinking of two of the most topical and controversial philosophers writing today, this concise volume will be of great interest to students and general readers alike.
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Carl Boggs
Imperial Nations advance their own interests by exploiting other societies. To those on the receiving end this is obvious, while inside the empire, a powerful ideological system of justification tends to hide all but the worst excess. Carl Boggs argues, that the USA began life two centuries ago as a nascent colonialist regime plundering and conquering the Native Tribes. The Indian wars were followed by perpetual militarism and warfare fuelled by a deep sense of national exceptionalism. The Crimes of Empire: The History and Politics of an Outlaw Nation examines several trends in this process, and illustrates the new depths plumbed since 9/11. Violation of international agreements, treaties and laws and the use of prohibited weapons, support for death squads and torture are just some of the practices that Boggs highlights as he shows how technical superiority and media control prolong the American nightmare.
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Books of the Week: Monday, February 01, 2010
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Ernst Weiss
First published in 1931 and now appearing for the first time in English, Georg Letham: Physician and Murderer is a disquieting anatomy of a deviant mind in the tradition of Crime and Punishment. Letham, the treacherously unreliable narrator, is a depraved bacteriologist whose murder of his wife is, characteristically, both instinctual and premeditated. Convicted and exiled, he attempts to atone for his crimes through science, conceiving of the book we are reading as an empirical report on himself – whose ultimate purpose may be to substitute for a conscience. Yet Letham can neither understand nor master himself. His crimes are crimes of passion, and his passions remain more or less untouched by his reason – in fact they are constantly intruding on his “report,” rigorous as it is intended to be. Both feverish and chilling, Georg Letham explores the limits of reason and the tensions between objectivity and subjectivity. Moving from an unnamed Central European city to arctic ice floes to a tropical-island prison, this layered novel – with its often grotesquely comic tone and arresting images – invites us into the darkest chambers of the human psyche.
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Dominic Fox
To live well in the world one must be able to enjoy it: to love, Freud says, and work. Dejection is the state of being in which such enjoyment is no longer possible. There is an aesthetic dimension to dejection, in which the world appears in a new light. In this book, the dark serenity of dejection is examined through a study of the poetry of Hopkins and Coleridge, and the music of 'depressive' black metal artists such as Burzum and Xasthur. The author then develops a theory of 'militant dysphoria' via an analysis of the writings of the Red Army Fraction's activist-theoretician, Ulrike Meinhof. The book argues that the 'cold world' of dejection is one in which new creative and political possibilities, as well as dangers, can arise. It is not enough to live well in the world: one must also be able to affirm that another world is possible.
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Books of the Week: Monday, January 25, 2010
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Timothy W. Ryback
He was, of course, a man better known for burning books than collecting them and yet by the time he died, aged 56, Adolf Hitler owned an estimated 16,000 volumes - the works of historians, philosophers, poets, playwrights and novelists. A passionate reader, his worldview was largely formed by the books he read. For more than fifty years the remnants of Hitler's private library occupied shelf-space in climate-controlled obscurity in the rare book division of the Library of Congress in Washington. Timothy Ryback is the first to systematically explore this remarkable collection, as well as several other caches which he subsequently discovered in Europe and elsewhere. The volumes in Hitler's library are fascinating in themselves but it is the marginalia - the comments, the exclamation marks, the questions and underlinings - even the dirty thumbprints on the pages of a book he read in the trenches of the First World War - which are so revealing. Together they take us closer to the man and his thinking than ever seemed possible. Hitler's Private Library provides us with a remarkable view of Hitler's evolution - and unparalleled insights into his emotional and intellectual world.
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Hans Fallada
Berlin, 1940, and the city is filled with fear. At the house on 55 Jablonski Strasse, its various occupants try to live under Nazi rule in their different ways: the bullying Hitler loyalists the Persickes, the retired judge Fromm and the unassuming couple Otto and Anna Quangel. Then the Quangels receive the news that their beloved son has been killed fighting in France. Shocked out of their quiet existence, they begin a silent campaign of defiance, and a deadly game of cat and mouse develops between the Quangels and the ambitious Gestapo inspector Escherich. When petty criminals Kluge and Borkhausen also become involved, deception, betrayal and murder ensue, tightening the noose around the Quangels' necks...
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Books of the Week: Monday, January 11, 2010
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Nina Power
Where have all the interesting women gone? If the contemporary portrayal of womankind were to be believed, contemporary female achievement would culminate in the ownership of expensive handbags, a vibrator, a job, a flat and a man. Of course, no one has to believe the TV shows, the magazines and adverts, and many don't. But how has it come to this? Did the desires of twentieth-century women's liberation achieve their fulfilment in the shopper's paradise of 'naughty' self-pampering, playboy bunny pendants and bikini waxes? That the height of supposed female emancipation coincides so perfectly with consumerism is a miserable index of a politically desolate time. Much contemporary feminism, particularly in its American formulation, doesn't seem too concerned about this coincidence. This short book is partly an attack on the apparent abdication of any systematic political thought on the part of today's positive, up-beat feminists. It suggests alternative ways of thinking about transformations in work, sexuality and culture that, while seemingly far-fetched in the current ideological climate, may provide more serious material for future feminism.
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Robert J. Fogelin
Taking Wittgenstein at His Word is an experiment in reading organized around a central question: What kind of interpretation of Wittgenstein's later philosophy emerges if we adhere strictly to his claims that he is not in the business of presenting and defending philosophical theses and that his only aim is to expose persistent conceptual misunderstandings that lead to deep philosophical perplexities? Robert Fogelin draws out the therapeutic aspects of Wittgenstein's later work by closely examining his account of rule-following and how he applies the idea in the philosophy of mathematics. The first of the book's two parts focuses on rule-following, Wittgenstein's 'paradox of interpretation', and his naturalistic response to this paradox, all of which are persistent and crucial features of his later philosophy. Fogelin offers a corrective to the frequent misunderstanding that the paradox of interpretation is a paradox about meaning, and he emphasizes the importance of Wittgenstein's often undervalued appeals to natural responses. The second half of the book examines how Wittgenstein applies his reflections on rule-following to the status of mathematical propositions, proofs, and objects, leading to remarkable, demystifying results. Taking Wittgenstein at His Word shows that what Wittgenstein claims to be doing and what he actually does are much closer than is often recognized. In doing so, the book underscores fundamental - but frequently underappreciated - insights about Wittgenstein's later philosophy.
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Books of the Week: Monday, December 28, 2009
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Harold Bloom
Harold Bloom's compelling attempt to uncover the mystery of both Prince Hamlet and the play, how both prince and drama are able to break through the conventions of theatrical mimesis and the representation of character, making us question the very nature of theatrical illusion.
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Sarah Bakewell
How to get on well with people, how to deal with violence, how to adjust to losing someone you love - such questions arise in most people's lives. They are all versions of a bigger question: how do you live? How do you do the good or honourable thing, while flourishing and feeling happy? This question obsessed Renaissance writers, none more than Michel Eyquem de Montaigne (1533-92), perhaps the first truly modern individual. A nobleman, public official and wine-grower, he wrote free-roaming explorations of his thought and experience, unlike anything written before. He called them 'essays', meaning 'attempts' or 'tries'. Into them, he put whatever was in his head: his tastes in wine and food, his childhood memories, the way his dog's ears twitched when it was dreaming, as well as the appalling events of the religious civil wars raging around him. "The Essays" was an instant bestseller, and over four hundred years later, Montaigne's honesty and charm still draw people to him. Readers come to him in search of companionship, wisdom and entertainment - and in search of themselves. This book - the first full life of Montaigne in English for nearly fifty years - relates the story of his life by way of the questions he posed and the answers he explored. It traces his bizarre upbringing (made to speak only Latin), youthful career and sexual adventures, his travels, and his friendships with the scholar and poet Etienne de La Boetie and with his adopted 'daughter', Marie de Gournay.
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Books of the Week: Monday, November 09, 2009
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Jack Goody
The idea of long-term European dominance is characteristic of most evolutionary theories of human culture and society in the nineteenth century. It was commonly believed that there was a natural progression from Antiquity through Feudalism to Capitalism which could not have taken place elsewhere. Today there are many who still believe that this progression was part of a European miracle that underlay the rise to global supremacy of the West. In this short book Jack Goody systematically dismantles this Eurocentric view of the world. He argues that we need to look, not for a European miracle, but rather for a Eurasian miracle that went back to the Urban Revolution of the Bronze Age, that affected the Near East, India and China well before Europe and that was much advanced by the adoption of writing. Under these conditions we find a long-term exchange of information between East and West, and the dominance of one followed by the dominance of the other - in other words, alternation rather than dominance. There were measures during the Renaissance in Europe that made for continuous growth, especially the secularization of learning, but it appears that the period of Western supremacy is now coming to an end and that we are about to experience a further alternation in favour of the East.
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Tzvetan Todorov
This brilliant and concise book from internationally renowned historian Tzvetan Todorov establishes the Enlightenment as the philosophical cornerstone of the modern world and argues that the wisdom of those times is just as relevant today. Although our liberal democracies are the offspring of the Enlightenment, they also illustrate the ways in which its ideas can be distorted and perverted. People living in these democracies today are often baffled by a host of phenomena which they don't know how to judge: globalisation and media omnipotence, state-sponsored torture and lies, moralism and the right of intervention, the domination of economics and the triumph of technology. Is it possible to distinguish between the Enlightenment's legitimate and illegitimate heirs? We cannot learn lessons from the past unless we know how to relate them to the present. In this brilliant and concise book, internationally renowned historian TT shows that what remains relevant to us today of the 18th-century debates is their spirit, as expressed in a number of crucial principles and values. "It is by criticizing the Enlightenment that we remain faithful to it."
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Books of the Week: Monday, November 02, 2009
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Jean Baudrillard
"Behind every image, something has disappeared. And that is the source of its fascination," writes French theorist Jean Baudrillard in Why Hasn't Everything Already Disappeared? In this, one of the last texts written before his death in 2007, Baudrillard meditates poignantly on the question of disappearance. Throughout, he weaves an intricate set of variations on his theme, ranging from the potential disappearance of humanity as a result of the fulfillment of its goal of world mastery to the vanishing of reality due to the continual transmutation of the real into the virtual. Along the way, he takes in the more conventional question of the philosophical 'subject,' whose disappearance has, in his view, been caused by a 'pulverization of consciousness into all the interstices of reality'. Interspersed throughout the text are photographs by Alain Willaume that help illustrate Baudrillard's argument. Baudrillard insists that with disappearance, strange things happen - some things that were eliminated or repressed may return in destructive viral forms - yet at the same time, he reminds us that disappearance has a positive aspect, as a 'vital dimension' of the existence of things.
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Paul Virilio
"The world of the future will be a tighter and tighter struggle against the limits of our intelligence," announced Norbert Wiener... On top of such confinement, today we are faced not only with the greenhouse effect of global warming but also that of incarceration within the tighter and tighter limits of an accelerating sphere, a dromosphere, where depletion of the time distances involved in the geodiversity of the Globe rounds off the depletion of the substances produced by biodiversity. An unanticipated victim of this geophysical foreclosure is science - not only biology but also physics, the 'Big Science' now confronted by the space-time contraction of the known world and of knowledge once acquired here below. Whence the threat, still unnoticed, of an accident in knowledge which will double the accident of polluted substances and put paid to this crisis of reason denounced by Husserl, with the extravagant quest for a substitute exoplanet, a new 'Promised Land' to be colonised as swiftly as possible; the climate necessary to the life of our minds, as much as to the life of our bodies, from then on, on this old Earth of ours, being like the fatal consequences of a long illness requiring hospitalisation.
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Books of the Week: Monday, October 26, 2009
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Soren Kierkegaard
Diary of a Seducer is the disturbing narrative of a man who explores his sense of detachment by deliberately arousing the passion of a young society girl. At the core of the Diary lies the conflict between the narrator's philosophical and intellectual search for aesthetic pleasure and the depth of suffering this ultimately inflicts. Inspired by events in Kierkegaard's own life that are still shrouded in mystery, this story is a vivid exploration of the complex psychology of cruelty and love. Diary of a Seducer is an autonomous part of the philosophical work Either/Or, which was published in 1843 and brought the author immediate fame.
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Marshall McLuhan
The essay is for exploring; the book, for explaining. Such was McLuhan’s philosophy about these two forms. The essay is the freer form and one better suited to exploration than the longer meditation, the book. This startling new series puts the reader in the place of colleague and co-researcher. Instead of giving the reader just another collection of articles and interviews, McLuhan Unbound gives you offprints of the original essays. See how the two McLuhans, the literary academic and the public media expert are really one. Some of these articles were written before the subsequent book was envisioned: they are preliminary forays into new territory. Some were written after the book and encapsulate major themes; some set out additional discoveries or matters left out of the book; some present material discovered as a result of writing the book. The McLuhan Unbound offprints series is not the last word in presenting McLuhan’s ideas and discoveries, but the first.
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Books of the Week: Monday, October 19, 2009
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Jim McGuigan
Thomas Frank coined the term 'the conquest of cool'. This book shows how this conquest is at the heart of the dynamics of contemporary capitalism. Jim McGuigan argues that 'cool capitalism' incorporates disaffection into capitalism itself, absorbing rebellion and thereby neutralising opposition to the present system of culture and society. McGuigan explores a huge variety of cultural examples, from the sleek images of mainstream advertising, to the fringes of artistic production, offering a vigorous critique of our understanding of subversion, resistance and counter-culturalism. Has capitalism really colonised our planet? McGuigan shows that there is still some space left for rebellion against the seductive power of the free market economy. Analysis in the book is dialectically complex yet it is written in a straightforward and accessible style that will give it a strong and lasting appeal for undergraduate students of cultural studies, sociology and economics.
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Susan Sontag
"I intend to do everything... I shall anticipate pleasure everywhere and find it too, for it is everywhere! I shall involve myself wholly ...everything matters!" This first selection from Susan Sontag's diaries (from 1947-1963) takes us from early adolescence through to when Sontag was in her early thirties. It is an astonishingly affecting and honest self-portrait which is also a fascinating, revealing account of an artist and critic being born. We see Sontag honing her skills and fashioning herself, by a supreme act of will, into an intellectual force.
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Books of the Week: Monday, October 12, 2009
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Raymond Carver
Tim O'Brien once said of Raymond Carver, 'He uses the English language like a whittler's knife, carving stark and unadorned prose-objects, paring away everything but the very core of human emotion'. Beginners is Carver's most famous collection of short stories - What We Talk About When We Talk About Love - before this whittling process had begun. It is the unedited version of the masterpiece which would be cut by almost fifty per cent by Carver's editor and mentor, Gordon Lish, before its original publication in 1981 and which would go on to become one of the most influential pieces of modern literature. Carver's preoccupation with the marrow of things is just as present in these longer stories. A young girl, dancing with her lover amidst the debris of an older man's life, has her first forewarning of the dangers of adulthood, and is filled with an 'unbearable happiness'. A man and woman lock themselves in a motel room and slowly, painfully, acknowledge the end of a relationship, while somewhere else in the lonely Midwest a man is photographed over and over again as he attempts to locate himself in a world that seems utterly without focus. But as we move through the manifold little tragedies at the heart of the ordinary - so much at the core of Carver's work - new layers, new nuances, new meanings reveal themselves. Where the Lish / Carver collaboration cut this collection to the 'linguistic bone', these fleshier stories say what was previously unsaid, filling in the narrative silences that have both inspired and mystified readers for so long.
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Karen Armstrong
The enormous popularity of books by Richard Dawkins, Christopher Hitchens, Sam Harris and others shows that despite the religious revival that is under way in many parts of the world, there is widespread confusion about the nature of religious truth. For the first time in history, a significantly large number of people want nothing to do with God. In the past people went to great lengths to experience a sacred reality that they called God, Brahman, Nirvana or Dao; indeed religion could be said to be the distinguishing characteristic of homo sapiens. But now militant atheists preach a gospel of godlessness with the zeal of Christian missionaries in the age of faith and find an eager audience. What has happened? Karen Armstrong argues that historically atheism has rarely been a denial of the sacred itself but has nearly always rejected a particular conception of God. During the modern period, the Christians of the West developed a theology that was radically different from that of the pre-modern age. Tracing the history of faith from the Palaeolithic Age to the present, Armstrong shows that until recently there was no warfare between science and religion. But science has changed the conversation. The meaning of words such as belief, faith, and mystery has been entirely altered, so that atheists and theists alike now think and speak about God - and, indeed, reason itself - in a way that our ancestors would have found astonishing. Why has the modern God become incredible? Has God a future in this age of aggressive scientific rationalism? Karen Armstrong suggests that if we draw creatively on the insights of the past, we can build a faith that speaks to the needs of our troubled and dangerously polarized world.
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Books of the Week: Monday, October 05, 2009
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David Nokes
Johnson, born weak and half-blind, shambolic and poverty-stricken, became the most admired and quoted man in the eighteenth century. Thrown out of Oxford for a lack of funds, he rose to celebrity: author of the Dictionary, a friend to the king, companion of Reynolds, Goldsmith and Garrick. David Nokes looks beyond Johnson's remarkable public persona and beyond the Johnson that Boswell to some extent created. Nokes looks at his troubled relationship with his first wife, whom he married for money but felt guilty about for the rest of his life; at his family, who haunted his dreams for years; and at his difficult, intimate relationship with Mrs Thrale. He shows a man who gave a quarter of the government pension he received to the poor, filled his home with the blind and destitute, and bequeathed his wealth to Frank Barber, an emancipated black slave brought from Jamaica. Insightful and engaging, Samuel Johnson draws an illuminating portrait of Johnson, his life and world.
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Adam Thirlwell
Haffner is charming, morally suspect, sexually omnivorous, vain. He is British and Jewish and a widower. But when was Haffner ever really married? Or Jewish? When was he ever attached? There are so many stories of Haffner: but this, the most secret, is the greatest of them all. In a spa town snug in the Alps, at the end of the twentieth century, the 78-year-old Haffner is seeking a cure, redress, more women; and ignoring the will of his wife. He is there to claim her inheritance: a villa on the outskirts of a forgotten spa town. But Haffner never does what he is told. On his arrival in the town, he has checked into the spa hotel - and tried to develop two affairs: a mildly successful affair with a younger woman whose breasts are lavish, and a much less successful affair with an even younger woman, whose breasts are the smallest he has ever known. And, intermittently, he has tried to secure the paperwork for the villa he never wanted. But gradually, in the tribulations of bureaucracy, he discovers that he wants this villa, very much. Now that he has to fight for it, he wants it. There are two character notes to Haffner: he is an egotist, and he adores women. A mediocre man, but a man of singular appetite. And so it is that, harried by his family, pursued by his women, menaced by bureaucrats, negotiating with the mafia, riven by his memory of the dead and of the missing, Haffner endures his many humiliations, as he tries to orchestrate his final escape, in the forgotten center of Europe. Through the story of his couplings and uncouplings, emerge the stories of Haffner's Twentieth Century. How can you ever desert from your past, your family, your history? That has been the problem of Haffner's life. How do you remain a libertine?
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Books of the Week: Monday, September 28, 2009
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J. N. Mohanty
Edmund Husserl (1859-1938), known as the founder of the phenomenological movement, was one of the most influential philosophers of the twentieth century. A prolific scholar, he explored an enormous landscape of philosophical subjects, including philosophy of mathematics, logic, theory of meaning, theory of consciousness and intentionality, and ontology, in addition to phenomenology. This deeply insightful book traces the development of Husserl's thought from his earliest investigations in philosophy - informed by his work as a mathematician - to his publication of Ideas in 1913. Jitendra Mohanty, an internationally renowned Husserl scholar, presents a masterful study that illuminates Husserl's central concerns and provides a definitive assessment of the first phases of the philosopher's career.
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Claude Hagege
Twenty-five languages die each year; at this pace, half the world's five thousand languages will disappear within the next century. In this timely book, Claude Hagege seeks to make clear the magnitude of the cultural loss represented by the crisis of language death. By focusing on the relationship of language to culture and the world of ideas, Hagege shows how languages are themselves crucial repositories of culture; the traditions, proverbs, and knowledge of our ancestors reside in the language we use. His wide-ranging examination covers all continents and language families to uncover not only how languages die, but also how they can be revitalized - for example in the remarkable case of Hebrew. In a striking metaphor, Hagege likens languages to bonfires of social behaviour that leave behind sparks even after they die; from these sparks languages can be rekindled and made to live again.
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Books of the Week: Monday, September 21, 2009
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Helen Rappaport
Conspirator is the compelling story of Lenin in exile. It tells how, for seventeen years, he lived a hand-to-mouth existence outside Russia, working towards the upheaval that in 1917 transformed the political landscape of Europe: the Russian Revolution. Constantly watched by the secret police, the arch conspirator and his cohorts were dependent on the protection of a shadowy network of like-minded friends and supporters. Obsessive, penniless and driven, they took huge risks to publish and smuggle back into Russia the samizdat literature that spread their message. Lenin was always on the move, between the great cities of Europe - Paris, London, Geneva, Brussels and Munich - and the rural backwaters of Finland and Poland. He led an uncertain life, often under assumed names, fleeing lodgings at a moment's notice and frequently short of food. Helen Rappaport's lively account describes Lenin's triumphs and the conflicts, personal and political, with those who shared his exile. She builds up a vivid picture of Russian emigre life and of how Lenin and the Bolsheviks worked to achieve his vision of a Soviet social democracy. She also explores the toll that their extraordinary existence took not just on Lenin but on the loyal group that surrounded him, and particularly on the women in his life: his long-suffering wife, Nadezhda Krupskaya, his mother-in-law, and his mistress, Inessa Armand, as well as his mother and sisters back home. This is a book alive with fascinating detail, from Lenin's 1908 visit to the celebrated writer Maxim Gorky in Capri for a restorative holiday, to his trips to the working-men's music halls of Montmartre in Belle Epoque Paris, and the story of the London detective who kept Lenin under surveillance, hiding in a cupboard in a room above a pub in Islington as the fledgling party congress fomented revolution. With much new material from rare and previously overlooked sources, Conspirator puts Lenin's pre-revolutionary struggle for change in Russia into the wider context of the international socialist movement, revealing the human side of this revolutionary figure. It is an unrivalled portrait of Lenin in the making.
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Books of the Week: Monday, September 14, 2009
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Friedrich Nietzsche
"The profoundest book there is, born from the innermost richness of truth, an inexhaustible well into which no bucket descends without coming up with gold and goodness." Thus Spoke Zarathustra (1885) was Nietzsche's own favourite among all his books and has proved to be his most popular, having sold millions of copies in many different languages. In it he addresses the problem of how to live a fulfilling life in a world without meaning, in the aftermath of 'the death of God'. Nietzsche's solution lies in the idea of eternal recurrence which he calls 'the highest formula of affirmation that can ever be attained'. A successful engagement with this profoundly Dionysian idea enables us to choose clearly among the myriad possibilities that existence offers, and thereby to affirm every moment of our lives with others on this 'sacred' earth. This translation of Zarathustra (the first new English version for over forty years, by Graham Parkes who also provides an excellent introduction to the text) conveys the musicality of the original German, and for the first time annotates the abundance of allusions to the Bible and other classic texts with which Nietzsche's masterpiece is in conversation.
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Henry Bond
What if Jacques Lacan -- the brilliant and eccentric Parisian psychoanalyst -- had worked as a police detective, applying his theories to solve crimes? This may conjure up a mental film clip starring Peter Sellers in a trench coat, but in Lacan at the Scene, Henry Bond makes a serious and provocative claim: that apparently impenetrable events of violent death can be more effectively unraveled with Lacan's theory of psychoanalysis than with elaborate, technologically advanced forensic tools. Bond's exposition on murder expands and develops a resolutely Žižekian approach. Seeking out radical and unexpected readings, Bond unpacks his material utilizing Lacan's neurosis-psychosis-perversion grid. Bond places Lacan at the crime scene and builds his argument through a series of archival crime scene photographs from the 1950s -- the period when Lacan was developing his influential theories. Bond takes us inside the perimeter set by police tape, guiding us into a series of explicit, even terrifying, murder scenes. It is not the horror of the ravished and mutilated corpses that draws his attention; instead, he interrogates seemingly minor details from the everyday, isolating and rephotographing what at first seems insignificant: a single high-heeled shoe on a kitchen table; carefully folded clothes placed over a chair; a plate of chocolate biscuits on a dinner table; lewd graffiti inscribed on a train carriage door; an arrangement of workman's tools in a forest clearing. From these mundane details he carefully builds a robust and comprehensive manual for Lacanian crime investigation that can stand beside the FBI's standard-issue Crime Classification Manual.
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Books of the Week: Monday, September 07, 2009
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John Banville
One long, languid midsummer’s day, the Godleys gather at the family home of Arden to attend their father’s bedside. Adam, the elder child, and Petra, only nineteen, find that relations with their mother, Ursula, and their dying father, old Adam, are as strained as ever. Adam’s relationship with his wife, Helen, seems too on the brink of collapse and Petra, fragile and deeply troubled, finds deepest relief in her own pain. The gods, those mischievous spirits, watch silently, flitting through this dark ménage. Unable to resist intervening in the mortals’ lives, they spy, tease and seduce, all the while looking upon the antics of their playthings with a mixture of mild bafflement and occasional envy. Old Adam – husband, father and esteemed mathematician – has made his name grappling with the concept of the infinite. His own time on earth seems to be running out, and his mind runs to disquieting memories. Little does he realize, as he lies mute but alert in the Sky room, that the gods are capable of interposing themselves in the action, and even changing time itself when it pleases them.
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Nicholson Baker
Nicholson Baker's new novel, The Anthologist, is narrated by Paul Chowder, a poet of some little reknown who is sitting in his barn most of the time trying to write the introduction to a new anthology of poetry called Only Rhyme. He's having a hard time getting started because his career is falling apart, his girlfriend Roz has recently left him, and he is thinking about the poets throughout history who have suffered far worse and actually deserve to feel sorry for themselves. He has also promised his readers that he will reveal many wonderful secrets and tips and tricks about poetry, and it looks like the introduction will be a little longer than he'd thought. What unfolds is a wholly entertaining and beguiling love story about poetry, among other things; Paul tells us about all of the great poets, from Tennyson, Swinburne, and Yeats to the moderns (Roethke, Bogan, Merwin) to the contemporary scene as well as the editorial staff of The New Yorker's editorial department. And what he reveals about the rhythm and music of poetry itself is astonishing and makes you realize how incredibly important poetry is to our lives. At the same time, Paul manages just barely to realize all of this himself and what results is a tender, wonderfully romantic, often hilarious, and inspired novel.
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Books of the Week: Monday, July 20, 2009
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Leland De la Durantaye
Giorgio Agamben is a philosopher well known for his brilliance and erudition, as well as for the difficulty and diversity of his seventeen books. The interest which his Homo Sacer sparked in America is likely to continue to grow for a great many years to come. Giorgio Agamben: A Critical Introduction presents the complexity and continuity of Agamben's philosophy—and does so for two separate and distinct audiences. It attempts to provide readers possessing little or no familiarity with Agamben's writings with points of entry for exploring them. For those already well acquainted with Agamben's thought, it offers a critical analysis of the achievements that have marked it.
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Books of the Week: Monday, June 29, 2009
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Marcel Proust
The Lemoine Affair was inspired by the real-life French scandal involving Henri Lemoine, who claimed he could manufacture diamonds from coal and convinced numerous people — including officers of the De Beers diamond mine company and Proust himself — to invest in the scheme. In a series of pastiches — imitations written in the style of other writers — Proust tells the story of the embarrassment rippling across high society Paris in the wake of the scandal, poking fun at himself (in one story, a character declares that Marcel Proust is so embarrassed he’s suicidal) while lampooning some of France’s greatest writers, including Flaubert, Balzac, and Saint-Simon. Full of sophisticated wit and dazzling wordplay, and rife with allusions to his friend and fictional characters, many Proust scholars see the dead-on mimicry of The Lemoine Affair — written soon after Proust’s rejection of society life—as the work by which he honed his own unique, masterly voice.
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Jacques Derrida
With death looming, Jacques Derrida, the world's most famous philosopher sat down with journalist Jean Birnbaum of the French daily Le Monde. They revisited his life's work and his impending death in a long, surprisingly accessible, and moving final interview. The Derrida found in this book is open and engaging, reflecting on a long career challenging important tenets of European philosophy from Plato to Marx. The contemporary meaning of Derrida's work is also examined, including a discussion of his many political activities. But, as Derrida says, "To philosophize is to learn to die"; as such, this philosophical discussion turns to the realities of his imminent death — including life with a fatal cancer. In the end, this interview remains a touching final look at a long and distinguished career.
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Books of the Week: Monday, June 22, 2009
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The Invisible Committee
The Coming Insurrection is an eloquent call to arms arising from the recent waves of social contestation in France and Europe. Written by the anonymous Invisible Committee in the vein of Guy Debord—and with comparable elegance—it has been proclaimed a manual for terrorism by the French government (who recently arrested its alleged authors). One of its members more adequately described the group as "the name given to a collective voice bent on denouncing contemporary cynicism and reality." The Coming Insurrection is a strategic prescription for an emergent war-machine to "spread anarchy and live communism." Written in the wake of the riots that erupted throughout the Paris suburbs in the fall of 2005 and presaging more recent riots and general strikes in France and Greece, The Coming Insurrection articulates a rejection of the official Left and its reformist agenda, aligning itself instead with the younger, wilder forms of resistance that have emerged in Europe around recent struggles against immigration control and the "war on terror." Hot-wired to the movement of '77 in Italy, its preferred historical reference point, The Coming Insurrection formulates an ethics that takes as its starting point theft, sabotage, the refusal to work, and the elaboration of collective, self-organized forms-of-life. It is a philosophical statement that addresses the growing number of those—in France, in the United States, and elsewhere—who refuse the idea that theory, politics, and life are separate realms.
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Declan Kiberd
This great modernist masterpiece, which for many readers seems so intimidating, is one of the great books that can teach us how to live better lives. Declan Kiberd shows that Ulysses, far from being the epitome of elitism, was always intended as a book for the common people, rooted in their experience and offering a democratic and humane vision of a tolerant, decent life under the dreadful pressures of the modern world. Leopold Bloom, the half-Jewish Irishman who is the book’s hero, shows the young Stephen Dedalus (modelled on Joyce himself) how he can grow and mature as an artist and an adult human being. Bloom has learned to live with contradictions, with anxiety and sexual jealousy, and with the rudeness and racism of the people he encounters in the streets of Dublin. In his apparently banal way he sees deeper than any of them. He embodies an intensely ordinary kind of wisdom, Kiberd argues, and in this way offers us a model for living well, in the tradition of Homer, Dante and the Bible - all sources that Joyce drew on in the writing of his book. Ulysses and Us can also be read as a guide to Joyce, his novel and its context in the history of Ireland, and of Dublin, where the action of Ulysses takes place over a single day. Ulysses continues to be one of the central books of the twentieth century and this is an audacious new take on it, designed to remove it from the claustrophobic atmosphere of the Joyce industry and restore it to its shocking, democratic origins. Kiberd has written a moving and controversial book, free of literary-critical jargon and specialist concerns. With it he confirms his position as one of Ireland’s leading public intellectuals.
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Books of the Week: Monday, June 15, 2009
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Lynette Roberts
In 1939, following her marriage, the poet Lynette Roberts went to live in a small village in Wales. This experience, both enriching and isolating, became the source of some of her extraordinary poetry. Her diary observes daily life in a Welsh village in wartime with a poetic intensity: communal harvest, the arrival of evacuees, a frozen water pump, the cadences of voices and the effects of light and rain. Seven haunting stories weave modernist myths of Wales, while her magazine articles explore Welsh life with an anthropologist's eye. Roberts's restless intelligence never limits itself to the local. She writes about Picasso and Le Corbusier, about a visit to Spain on the trail of Lorca, the solemn drama of afternoon tea with the Sitwells, the comic disaster of taking her young children to visit T.S. Eliot. Enquiring, unsentimental, wryly humorous, Roberts engages us with her speaking voice. The publication of Lynette Roberts's Collected Poems in 2005 restored her to her place in twentieth-century poetry. This collection of her prose writings, most published here for the first time, accompanied by evocative family photographs, discloses the world that she transformed into poetry.
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Sianne Ngai
Envy, irritation, paranoia - in contrast to powerful and dynamic negative emotions like anger, these non-cathartic states of feeling are associated with situations in which action is blocked or suspended. In her examination of the cultural forms to which these affects give rise, Sianne Ngai suggests that these minor and more politically ambiguous feelings become all the more suited for diagnosing the character of late modernity. Along with her inquiry into the aesthetics of unprestigious negative affects such as irritation, envy, and disgust, Ngai examines a racialised affect called "animatedness", and a paradoxical synthesis of shock and boredom called "stuplimity". She explores the politically equivocal work of these affective concepts in the cultural contexts where they seem most at stake, from academic feminist debates to the Harlem Renaissance, from late-20th Century American poetry to Hollywood film and network television. Through readings of Herman Melville, Nella Larsen, Sigmund Freud, Alfred Hitchcock, Gertrude Stein, Ralph Ellison, John Yau, and Bruce Andrews, among others, Ngai shows how art turns to ugly feelings as a site for interrogating its own suspended agency in the affirmative culture of a market society, where art is tolerated as essentially unthreatening.
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Books of the Week: Monday, June 08, 2009
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Jeremy Keenan
The world is a very big place, so it is easy to take your eye off all of the ball and focus on just one tiny part. Whilst the media decides that at any particular moment our attention should be focussed on Iraq or Iran or North Korea lots of other things are, inevitably, going on in lots of other places. Whilst few of us have the time or energy or intellectual capability to be experts on the entire gamut of global foreign policy, we should at least be aware then when one particular country is nominated for attention as Public Enemy Number One that means that issues in the rest of the world are, simultaneously, being quite deliberately pushed off the news agenda. Whilst the world's attention has recently been focussed on the problems of the Middle East, the administration of George Bush II was building a worryingly substantial military presence in Africa. Ostensibly, this was to "combat the growth of Al-Qaeda in Somalia, Algeria and other countries on the continent." Jeremy Keenan shows, however, in his shocking and excellent book Dark Sahara: America's War on Terror in Africa, that it is a myth to suggest that Africa is a dangerous hot-bed of Islamist terrorism. According to Keenan, the American government -- along with the anti-Islamic government of Algeria -- "were responsible for hostage takings blamed on Islamic militants... allowing the US to establish military bases in the region and pursue multiple imperial objectives in the name of security." This is a disquieting book, but an essential one, showing that it is America's interference in the 'dark continent' that is making it such a dangerous place creating chaos that supports and advances America's own neo-imperialist agenda. Sadly, America is not the world's blameless white knight, and Africa-expert Jeremy Keenan is to be congratulated for showing just how far its actions diverge from its profoundly inaccurate self-image.
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Chloe Aridjis
Adrift in Berlin and with no desire to return home to Mexico, Tatiana cultivates solitude while trying to distance herself from the city's past. Yet the phantoms of Berlin - seeping in through the floorboards of her apartment, lingering in the abandoned subterranea - are more alive to her than the people she passes on her daily walks. When she takes a job transcribing notes for the reclusive historian Doktor Weiss, her life in Berlin becomes more complex. Through Weiss, she meets Jonas, a meteorologist who, as a child in the GDR, took solace in the sky's constant shape-shifting, an antidote to his unyielding and grim reality. As their three paths intersect and merge, the contours of all their worlds begin to change. Unfolding with the strange, charged logic of a dream, Book of Clouds is a haunting, beautifully drawn portrait of a city forever in flux, and of the myths we cling to in order to give shape to our lives. From a crowded U-Bahn where Hitler appears dressed as an old woman, to an underground Gestapo bowling alley whose walls bear score marks of games long settled, Chloe Aridjis guides us through Berlin with wit and compassion, showing why cities, like people, cannot outrun their pasts.
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Books of the Week: Monday, June 01, 2009
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Charity Scribner
In Requiem for Communism Charity Scribner examines the politics of memory in post-industrial literature and art. Writers and artists from Europe's second world have responded to the last socialist crisis with works that range from sober description to melancholic fixation. This book is the first survey of this cultural field. For many writers and artists on the left, the fallout of the last century's socialist crisis calls for an elegy. This regret has prompted a proliferation of literary texts and artworks, as well as a boom in museum exhibitions that race to curate the wreckage of socialism and its industrial remnants. The best of these works do not take us back to the factory. Rather they look for something to take out of it: the intractable moments of solidarity among men and women that did not square with the market or the plan. Requiem for Communism explores a selection of signal works. They include John Berger's narrative trilogy Into Their Labors; Documenta, the German platform for contemporary art and ideas; Krzysztof Kieslowski's cinema of mourning and Andrzej Wajda's filmed chronicles of the Solidarity movement; the art of Joseph Beuys and Rachel Whiteread; the novels of Christa Wolf; and Leslie Kaplan's antinostalgic memoir of women's material labour in France. Sorting among the ruins of the second world, the critical minds of contemporary Europe aim to salvage both the remains of socialist ideals and the latent feminist potential that attended them.
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Compiled by J. C. Squire
When it was first published in 1927, The Cambridge Book of Lesser Poets was intended by its compiler, Sir John Collings Squire, to complement the well-known poetry anthologies of Francis Turner Palgrave and Sir Arthur Quiller-Couch. Squire began the task of assembling his anthology by deliberately omitting over one hundred greater poets, giving precedence to Nicholas Breton and John Clare in the place of Shakespeare and Tennyson. Although some familiar names such as Thomas Dekker, John Bunyan, Washington Irving, and Herman Melville appear in the collection, the focus remains on those who lack prominence in the canon, including many medieval poets whose identities are unknown. Drawing together a considerable number of first-rate and undervalued poets, The Cambridge Book of Lesser Poets is an essential supplement to the traditional anthologies of English verse of the past.
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Books of the Week: Monday, May 25, 2009
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Rainer Maria Rilke
While his old furniture rots in storage, Malte Laurids Brigge lives in a cheap room in Paris, with little but a library reader's card to distinguish him from the city's untouchables. Every person he sees seems to carry their death with them, and he thinks of the deaths, and ghosts, of his aristocratic family, of which only he remains. The only novel by one of the greatest writers of poetry in German, the semi-autobiographical Notebooks is an uneasy, compelling and poetic book that anticipated Sartre and is full of passages of lyrical brilliance. Michael Hulse's new translation perfectly conveys the unsettling beauty of the original and is accompanied by an introduction on Rilke's life and the biographical and literary influences on the Notebooks. This edition also includes suggested further reading, a chronology and notes.
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Robert Alter
A translation of the Book of Genesis, which attempts to recover the meanings of the ancient Hebrew and convey them in modern English prose. It is accompanied by a commentary and annotations, and aims to illuminate the original work without any touch of the fake antique by the noted Biblical scholar Robert Alter, the Class of 1937 Professor of Hebrew and Comparative Literature at the University of California, Berkeley. James Wood declared it a "remarkable translation... a monument of scholarship... Alter brings a kind of sensitivity to bear on moment after moment of his translation..."
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Books of the Week: Monday, May 18, 2009
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Terry Eagleton
Terry Eagleton's witty and polemical Reason, Faith, and Revolution is bound to cause a stir among scientists, theologians, people of faith and people of no faith, as well as general readers eager to understand the God Debate. On the one hand, Eagleton demolishes what he calls the 'superstitious' view of God held by most atheists and agnostics, and offers in its place a revolutionary account of the Christian Gospel. On the other hand, he launches a stinging assault on the betrayal of this revolution by institutional Christianity.There is little joy here, then, either for the anti-God brigade -- Richard Dawkins and Christopher Hitchens in particular -- nor for many conventional believers. Instead, Eagleton offers his own vibrant account of religion and politics in a book that ranges from the Holy Spirit to the recent history of the Middle East, from Thomas Aquinas to the Twin Towers.
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Alwyn W. Turner
One of the most important jobs that history can do is to make what we think is familiar strange again. When we become estranged from engrained patterns of thinking we can then begin to think more clearly about a subject. We think we know how Britain was in the Seventies; and we think we know it was rubbish! Rubbish fashion, rubbish politics, rubbish industrial relations and rubbish not being collected because the binmen were on strike because of the rubbish industrial relations again! But Alwyn W. Turner's Crisis? What Crisis?: Britain in the 1970s reminds us there was far more to the Seventies than flares and flock wallpaper. In many ways, the Seventies was a golden decade: it was when much that was started in the vaunted Sixties actually happened. For instance, wealth inequality was "at a record low" and, key for Turner's narrative, it was when popular culture really began to dominate the mainstream. The fascist National Front might have been on the march, inflation might have been on the rise, and power cuts might have been on everyone's mind, but Morecambe & Wise was on the telly, Get Carter was on at the pictures, and glam rock was giving way to the energy and DIY radicalism of punk. Turner never pretends that, for instance, the Troubles in Northern Ireland weren't tragic nor that that shameful racism of an Enoch Powell wasn't unforgiveably troubling, but he does remind us that, for many in Britain, the Seventies was a decade we could do well to remember properly and that means seeing past the cliche that it has become and understanding the past for what it really was.
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Books of the Week: Monday, May 11, 2009
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Ilinca Zarifopol-Johnston
Ilinca Zarifopol-Johnston's critical biography of the Romanian-born French philosopher E.M. Cioran focuses on his crucial formative years as a mystical revolutionary attracted to right-wing nationalist politics in interwar Romania, his writings of this period, and his self-imposed exile to France in 1937. This move led to his transformation into one of the most famous French moralists of the 20th century. As an enthusiast of the anti-rationalist philosophies widely popular in Europe during the first decades of the 20th century, Cioran became an advocate of the fascistic Iron Guard.In her quest to understand how Cioran and other brilliant young intellectuals could have been attracted to such passionate national revival movements, Zarifopol-Johnston, herself a Romanian emigre, sought out the aging philosopher in Paris in the early 1990s and retraced his steps from his home village of Rasinari and youthful years in Sibiu, through his student years in Bucharest and Berlin, to his early residence in France. Her portrait of Cioran is complemented by an engaging autobiographical account of her rediscovery of her own Romanian past.
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Nicholas Royle
Jacques Derrida (1930-2004) was the most original and inspiring writer and philosopher of our time. In a series of distinctive essays that are at once self-contained and intricately linked, Royle explores the legacies of Derrida's thinking in the context of philosophy, language, globalisation, war, terrorism, justice, the democracy to come, poetry, literature, memory, mourning, the gift, friendship and dreams. Lucid, inventive and at times funny, Royle allows us to appreciate how much Derrida's work has altered the ways we read and think. Autobiography, children's literature, the Gothic and modernist fiction, for example, figure together with philosophy, queer studies, speech act theory and psychoanalysis. The writings of Horace Walpole, Herman Melville, E.M. Forster, Elizabeth Bowen, Joe Brainard and David McKee are illuminatingly put in play alongside Shakespeare. Royle's book suggests that one of Derrida's most profound legacies has to do with the combination of responsibility and freedom his work inspires for both reading and writing. In Memory of Jacques Derrida offers an exceptionally clear overview of Derrida's work, while also tracing directions in which it might productively be read in the future.
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Books of the Week: Monday, May 04, 2009
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David Stubbs
Modern art is a mass phenomenon. Conceptual artists like Damien Hirst enjoy celebrity status. Works by 20th century abstract artists like Mark Rothko are selling for record breaking sums, while the millions commanded by works by Andy Warhol and Francis Bacon make headline news. However, while the general public has no trouble embracing avant garde and experimental art, there is, by contrast, mass resistance to avant garde and experimental music, although both were born at the same time under similar circumstances - and despite the fact that from Schoenberg and Kandinsky onwards, musicians and artists have made repeated efforts to establish a "synaesthesia" between their two media. This book examines the parallel histories of modern art and modern music and examines why one is embraced and understood and the other ignored, derided or regarded with bewilderment, as noisy, random nonsense perpetrated by, and listened to by the inexplicably crazed. It draws on interviews and often highly amusing anecdotal evidence in order to find answers to the question: Why do people get Rothko and not Stockhausen?
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Kevin Jackson
The moose, or 'elk' in Europe, is generally found in the temperate to subarctic forests of the Northern Hemisphere. In North America, that includes almost all of Canada, most of central and western Alaska, much of New England, the upper Rocky Mountains, Northeastern Minnesota, and Michigan's Upper Peninsula and Isle Royale in Lake Superior. Small but present moose populations have been verified as far south as the mountains of Colorado. Moose have been hunted for food since the Stone Age, are considered the national animal of Sweden and Norway, and the moose occurs frequently in the popular culture of the Northern Hemisphere, from the logo of Abercrombie and Fitch to Bullwinkle, of The Rocky and Bullwinkle Show. Kevin Jackson's Moose describes and discusses moose evolution, diet, behaviour and environment, as well as every major aspect of the interactions between man and moose, from Julius Caesar's first mention of 'alces' in his history of the Gallic Wars to the planned construction of a 45-metre-high wooden moose in Sweden. Among the leading human figures in this story are Thomas Jefferson and Buffon, the great English painter George Stubbs, Henry David Thoreau, Theodore Roosevelt and his Bull moose party and the poets Ted Hughes and Anne Sexton.The book also includes much colourful moose lore, such as the belief that moose hoof could cure epilepsy; an explanation of why Roosevelt called his breakaway political movement the Bull Moose Party; a fascinating digression on the Enlightenment controversy over moose and the Irish Elk; and why the moose is really an elk, and the elk is really a wapiti. Containing many illustrations of moose from nature and culture, and full of little-known fact and anecdote about this familiar and much-loved animal, Moose will appeal to cultural historians, literati, moose lovers, naturalists, zoologists and eccentrics everywhere.
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Books of the Week: Monday, April 27, 2009
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Owen Hatherley
This book is a defence of Modernism against its defenders. In readings of modern design, film and especially architecture, it attempts to reclaim a revolutionary modernism against its absorption into the heritage industry and the aesthetics of the luxury flat. Militant Modernism argues for a Modernism of everyday life, immersed in questions of socialism, sexual politics and technology. It features new readings of some familiar names - Bertolt Brecht, Le Corbusier, Vladimir Mayakovsky - and much more on the lesser known, quotidian modernists of the 20th century. The chapters range from a study of industrial and brutalist aesthetics in Britain, Russian Constructivism in architecture, the Sexpol of Wilhelm Reich in film and design, and the alienation effects of Brecht and Hanns Eisler on record and on screen. Against the world of 'there is no alternative', this book tries to excavate Modernism’s other futures.
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Tristram Hunt
Friedrich Engels is one of the most attractive and contradictory figures of the nineteenth century. Born to a prosperous mercantile family in west Germany, he spent his career working in the Manchester cotton industry, riding to the Cheshire hounds, and enjoying the comfortable, middle-class life of a Victorian gentleman. Yet Engels was also the co-founder of international communism - the philosophy which in the 20th century came to control one third of the human race. He was the co-author of The Communist Manifesto, a ruthless party tactician, and the man who sacrificed his best years so Karl Marx could write Das Kapital. Tristram Hunt relishes the diversity and exuberance of Engels' era: how one of the great bon viveurs of Victorian Britain reconciled his raucous personal life with this uncompromising political philosophy.Set against the backdrop of revolutionary Europe and industrializing England - of Manchester mills, Paris barricades, and East End strikes - it is a story of devoted friendship, class compromise, ideological struggle, and family betrayal.
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Books of the Week: Monday, April 13, 2009
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Matthew Cobb
The French resistance to Nazi occupation during World War II was a struggle in which ordinary people fought for their liberty, despite terrible odds and horrifying repression. Hundreds of thousands of Frenchmen and women carried out an armed struggle against the Nazis, producing underground anti-fascist publications and supplying the Allies with vital intelligence. Based on hundreds of French eye-witness accounts and including recently-released archival material, The Resistance uses dramatic personal stories to take the reader on one of the great adventures of the 20th century. The tale begins with the catastrophic Fall of France in 1940, and shatters the myth of a unified Resistance created by General de Gaulle. In fact, De Gaulle never understood the Resistance, and sought to use, dominate and channel it to his own ends. Brave men and women set up organisations, only to be betrayed or hunted down by the Nazis, and to die in front of the firing squad or in the concentration camps. Over time, the true story of the Resistance got blurred and distorted, its heroes and conflicts were forgotten as the movement became a myth. By turns exciting, tragic and insightful, The Resistance reveals how one of the most powerful modern myths came to be forged and provides a gripping account of one of the most striking events in the 20th century.
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Kenneth Steven
In the summer of 2008, Kenneth Steven moved house, leaving behind the small square of ground that had been his garden for many years: a place of solitude, contemplation, observance and simple relaxation - a place for the mind to wander as the seasons pass. In Making the Known World New, this small oasis inspires reflections full of wonder at the variety, beauty, determination and sheer audacity of nature in a confined space. Acting as a microcosm, the garden also kindles thoughts of the wider world and the threat it faces. Each chapter is accompanied by poetry, complimenting and contextualizing the prose, making the know world new...
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Books of the Week: Monday, April 06, 2009
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Ulrika Maude
Critics have often focused on interiority in Beckett's works, privileging the mind over the body. In this new approach, the first sustained analysis of embodiment in Beckett's prose, drama and media works, Ulrika Maude argues that physical and sensory experience is in fact central to the understanding of Beckett's writing. In innovative readings of sight, hearing, touch and movement in the full range of Beckett's works, Ulrika Maude uncovers the author's effort to shed light on embodied experience, paying attention to Beckett’s interests in medicine and body-altering technologies such as prostheses. Through these material, bodily, concerns Beckett explores wider themes of subjectivity and experience, interiority and exteriority, foregrounding the inextricable relationship between the body, the senses and the self. This important new study offers a novel approach to Beckett, one in which the body takes its rightful place alongside the mind.
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Kathryn Sutherland
Through three intertwined histories Jane Austen's Textual Lives offers a new way of approaching and reading a very familiar author. One is a history of the transmission and transformation of Jane Austen through manuscripts, critical editions, biographies, and adaptations; a second provides a conspectus of the development of English Studies as a discipline in which the original and primary place of textual criticism is recovered; and a third reviews the role of Oxford University Press in shaping a canon of English texts in the twentieth century. Jane Austen can be discovered in all three. Since her rise to celebrity status at the end of the nineteenth century, Jane Austen has occupied a position within English-speaking culture that is both popular and canonical, accessible and complexly inaccessible, fixed and certain yet wonderfully amenable to shifts of sensibility and cultural assumptions. The implied contradiction was represented in the early twentieth century by, on the one hand, the Austen family's continued management, censorship, and sentimental marketing of the sweet lady novelist of the Hampshire countryside; and on the other, by R. W. Chapman's 1923 Clarendon Press edition of the Novels of Jane Austen, which subjected her texts to the kind of scholarly probing reserved till then for classical Greek and Roman authors obscured by centuries of attrition. It was to be almost fifty years before the Clarendon Press considered it necessary to recalibrate the reputation of another popular English novelist in this way. Beginning with specific encounters with three kinds of textual work and the problems, clues, or challenges to interpretation they continue to present, Kathryn Sutherland goes on to consider the absence of a satisfactory critical theory of biography that can help us address the partial life, and ends with a discussion of the screen adaptations through which the texts continue to live on. Throughout, Jane Austen's textual identities provide a means to explore the wider issue of what text is and to argue the importance of understanding textual space as itself a powerful agent established only by recourse to further interpretations and fictions.
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Books of the Week: Monday, March 30, 2009
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Paul Glennie
Timekeeping is an essential activity in the modern world, and we take it for granted that our lives are shaped by the hours of the day. Yet what seems so ordinary today is actually the extraordinary outcome of centuries of technical innovation and circulation of ideas about time. Shaping the Day is a pathbreaking study of the practice of timekeeping in England and Wales between 1300 and 1800. Drawing on many unique historical sources, ranging from personal diaries to housekeeping manuals, Paul Glennie and Nigel Thrift illustrate how a particular kind of common sense about time came into being, and how it developed during this period. Many remarkable figures make their appearance, ranging from the well-known, such as Edmund Halley, Samuel Pepys, and John Harrison, who solved the problem of longitude, to less familiar characters, including sailors, gamblers, and burglars. Overturning many common perceptions of the past-for example, that clock time and the industrial revolution were intimately related-this unique historical study will engage all readers interested in how 'telling the time' has come to dominate our way of life.
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Alicia Suskin Ostriker
Quoting King Solomon's famous prayer to God at the Temple in Jerusalem, "Behold, the heaven of heavens cannot contain thee; how much less this house that I have builded," Alicia Suskin Ostriker posits a God who cannot be contained by dogma and doctrine. Troubled by the way the Bible has become identified in our culture with a monolithic authoritarianism, Ostriker focuses instead on the extraordinary variability of Biblical writing. For the Love of God: The Bible as an Open Book is a provocative and inspiring re-interpretation of six essential Biblical texts: The Song of Songs, the Book of Ruth, Psalms, Ecclesiastes, Jonah, and Job. In prose that is personal and probing, analytically acute and compellingly readable, Ostriker sees these writings as "counter-texts," deviating from convention yet deepening and enriching the Bible, our images of God, and our own potential spiritual lives. Attempting to understand "some of the wildest, strangest, most splendid writing in Western tradition," she shows how the Bible embraces sexuality and skepticism, boundary crossing and challenges to authority, how it illuminates the human psyche and mirrors our own violent times, and how it asks us to make difficult choices in the quest for justice. For better or worse, our society is wedded to the Bible. But according to Talmud, "There is always another interpretation." Ostriker demonstrates that the Bible, unlike its reputation, offers a plenitude of surprises.
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Books of the Week: Monday, March 23, 2009
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Anita Brookner
Paul Sturgis is a retired banker manager who lives alone in a dark little flat. He walks alone and dines alone, seeking out and taking pleasure in small exchanges with strangers: the cheerful Australian girl who cuts his hair, the lady at the drycleaners. His only relative, and only acquaintance, is a widowed cousin by marriage - herself a virtual stranger - to whom he pays ritualistic visits on a Sunday afternoon. Trying to make sense of his current solitary state, and fearing that his destiny may be to die among strangers, Sturgis trawls through memories of his failed relationships and finds himself longing for companionship, or at the very least a conversation. But then a chance encounter with a stranger - a recently divorced and demanding younger woman - shakes up his routine and when an old girlfriend appears on the scene, Sturgis is forced to make a decision about how (and with whom) he wants to spend the rest of his days...
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Hubert Damisch
Piero della Francesca’s Madonna del Parto, a celebrated fifteenth-century Tuscan fresco in which the Virgin gestures to her partially open dress and her pregnant womb, is highly unusual in its iconography. Hubert Damisch undertakes an anthropological and historical analysis of an artwork he constructs as a childhood dream of one of humanity’s oldest preoccupations, the mysteries of our origins, of our conception and birth. At once parodying and paying homage to Freud’s seminal essay on Leonardo da Vinci, Damisch uses Piero’s enigmatic painting to narrate our archaic memories. He shows that we must return to Freud because work in psychoanalysis and art has not solved the problem of what is being analyzed: in the triangle of author, work, and audience, where is the psychoanalytic component located?
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Books of the Week: Monday, March 16, 2009
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Sara Guyer
Romanticism After Auschwitz reveals how post-Holocaust testimony remains romantic, and shows why romanticism must therefore be rethought. The book argues that what literary historians have traditionally called “romanticism,” and characterized as a literary movement stretching roughly between 1785 and 1832, should be redescribed in light of two circumstances. The first is the specific inadequacy of literary-historical models before “romantic” works. The second is the particular function that these unsettling aspects of “romantic” works have after Auschwitz. The book demonstrates that certain figures (of speech, writing, and argument) central to normative accounts of “romanticism,” serve in their most radical—most genuinely “romantic”—form as vehicles for posing a conception of life (and death) revealed in the camps. In these pages, Agamben meets Wordsworth, Shakespeare meets Celan, film meets lyric poetry, survivors’ accounts meet fiction, de Man encounters Nancy. The book offers new readings of highly canonical works—Mary Shelley’s Frankenstein, Wordsworth and Coleridge’s Lyrical Ballads, Alain Resnais’s Night and Fog—and introduces unfamiliar texts. It elaborates a fascinating account of the rhetoric of ethical dispositions and gives its readers an attentive, moving way of understanding the condition of human survival after the Holocaust.
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Walter Redfern
The culmination of a lifetime's fascination with humour in all its forms, this book is the first in any language to embrace such an impressive span of authors and such a broad range of topics in French literary humour. In nine wide-ranging chapters Walter Redfern considers diverse writers and topics, including: Diderot, viewed as a laughing philosopher, mainly through his fiction (Les Bijoux indiscrets, Le Neeu de Rameau, and Jacques le fataliste); humourlessness, corraling Rousseau, Sade, the Christian God, and Jean-Pierre Brisset; the aesthete Huysmans, in both his avatars, Symbolist and Naturalist (A Rebours, Sac au dos, and other texts); the dramatic use of parrots by Flaubert, Queneau, and Beckett; Vallès and la blague; exaggeration in Vallès and Céline (Mort à credit and L'Enfant); the fiction, plays, and autobiography of Sartre; bad jokes in Beckett; wordplay in Tournier's fiction (especially Roi des aulnes and Les Météores). Five interleaved 'riffs' on laughter, dreams, black humour, politics, and taste, carry the enquiry into questions of humour outside of the purely French context, enhancing a book that impresses as much with its vivacity of style as with the breadth and depth of its scholarship.
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Books of the Week: Monday, March 09, 2009
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Álvaro Uribe
Sixteen of Mexico’s finest fiction writers born after 1945 are collected in this compelling bilingual anthology, offering a glimpse of the rich tapestry of Mexican fiction, from small-town dramas to tales of urban savagery. Many of these writers, and most of these stories, have never before appeared in English. Readers will meet an embalmed man positioned in front of the TV, a mariachi singer suffering from mediocrity, a man’s lifelong imaginary friend, and the town prostitute whose funeral draws a crowd from the highest rungs of the social ladder. The writers that Mexican editor Álvaro Uribe selected for this volume are deeply engaged in the literary life of Mexico and include prominent editors, translators, columnists, professors, and even the young founder of a new publishing collective. Between them they have received dozens of prizes, from the Xavier Villaurrutia prize to Guggenheim fellowships and other international awards.
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Frank Close
Antimatter explores a strange mirror world, where particles have identical yet opposite properties to those that make up the familiar matter we encounter everyday; where left becomes right, positive becomes negative; and where, should matter and antimatter meet, the two annihilate in a blinding flash of energy that makes even thermonuclear explosions look feeble by comparison. It is an idea long beloved of science-fiction stories - but here, renowned science writer Frank Close shows that the reality of antimatter is even more fascinating than the fiction itself. We know that once, antimatter and matter existed in perfect counterbalance, and that antimatter then perpetrated a vanishing act on a cosmic scale that remains one of the greatest mysteries of the universe. Today, antimatter does not exist normally, at least on Earth, but we know that it is real for scientists are now able to make small pieces of it in particle accelerators, such as that at CERN in Geneva. Looking at the remarkable prediction of antimatter and how it grew from the meeting point of relativity and quantum theory in the early 20th century, at the discovery of the first antiparticles, at cosmic rays, annihilation, antimatter bombs, and antiworlds, Close separates the facts from the fiction about antimatter, and explains how its existence can give us profound clues about the origins and structure of the universe.
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Books of the Week: Monday, March 02, 2009
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Philip Davis
Why Victorian Literature Still Matters is a passionate defense of Victorian literature's enduring impact and importance for readers interested in the relationship between literature and life, reading and thinking. This title explores the prominence of Victorian literature for contemporary readers and academics, through the author's unique insight into why it is still important today. It provides new frames of interpretation for key Victorian works of literature and close reading of important texts. It argues for a new engagement with Victorian literature, from general readers and scholars alike. It seeks to remove Victorian literature from an entrenched set of values, traditions and perspectives - demonstrating how vital and resonant it is for modern literary and cultural analysis.
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Sasa Stanisic
Aleksandar is Comrade-in-Chief of fishing, the best magician in the non-aligned States and painter of unfinished things. He knows the first chapter of Marx's Das Kapital by heart but spends most of his time playing football in the Bosnian town of Visegrad on the banks of the river Drina. When his grandfather, a master storyteller, dies of the fastest heart attack in the world while watching Carl Lewis's record, Aleksandar promises to carry on the tradition. However when the shadow of war spreads to Visegrad, the world as he knows it stops. Suddenly it is not important how heavy a spider's life weighs, or why Marko's horse is related to Superman. Suddenly it is important to have the right name and to pretend that the little Muslim girl Asija is his sister. Then Aleksandar's parents decide to flee to Germany and he must leave his new friend behind.
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Books of the Week: Monday, February 23, 2009
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Linn Ullmann
Isak Lovenstad is a pioneering obstetrician - and a powerful, charismatic womanizer. Every summer he gathers his three daughters by different wives to the windswept Baltic island of Hammarso. Here Erika, Molly and Laura know, if only for the season, what it is to be a family, and here, in the society of other children, each undergoes the rites of growing up. Though many alliances form and dissolve, none is comparable to Erika's bond with Ragnar, a rebellious misfit whose intensity makes them inseparable. But when they turn fourteen, and their relationship threatens to relegate Erika to Ragnar's outcast state, she turns away suddenly - a common enough teenage betrayal that nonetheless precipitates an incident of such senseless cruelty as to alter forever each sister's life. Twenty-five years later, returning to Hammarso to see their father - now eighty-four and in year-round exile there - the three women confront, finally, the spectre of that awful summer whose mark each has since carried.
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Alexander Ahndoril
A portrait of an artist capturing the late, great Swedish auteur Ingmar Bergman at a crucial moment in his life, in 1961 when he was making the second film in his celebrated faith trilogy, Winter Light. Fighting to finish his film about a priest who loses his religion (which nobody wanted him to make), and struggling with his stern Lutheran minister father (who wanted his son to enter the church), Bergman is presented in a complex if not flattering light; he initially praised the book and subsequently damned it shortly before he died. If Alexander Ahndoril’s psychological portrait isn’t black and white, his evocation of time and place is. Careful employment of his spare prose style — "[he] walks through a shadow the size of himself" — recreates the bleak, eerie world of Bergman’s monochromatic films.
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Books of the Week: Monday, February 16, 2009
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Markley
The binary opposition of Jacobin and Anti-Jacobin by scholars has led to mischaracterization of 1790s novels and this book advances new scholarship to correct this. Conversion and Reform analyzes the work of those British reformists writing in the 1790s who reshaped the conventions of fiction to reposition the novel as a progressive political tool. It includes new readings of key figures such as Mary Wollstonecraft and Thomas Holcroft.
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Books of the Week: Monday, February 09, 2009
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John Richetti
Daniel Defoe had an eventful and adventurous life as a merchant, politician, spy and literary hack. He is one of the eighteenth century’s most lively, innovative and important authors, famous not only for his novels, including Robinson Crusoe, Moll Flanders, and Roxana, but for his extensive work in journalism, political polemic and conduct guides, and for his pioneering 'Tour through the Whole Island of Great Britain'. This volume surveys the wide range of Defoe's fiction and non-fiction, and assesses his importance as writer and thinker. Leading scholars discuss key issues in Defoe's novels, and show how the man who was once pilloried for his writings emerges now as a key figure in the literature and culture of the early eighteenth century.
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Christopher Cannon
The centuries just after the Norman Conquest are the forgotten period of English literary history. In fact, the years 1066-1300 witnessed an unparalleled ingenuity in the creation of written forms, for this was a time when almost every writer was unaware of the existence of other English writing. In a series of detailed readings of the more important early Middle English works, Cannon shows how the many and varied texts of the period laid the foundations for the project of English literature. This richness is for the first time given credit in these readings by means of an innovative theory of literary form that accepts every written shape as itself a unique contribution to the history of ideas. This theory also suggests that the impoverished understanding of literature we now commonly employ is itself a legacy of this early period, an attribute of the single form we have learned to call 'romance'. A number of reading methods have lately taught us to be more generous in our understandings of what literature might be, but this book shows us that the very variety we now strive to embrace anew actually formed the grounds of English literature - a richness we only lost when we forgot how to recognize it.
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Books of the Week: Monday, February 02, 2009
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Robert Mayer
This new study of the origins of the English novel argues that the novel emerged from historical writing. Examining historical writers and forms frequently neglected by earlier scholars, Robert Mayer shows that in the seventeenth century historical discourse embraced not only ‘history’ in its modern sense, but also fiction, polemic, gossip, and marvels. Mayer thus explains why Defoe’s narratives were initially read as history. It is the acceptance of the claims to historicity, the study argues, that differentiates Defoe’s fictions from those of writers like Thomas Deloney and Aphra Behn, important writers who nevertheless have figured less prominently than Defoe in discussions of the novel. Mayer ends by exploring the theoretical implications of the history-fiction connection. His study makes an important contribution to the continuing debate about the emergence of what we now call the novel in Britain in the eighteenth century.
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Stephen Thomas Ziliak
The Cult of Statistical Significance shows, field by field, how "statistical significance," a technique that dominates many sciences, has been a huge mistake. The authors find that researchers in a broad spectrum of fields, from agronomy to zoology, employ "testing" that doesn't test and "estimating" that doesn't estimate. The facts will startle the outside reader: how could a group of brilliant scientists wander so far from scientific magnitudes? This study will encourage scientists who want to know how to get the statistical sciences back on track and fulfill their quantitative promise. The book shows for the first time how wide the disaster is, and how bad for science, and it traces the problem to its historical, sociological, and philosophical roots.
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Books of the Week: Monday, January 26, 2009
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Thomas Dumm
“What does it mean to be lonely?” Thomas Dumm asks. His inquiry, documented in this book, takes us beyond social circumstances and into the deeper forces that shape our very existence as modern individuals. The modern individual, Dumm suggests, is fundamentally a lonely self. Through reflections on philosophy, political theory, literature, and tragic drama, he proceeds to illuminate a hidden dimension of the human condition. His book shows how loneliness shapes the contemporary division between public and private, our inability to live with each other honestly and in comity, the estranged forms that our intimate relationships assume, and the weakness of our common bonds. A reading of the relationship between Cordelia and her father in Shakespeare’s King Lear points to the most basic dynamic of modern loneliness—how it is a response to the problem of the “missing mother.” Dumm goes on to explore the most important dimensions of lonely experience—Being, Having, Loving, and Grieving. As the book unfolds, he juxtaposes new interpretations of iconic cultural texts— Moby-Dick, Death of a Salesman, the film Paris, Texas, Emerson’s Experience, to name a few—with his own experiences of loneliness, as a son, as a father, and as a grieving husband and widower. Written with deceptive simplicity, Loneliness as a Way of Life is something rare—an intellectual study that is passionately personal. It challenges us, not to overcome our loneliness, but to learn how to re-inhabit it in a better way. To fail to do so, this book reveals, will only intensify the power that it holds over us.
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Nigel Morgan
This is the first history of the book in Britain from the Norman Conquest until the early fifteenth century. The twenty-six expert contributors to this volume discuss the manuscript book from a variety of angles: as physical object (manufacture, format, writing and decoration); its purpose and readership (books for monasteries, for the Church's liturgy, for elementary and advanced instruction, for courtly entertainment); and as the vehicle for particular types of text (history, sermons, medical treatises, law and administration, music). In all of this, the broader, changing social and cultural context is kept in mind, and so are the various connections with continental Europe. The volume includes a full bibliography and 80 black and white plates.
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Books of the Week: Monday, January 19, 2009
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Cesare Casarino
Antonio Negri has inspired anti-empire movements around the world through his writings and personal example. Born in 1933, he was imprisoned in Italy in 1979 and convicted, nearly five years later, on questionable charges of “association and insurrection against the state,” whereupon he left the country to teach in France. In 1997, he voluntarily returned to Italy to serve out his seventeen-year prison sentence. He was freed in 2003. In Praise of the Common, which began as a conversation between Negri and literary critic Cesare Casarino, is the most complete review of the philosopher’s work ever published. It includes five exchanges in which the two intellectuals discuss Negri’s evolution as a thinker from 1950 to the present, detailing for the first time the genealogy of his concepts. In Praise of the Common contains two essays by Casarino that expand Negri’s most recent work by relating it to the work of other prominent thinkers. This is at once a book by Negri and on Negri. It presents, for the first time in English, a major essay by Negri on the “monster” as a political figure in the history of Western thought, engaging with discourses of biopolitics, eugenics, and genetic engineering. More candid and self-critical than ever before, Negri provides his wide audience with a rich and revelatory assessment of his controversial, highly influential thought.
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Jean Moorcroft Wilson
Siegfried Sassoon praised Isaac Rosenberg's 'genius' and T.S. Eliot called him the 'most extraordinary' of the Great War poets. Yet it is over thirty years since there has been a full-length biography of Isaac Rosenberg. This major reappraisal of his life and work by one of the First World War literature's leading authorities, Jean Moorcroft Wilson, is long overdue. Rosenberg dies on the Western Front in 1918 aged only twenty-seven, his tragic early death resembling that of many other well-known poets of that conflict. But he differed from the majority of Great War poets in almost every other respect - race, class, education, upbringing, experience and technique. He was a skilled painter as well as a brilliant poet. The son of impoverished immigrant Russian Jews, he served as a private in the army and his perspective on the trenches is quite different from the other mainly officer-poets, allowing the voice of the "poor bloody Tommy" to be eloquently heard. Jean Moorcroft Wilson focuses on the relationship between Rosenberg's life and work - his childhood in Bristol and the Jewish East End of London; his time at the Slade School of Art and friendship with David Bomberg, Mark Gertler and Stanley Spencer; his visit to Cape Town, where he was staying when war broke out in August 1914 and where he fell in love with the divorced wife of South Africa's future Prime Minister; and his harrowing life as a private in the British Army. This monumental new life is published to mark the 90th anniversary of his death. Based on all known Rosenberg material and a mass of important new discoveries, Dr Wilson's biography has been authorised by Rosenberg's family and written with their blessing and help. It is also beautifully illustrated, including some hitherto unseen self-portraits, bringing together for the first time all that is known of this outstanding poet-painter.
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Books of the Week: Monday, January 12, 2009
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Vivien Noakes
This volume presents all of the surviving writings of Isaac Rosenberg (1890-1918): poetry, plays, prose works, and letters. The book also provides a commentary giving details of the composition and publication of the poems and plays and throws light on the people, places, and incidents described in both these and the letters. An introduction places the collection in context and a chronological table describes the main events of his life. There are also examples of his paintings and drawings. Although best known as a war poet, most of Rosenberg's work pre-dates the war. The son of Jewish immigrants from Lithuania, he grew up in London's East End. Financially impoverished, he nevertheless lived in a society that valued artistic creativity - among his friends were Mark Gertler and David Bomberg. He was a painter as well as a poet, and studied at the Slade School of Art. He knew many of the leading poets of the day, and his letters, in particular those to Edward Marsh and Gordon Bottomley, throw fascinating light on his own poetic creativitiy and the response to his work of those around him. In both his letters and prose works we find an insightful commentator on both poetry and painting. Though never a member of any movement, he was aware of the issues that preoccupied the artistic circles of his day. His artistic independence gives both power and insight to his work.
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Richard Brody
Jean-Luc Godard is one the most influential film-makers of the last fifty years. Scorsese, Tarantino, Wong Kar-Wai and Lars von Trier are but a few of the directors who have fallen under the spell of his free-wheeling style. In his 1960s heyday Godard - always in dark shades, cigarette in hand - epitomised European cool. But he subsequently grew into one of the most formidable artists the cinema has produced. Writer and film-maker Richard Brody, one of the few to have interviewed Godard in his Swiss retreat, here offers an accessible account of this extraordinary and fascinating artist.
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Books of the Week: Monday, January 05, 2009
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Attila Bartis
Tranquility is a living seismograph of the internal quakes and ruptures of a mother and son trapped within an Oedipal nightmare amidst the suffocating totalitarian embrace of Communist Hungary. Andor Weér, a thirty-six-year-old writer, lives in a small apartment with his shut-in mother, Rebeka, who was once among the most celebrated stage actresses in Budapest. Unable to withstand her maniacal tyranny but afraid to leave her alone, their bitter interdependence spirals into a Sartrian hell of hatred, lies, and appeasement. Then Andor meets the beautiful and nurturing Eszter, a woman who seems to have no past, and they fall wildly in love at first sight. With a fulfilling life seemingly within reach for the first time, Andor decides that he is ready to bring Eszter home to meet Mother. Though Bartis’s characters are unrepentantly neurotic and dressed in the blackest humor, his empathy for them is profound. A political farce of the highest ironic order, concluding that “freedom is a condition unsuited to humans,” Tranquility is ultimately, at its splanchnic core, a complex psychodrama turned inside out, revealing with visceral splendor the grotesque ideal that there’s nothing funnier than unhappiness.
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Bragi Olafsson
Back in Reykjavik after a vacation in London, Emil Halldorsson is waiting for a call from a beautiful girl, Greta, that he met on the plane ride home, and he’s just put on a pot of coffee when an unexpected visitor knocks on the door. Peeking through a window, Emil spies an erstwhile friend—Havard Knutsson, his one-time roommate and current resident of a Swedish mental institution—on his doorstep, and he panics, taking refuge under his bed and hoping the frightful nuisance will simply go away. Havard won’t be so easily put off, however, and he breaks into Emil’s apartment and decides to wait for his return—Emil couldn’t have gone far; the pot of coffee is still warming on the stove. While Emil hides under his bed, increasingly unable to show himself with each passing moment, Havard discovers the booze, and he ends up hosting a bizarre party for Emil's friends, and Greta. An alternately dark and hilarious story of cowardice, comeuppance, an assumed identity, the breezy and straightforward style of The Pets belies its narrative depth, and disguises a complexity that grows with every page.
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Books of the Week: Monday, December 29, 2008
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Penelope Fitzgerald
Acclaimed for her exquisitely elegant novels – including the Booker Prize-winning Offshore – and superb biographies, Penelope Fitzgerald was one of the most admired authors in Britain during the last century. The prizewinning author of nine novels, three biographies, and one collection of short stories, she died in 2000. So I Have Thought Of You, a generous selection of essays, reviews, introductions and other occasional writings, is an invaluable addition her distinguished oeuvre.
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Noam Chomsky
For the past forty years Noam Chomsky’s writings on politics and language have established him as a preeminent public intellectual and as one of the most original and wide-ranging political and social critics of our time. Among the seminal figures in linguistic theory over the past century, since the 1960s Chomsky has also secured a place as perhaps the leading dissident voice in the United States. Chomsky’s many bestselling works — including Manufacturing Consent, Hegemony or Survival, Understanding Power, and Failed States — have served as essential touchstones for dissidents, activists, scholars, and concerned citizens on subjects ranging from the media to human rights to intellectual freedom. In particular, Chomsky’s scathing critiques of the U.S. wars in Vietnam, Central America, and the Middle East have furnished a widely accepted intellectual inspiration for antiwar movements over nearly four decades. The Essential Chomsky assembles the core of his most important writings, including excerpts from his most influential texts over the past forty years. Here is an unprecedented, comprehensive overview of Chomsky’s thought.
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Books of the Week: Monday, December 22, 2008
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Petr Kràl
In Working Knowledge, over the course of one hundred brief and evanescent texts, Kràl brings together, as his compatriot Milan Kundera writes in his introduction, “this strange and beautiful existential encyclopaedia of the everyday”. Whether describing twilight, a toothpick, the ritual of shaving or the act of going upstairs, his gaze is ingenuous, humble, amazed. Mute objects, fleeting gestures, changeless passions: Kràl forces us to look at them anew. Each limpid, graceful essay is a brief voyage of discovery in which lowly objects and everyday actions, so often unobserved, are transfigured. Petr Kràl has the unerring ability to perceive, to catch the commonplace by surprise and with the unsettling clarity see beyond the everyday to the fabric of life beneath. Translated from the French by prize winning translator Frank Wynne.
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Nathan Dunne
Tarkovsky provides a collection of accessible academic essays by leading film studies professionals. A challenging, broadly illustrated book that fully captures the essence of this cinematic pioneer. The book pays tribute to the substantial legacy of Andrei Tarkovsky, the most important Soviet filmmaker of the post-war era, and one of the world’s most renowned cinematic geniuses. His reputation has grown significantly since his death twenty years ago in Paris. Tarkovsky created spiritual, existential films of incredible beauty, repeatedly returning to themes of memory, dreams, childhood and Christianity. Hugely influential on directors such as David Lynch, Steven Soderburgh and Lars Von Trier, he is particularly known for his re-imagining of the science fiction genre in films such as Solaris and Stalker. All aspects of Tarkovsky's films are explored including their sociological and psychological dimensions, their cinematic language and their rich symbolism. Contributions include the first ever English translation of Jean-Paul Sartre’s famous essay on the film Ivan’s Childhood, along with pieces by Harvard professor Stephanie Sandler, film critic and curator James Quandt and Evgeny Tsymbal, assistant director to Tarkovsky on Stalker. Illustrated with original stills along with studio shots, lobby cards, posters and other rare ephemera and containing a wealth of previously unseen material from Soviet archives, Tarkovsky is the definitive text on Tarkovsky’s singularly complex body of work.
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Books of the Week: Monday, December 15, 2008
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Vivian Gornick
Vivian Gornick tackled the theme of love and marriage in her last collection of essays, The End of the Novel of Love. In this new collection, she turns her attention to another large theme in literature: the struggle for the semblance of inner freedom. Great literature, she believes, is not the record of the achievement, but of the effort. Gornick, who emerged as a major writer during the second-wave feminist movement, came to realize that "ideology alone could not purge one of the pathological self-doubt that seemed every woman's bitter birthright." Or, as Anton Chekhov put it so memorably: "Others made me a slave, but I must squeeze the slave out of myself, drop by drop." Perhaps surprisingly, Gornick found particular inspiration for this challenge in the work of male writers — talented, but locked in perpetual rage, self-doubt, or social exile. From these men—who had infinitely more permission to do and be than women had ever known — she learned what it really meant to wrestle with demons. In the essays collected here, she explores the work of V. S. Naipaul, James Baldwin, George Gissing, Randall Jarrell, H.G. Wells, Loren Eiseley, Allen Ginsberg, Hayden Carruth, Saul Bellow, and Philip Roth. Throughout the book, Gornick is at her best: interpreting the intimate interrelationship of emotional damage, social history, and great literature.
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Catherine Malabou
Recent neuroscience, in replacing the old model of the brain as a single centralized source of control, has emphasized “plasticity,” the quality by which our brains develop and change throughout the course of our lives. Our brains exist as historical products, developing in interaction with themselves and with their surroundings.
Hence there is a thin line between the organization of the nervous system and the political and social organization that both conditions and is conditioned by human experience. Looking carefully at contemporary neuroscience, it is hard not to notice that the new way of talking about the brain mirrors the management discourse of the neo-liberal capitalist world in which we now live, with its talk of decentralization, networks, and flexibility. Consciously or unconsciously, science cannot but echo the world in which it takes place. In the neo-liberal world, “plasticity” can be equated with “flexibility”—a term that has become a buzzword in economics and management theory. The plastic brain would thus represent just another style of power, which, although less centralized, is still a means of control. In this book, Catherine Malabou develops a second, more radical meaning for plasticity. Not only does plasticity allow our brains to adapt to existing circumstances, it opens a margin of freedom to intervene, to change those very circumstances. Such an understanding opens up a newly transformative aspect of the neurosciences. In insisting on this proximity between the neurosciences and the social sciences, Malabou applies to the brain Marx’s well-known phrase about history: people make their own brains, but they do not know it. This book is a summons to such knowledge.
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Books of the Week: Monday, December 08, 2008
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Thomas J. Travisano
When first introduced to Robert Lowell in 1947, Elizabeth Bishop wrote that "he was living in a basement room on Third Avenue ... and was rather untidy. He was wearing a rumpled dark blue suit; I remember the sad state of his shoes; he needed a haircut ... I took to him at once." Lowell was equally taken by Bishop, and thought she had "more to offer, I think, than anyone writing poems in English." The candid, affectionate, constrained and loving friendship of two American poets is recorded in letters written over three decades, collected here for the first time in their entirety. It begins after the publication of their first books and ends only with Lowell’s death. Their discussions of books, articles and the literary scene; their agreements and disagreements about T. S. Eliot, Marianne Moore, Ezra Pound, Robert Frost, Emily Dickinson, William Carlos Williams, Mary McCarthy, William Empson and other writers; their arguments about each other’s work; and their observations of Brazilian and American political life are set alongside Bishop’s descriptions of her years with her lover on a mountainside near Rio, her wit and keen attention turning equally to soldiers and politicians, architectural projects and toucans in rainstorms; and Lowell’s sketches of his family life in New York, London, Maine and Boston, with an eye for physical and emotional detail that seems directly wired into his prose. The letters also record the complications of each other’s lives - Lowell’s mental illness, Bishop’s struggles with alcohol, their mutually crossed love affairs. In their now celebrated correspondences, they performed best for one another, as the drama of their public and private lives unfolded.
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Dennis O'Driscoll
Widely regarded as the finest poet of his generation, Seamus Heaney is the subject of numerous critical studies; but no book-length portrait has appeared until now. Through his own lively and eloquent reminiscences, Stepping Stones retraces the poet’s steps from his first exploratory testing of the ground as an infant to what he called his ‘moon-walk’ to the podium at which he received the 1995 Nobel Prize in Literature. It also fascinatingly charts his post-Nobel life and is supplemented with a large number of photographs, many from the Heaney family album and published here for the first time. In response to firm but subtle questioning from Dennis O’Driscoll, Seamus Heaney sheds a personal light on his work (poems, essays, translations, plays) and on the artistic and ethical challenges he faced during the dark years of the Ulster "Troubles". Combining the spontaneity of animated conversation with the considered qualities of the best autobiographical writing, Stepping Stones provides an original, diverting and absorbing store of reflections, opinions and recollections.
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Books of the Week: Monday, December 01, 2008
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Dag Solstad
Bjørn Hansen, a respectable town treasurer, has just turned fifty and is horrified by the thought that chance has ruled his life. Eighteen years ago he left his wife and their two-year-old son for his mistress, who persuaded him to start afresh in a small, provincial town and to dabble in amateur dramatics. In time that relationship also faded, and after four years of living alone Bjørn contemplates an extraordinary course of action that will change his life for ever. He finds a fellow conspirator in Dr Schiøtz, who has a secret of his own and offers to help Bjørn carry his preposterous and dangerous plan through to its logical conclusion. However, the sudden reappearance of his son both fills Bjørn with new hope and complicates matters. The desire to gamble with his comfortable existence proves irresistible, however, taking him to Vilnius in Lithuania, where very soon he cannot tell whether he's tangled up in a game or reality. Novel 11, Book 18 is an uncompromising and concentrated existential novel that accommodates all of Dag Solstad’s fundamental themes, and for which he received the Norwegian Critics’ Prize for Literature for the second time.
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Anne Karpf (editor)
In A Time to Speak Out, a collection of strong Jewish voices, drawing on an established tradition of Jewish dissidence, come together to explore some of the most challenging issues facing diaspora Jews, notably in relation to the ongoing conflict in Israel-Palestine. Nearly all contributors were associated with the Independent Jewish Voices declaration which, when launched in Britain in 2007, opened a floodgate of responses. This book bears witness to the urgency of that continuing debate. With articles on such topics as international law, the Holocaust, varieties of Zionism, self-hatred, the multiplicity of Jewish identities, and human rights, these essays provide powerful evidence of the vitality of independent Jewish opinion as well as demonstrating that criticism of Israel has a crucial role to play in the continuing history of a Jewish concern for social justice. At once sober and radical, A Time To Speak Out reclaims an often intemperate debate for those both inside and outside Israel who prefer to confront uncomfortable "truths."
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Books of the Week: Monday, November 24, 2008
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Adam Mars-Jones
"I’m not sure that I can claim to have taken my place in the human alphabet, even as its honorary twenty-seventh letter. I’m more like a specialised piece of punctuation, a cedilla, umlaut or pilcrow, hard to track down on the keyboard of a computer or typewriter. Pilcrow is the prettiest of the bunch, assessed purely as a word. And at least it stands on its own. It doesn’t perch or dangle. Pilcrow it is." That’s the reader’s introduction to John Cromer, one of the most unusual heroes in all literature. If the minority is always right, John must be practically infallible. He experiences his 1950s childhood as a sort of ramshackle isolation tank, screening out sensation and adventure. Of course, as he points out, time passed slowly for everyone in the fifties, it wasn’t just him, but it’s hard to deny him the status of a special case. From that point on, John’s epic task becomes clear. He must climb out of the tank and make his way somehow on land. Pilcrow is an exploration of a rich but marginal life, an engrossing story with a vibrant supporting cast of ghouls, matrons and sexual adventurers.
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Magdalena Zurawski
The Bruise is a novel of imperative voice and raw sensation. In the sterile dormitories and on the quiet winter greens of an American university, a young woman named M-deals with the repercussions of a strange encounter with an angel, one which has left a large bruise on her forehead. Was the event real or imagined? The bruise does not go away, forcing M-- to confront her own existential fears. M--’s wavering desire to tell the story of her imagination is that of the writer, breathless, desperate, and obsessive, questioning the mutations and directions of her words while writing with fevered immediacy. With rhythmic language and allusions to literature and art, Magdalena Zurawski reclaims the university bildugsroman as an intelligent and moving form.
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Books of the Week: Monday, November 17, 2008
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Paul Griffiths
RSB-contributor Paul Griffiths's novel is haunting and funny. In it the Ophelia of Hamlet tells her story and speaks her thoughts, using only the words allotted her in the play. She is confined to this small vocabulary — and her confinement makes itself felt. Yet, despite her meagre resources, she can talk about the people with whom she finds herself and can also express her increasing sense of awaiting danger. Her language proves broad enough to encompass a fairytale and a play, nursery rhymes and songs, letters from Polonius and a pornographic monologue from her mother. At the same time, the use of such a restricted vocabulary provides a highly unusual reading experience. Ophelia’s voice, while passionate, direct and versatile, gains musical qualities as words keep recurring in perpetually changing contexts. "I found let me tell you a beautiful and enthralling work, as well as a great success in Oulipian terms" -- Harry Mathews. (Read an extract in Golden Handcuffs Review.)
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Thomas N. Bisson
Medieval civilization came of age in thunderous events like the Norman Conquest and the First Crusade. Power fell into the hands of men around castles who imposed coercive new lordships in quest of nobility, heedless of the old public order. In The Crisis of the Twelfth Century, acclaimed historian Thomas Bisson asks what it was like to live in a Europe without government, and he asks how people experienced power, and suffered. Rethinking a familiar history as a problem of origins, he explores the circumstances that impelled knights, emperors, nobles, and churchmen to infuse lordship with social purpose. Bisson traces the origins of European government to a crisis of lordship and its resolution. King John of England was only the latest and most conspicuous in a gallery of bad lords who dominated the populace instead of ruling it. Men like him had been all too commonplace in the twelfth century. More and more knights pretended to powers and status, encroached on clerical domains and exploited peasants, and came to seem threatening to social order and peace. Yet as Bisson shows, it was not so much the oppressed people as their tormentors who were in crisis. Covering all of Western Christendom, this book suggests what these violent people -- and the outcries they provoked -- contributed to the making of governments in kingdoms, principalities, and towns.
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Books of the Week: Monday, November 10, 2008
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David Benatar
Most people believe that they were either benefited or at least not harmed by being brought into existence. Thus, if they ever do reflect on whether they should bring others into existence -- rather than having children without even thinking about whether they should -- they presume that they do them no harm. Better Never to Have Been challenges these assumptions. Benatar argues that coming into existence is always a serious harm. Although the good things in one's life make one's life go better than it otherwise would have gone, one could not have been deprived by their absence if one had not existed. Those who never exist cannot be deprived. However, by coming into existence one does suffer quite serious harms that could not have befallen one had one not come into existence. Drawing on the relevant psychological literature, the author shows that there are a number of well-documented features of human psychology that explain why people systematically overestimate the quality of their lives and why they are thus resistant to the suggestion that they were seriously harmed by being brought into existence. The author then argues for the 'anti-natal' view -- that it is always wrong to have children -- and he shows that combining the anti-natal view with common pro-choice views about foetal moral status yield a 'pro-death' view about abortion (at the earlier stages of gestation). Anti-natalism also implies that it would be better if humanity became extinct. Although counter-intuitive for many, that implication is defended, not least by showing that it solves many conundrums of moral theory about population.
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Celine Curiol
A young woman works in Paris at the Gare du Nord. She spends every day talking into a microphone, announcing platform numbers and timetables, essentially invisible to the world. She falls in love with a man who, in turn, is in love with another. Our heroine considers her rival to be physically stunning, as beautiful ‘as an angel’. She decides not to pursue the man. Rather, she is prepared to wait, alone - that is, until one night a male friend of the ‘angel’ asks her what she does for a living and she answers, ‘Prostitute’. Céline Curiol’s debut novel is a remarkable vision of love and relationships in all their ambiguities, shot through with the poignancy of urban existence.
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Books of the Week: Monday, November 03, 2008
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Michael Schwartz
In this razor-sharp analysis, TomDispatch.com commentator Michael Schwartz demolishes the myths used to sell the U.S. public the idea of an endless "war on terror" centered in Iraq. In a popular style, reminiscent of the best writing against the Vietnam war, he shows how the real U.S. interests in Iraq have been rooted in the geopolitics of oil and the expansion of a neoliberal economic model in the Middle East.
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Sylvie Germain
Magnus is a deeply moving and enigmatic novel about the Holocaust, which has been Sylvie Germain most commercially successful novel in France. Magnus is a man searching for his own identity, who pieces together the complex puzzle of his life, which turns out to be closer to a painting by Edward Munch than the romantic tale of family heroism and self-sacrifice on which he was nurtured by the woman he believed was his mother. Sylvie Germain in Magnus uses imagination and intuition to unlock the enigma of human life and confer on history the power of myth and fable.
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Books of the Week: Monday, October 27, 2008
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Emil Hakl
In Europe, taking a walk is a cultural phenomenon having an almost mystical import. It connects physical activity with meditation, inner silence with the outer tumult of the world. Taking its cue both from Joyce's Ulysses and Hrabal's freely associating stream of anecdote, Of Kids & Parents is about a father and son taking a walk through Prague, over the course of which, and in the pubs and bars they stop into, their personal lives are revealed as entwined with the past sixty years of upheaval in their corner of Europe. One's "small history" is shown to be inseparable from the large history played out on the world's stage: families are uprooted, relationships fail, jobs are gained or lost, and still life goes on. Hakl's genius is his ability to mesh the two into a seamless flow of dialogue. The father tells his son: "Nothing's been new in this world for more than two billion years, it's all just variations on the same theme of carbon, hydrogen, helium, and nitrogen." Which raises the question: though Prague has witnessed various forms of government, wars, putsches, and revolutions come and go over the course of a century, what really has changed? On the personal level, the same mistakes are repeated over and over, a never-ending freak show.
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Dorothea Dieckmann
Guantanamo is the meticulously researched story of a young German man of mixed Muslim Indian and German heritage, whose journey to his father's country to claim his inheritance leads to a tragic twist of fate, when he is captured and deported to Guantanamo, the notorious US base in Cuba. Travelling to India shortly after the Afghan war in order to claim an inheritance, 20-year-old Rashid befriends a young Afghan and continues his voyage to Peshawar. There he finds himself in the middle of an anti-American demonstration and is arrested, handed over to the Americans and deported to Guantanamo. In a remarkable literary experiment, Rashid's story is told in six scenes, with an introspective voice that is both sensitive yet utterly without sentimentality. Guantanamo explores the existential consequences for an isolated prisoner coping with suppression and uncertainty, including paralysing fear, psychotic delusions, the manic identification with fellow Muslim prisoners, and eventually, resignation.
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Books of the Week: Monday, October 20, 2008
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David Ellis
At the heart of Death and the Author is a dramatic account of D.H. Lawrence's desperate struggle against tuberculosis during his last days, and of certain, often bizarre events which followed his death. Around this narrative David Ellis offers a series of reflections about what it is like to have a disease for which there is no cure, the appeal of alternative medicine, the temptation of suicide for the terminally ill, the diminishing role of religion in modern life, the institution of famous last words, the consequences of dying intestate, and so on. These are clearly not the most immediately appealing of topics but they have an obvious significance for everyone and the treatment of them here is by no means lugubrious (even if, in the nature of the case, most of the jokes fall into the category of gallows humour). Lawrence is the main focus throughout but there are extended references to a number of other famous literary consumptives such as Keats, Katherine Mansfield, Kafka, Chekhov or George Orwell. Death and the author is divided into three parts called Dying, Death and Remembrance and is made up of twenty-two short sections. Although it incorporates a good deal of original material, the annotation has been kept deliberately light. The aim has been to combine the drama of events - a good story - with a consideration of matters which must eventually concern us all, and to present the material in a lively and accessible form.
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Myra Jehlen
Fiction, far from being the opposite of truth, is wholly bent on finding it out, and writing novels is a way to know the real world as objectively as possible. In Five Fictions in Search of Truth, Myra Jehlen develops this idea through readings of works by Flaubert, James, and Nabokov. She invokes Proust's famous search for lost memory as the exemplary literary process, which strives, whatever its materials, for a true knowledge. In Salammbô, Flaubert digs up Carthage; in The Ambassadors, James plumbs the examined life and touches at its limits; while in Lolita, Nabokov traces a search for truth that becomes a trespass.In these readings, form and style emerge as fiction's means for taking hold of reality, which is to say that they are as epistemological as they are aesthetic, each one emerging by way of the other. The aesthetic aspects of a literary work are just so many instruments for exploring a subject, and the beauty and pleasure of a work confirm the validity of its account of the world. For Flaubert, famously, a beautiful sentence was proven true by its beauty. James and Nabokov wrote on the same assumption -- that form and style were at once the origin and the confirmation of a work's truth. Jehlen shows, moreover, that fiction's findings are not only about the world but immanent within it. Literature works concretely, through this form, that style, this image, that word, seeking a truth that is equally concrete. Writers write -- and readers read -- to discover an incarnate, secular knowledge, and in doing so they enact a basic concurrence between literature and science.
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Books of the Week: Monday, October 13, 2008
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Carol Mavor
An intricate text filled to the brim with connotations of desire, home, and childhood—nests, food, beds, birds, fairies, bits of string, ribbon, goodnight kisses, appetites sated and denied — Reading Boyishly is a story of mothers and sons, loss and longing, writing and photography. In this homage to four boyish men and one boy — J. M. Barrie, Roland Barthes, Marcel Proust, D. W. Winnicott, and the young photographer Jacques Henri Lartigue — Carol Mavor embraces what some have anxiously labeled an over-attachment to the mother. Here, the maternal is a cord (unsevered) to the night-light of boyish reading. To “read boyishly” is to covet the mother’s body as a home both lost and never lost, to desire her as only a son can, as only a body that longs for, but will never become Mother, can. Nostalgia (from the Greek nosos = return to native land, and algos = suffering or grief) is at the heart of the labor of boyish reading, which suffers in its love affair with the mother. The writers and the photographer that Mavor lovingly considers are boyish readers par excellence: Barrie, creator of Peter Pan, the boy who refused to grow up; Barthes, the “professor of desire” who lived with or near his mother until her death; Proust, the modernist master of nostalgia; Winnicott, therapist to “good enough” mothers; and Lartigue, the child photographer whose images invoke ghostlike memories of a past that is at once comforting and painful.
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Jules Renard
Spanning from 1887 to a month before his death in 1910, The Journal of Jules Renard is a unique autobiographical masterpiece that, though celebrated abroad and cited as a principle influence by writers as varying as Somerset Maugham and Donald Barthelme, remains largely undiscovered in the United States. Throughout his journal, Renard develops not only his artistic convictions but also his humanity, as he reflects on the nineteenth-century French literary and art scene and the emergence of his position as an important novelist and playwright in that world, provides aphorisms and quips, and portrays the details of his personal life — his love interests, his position as a socialist mayor of Chitry, the suicide of his father — that often appear in his work.
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Books of the Week: Monday, October 06, 2008
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Jean Paulhan
Jean Paulhan was a legendary editorial figure of twentieth-century French literature, assisting and publishing many of the most important writers of his lifetime. He was also the author of several volumes of fiction and numerous essays dealing with literature, art, rhetoric, and language. Yet he published his own work in a manner that deliberately kept it inconspicuous, or as Maurice Blanchot put it, "in the margins." A critics' critic, he gave his texts the same scrupulous attention he gave to others, and was recognized as a discreet master. But when he was sufficiently upset or angry, as he was when French politics endangered the intellectual freedom of French writers and writing, he published ferociously. This volume is the first English translation of these major essays, presenting in one book the development of his thinking on his most studied subject: how language works, or, to echo Blanchot again, how literature is possible. Much of contemporary literary theory finds its modern antecedents in Paulhan's essays. He reflected on large questions such as the philosophy and psychology of literature, while at the same time showing a concern for detail and aesthetic accomplishment. He constantly emphasized the act of reading as an activity and literature as the engagement and provocation of such activity. Beloved by writers because he took the problems of writing with the utmost seriousness, his own personal style was marked by self-effacement and irony.
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Quentin Meillassoux
The remarkable debut of a former student of Alain Badiou, this work makes a strikingly original contribution to contemporary French philosophy and is set to have a significant impact on the future of Continental philosophy. Quentin Meillassoux is considered to be one of the most talented and exciting new voices in contemporary French philosophy. Meillassoux’s remarkable debut makes a strikingly original contribution to contemporary French philosophy and is set to have a significant impact on the future of Continental philosophy. Written in a style that marries great clarity of expression with argumentative rigour, After Finitude provides bold readings of the history of philosophy and sets out a devastating critique of the unavowed fideism at the heart of post-Kantian philosophy. The author introduces a startlingly novel philosophical alternative to the forced choice between dogmatism and critique. After Finitude proposes a new alliance between philosophy and science and calls for an unequivocal halt to the creeping return of religiosity in contemporary philosophical discourse.
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Books of the Week: Monday, September 29, 2008
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Maryanne Wolf
"We were never born to read," says Maryanne Wolf. "No specific genes ever dictated reading's development. Human beings invented reading only a few thousand years ago. And with this invention, we changed the very organisation of our brain, which in turn expanded the ways we were able to think, which altered the intellectual evolution of our species." In Proust and the Squid, Maryanne Wolf explores our brains' near-miraculous ability to arrange and re-arrange themselves in response to external circumstances. She examines how this "open architecture", the elasticity of our brains, helps and hinders humans in their attempts to learn to read, and to process the written language. She also investigates what happens to people whose brains make it difficult to acquire these skills, such as those with dyslexia. Wolf, a world expert on the reading brain, brings both a personal passion and deft style to this, the story of the reading brain.
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David Foster Wallace
Do lobsters feel pain? Did Franz Kafka have a sick sense of humour? What is John Updike’s deal anyway? And who won the Adult Video News’ Female Performer of the Year Award the same year Gwyneth Paltrow won her Oscar? For this collection, David Foster Wallace immersed himself in the three-ring circus that is the presidential race in order to document one of the most vicious campaigns in recent history. Later he strolled from booth to booth at a lobster festival in Maine and risked life and limb to get to the bottom of the lobster question. Then he wheedled his way into an L.A. radio studio, armed with tubs of chicken, to get the behind-the-scenes view of a conservative talkshow featuring a host with an unnatural penchant for clothing that only looks good on the radio.
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Books of the Week: Monday, September 22, 2008
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Erica Fudge
Why do we live with pets? Is there something more to our relationship with them than simply companionship? What is it we look for in our pets and what does this say about us as human beings? In this fascinating book, Erica Fudge explores the nature of this most complex of relationships and the difficulties of knowing what it is that one is living with when one chooses to share a home with an animal. Fudge argues that our capacity for compassion and ability to live alongside others is evident in our relationships with our pets, those paradoxical creatures who give us a sense of comfort and security while simultaneously troubling the categories human and animal. For what is a pet if it isn’t a fully-fledged member of the human family? This book proposes that by crossing over these boundaries pets help construct who it is we think we are. Drawing on the works of modern writers, such as J.M. Coetzee, Elizabeth Marshall Thomas and Jacques Derrida, Fudge shows how pets have been used to think with and to undermine our easy conceptions of human, animal and home. Indeed, Pets shows our obsession with domestic animals reveals many of the paradoxes, contradictions and ambiguities of life. Living with pets provides thought-provoking perspectives on our notions of possession and mastery, mutuality and cohabitation, love and dominance. We might think of pets as simply happy, loved additions to human homes but as this Fudge reveals perhaps it is the pets that make the home and without pets perhaps we might not be the humans we think we are.
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Rosemary Hill
This is the first book to approach Stonehenge without any theoretical position. It describes what is known and believed about the monument’s construction from c. 3000 BCE onwards. The Middle Ages were content with the story of it having been brought by Merlin from Ireland. The post Reformation antiquaries gave us the conception of Stonehenge as a historical monument. It played a significant role in the imagination of writers and artists. Then the Victorians invented prehistory and Darwin himself came to measure it. In 1918 it passed into public ownership and 1926 saw the first forced entry by Druids. The Earth Mysteries Movement now sees the stones as part of a greater web of ley lines and other phenomena. Archaeologists, united in their disdain for that, remain divided on many other points. And perhaps the most fraught issue now is conservation as the henge stands between two thundering main roads. This rich and provocative book explores all this in presenting a monument whose history is as fascinating as its secret.
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Books of the Week: Monday, September 08, 2008
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Fredric Jameson
The novels of Wyndham Lewis have generally been associated with the work of the great modernists – Joyce, Pound, Eliot, Yeats – who were his sometime friends and collaborators. Lewis’s originality, however, is born of the fact that, unlike these writers, he was in essence a political novelist. Fredric Jameson proposes a framework in which Lewis’s explosive language practice can be grasped as a symbolic and political act. Fredric Jameson is Distinguished Professor of Comparative Literature at Duke University. The author of numerous books, he has over the last three decades developed a richly nuanced vision of Western culture’s relation to political economy.
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Books of the Week: Monday, September 01, 2008
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Paul Auster
Seventy-two-year-old August Brill is recovering from a car accident. Plagued by insomnia, he tries to push back thoughts of things he would prefer to forget - his wife’s recent death and the horrific murder of his granddaughter’s boyfriend, Titus - by telling himself stories. He imagines a parallel world in which America is not at war with Iraq but with itself. In this other America the twin towers did not fall, and the 2000 election results led to secession, as state after state pulled away from the union, and a bloody civil war ensued. Brill gradually opens up to his granddaughter, recounting the story of his marriage and confronting the grim reality of Titus’s death.
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Ellen Meiksins Wood
In this groundbreaking work, Ellen Meiksins Wood lays out her innovative approach to the history of political theory and traces the development of the Western tradition from classical antiquity through the late Middle Ages. Her “social history” is a significant departure from other contextual interpretations. Treating canonical thinkers as passionately engaged human beings, Wood examines their ideas not simply in the context of political languages but as creative responses to the social relations and conflicts of their time and place. From the Ancient Greek polis of Plato and Aristotle, through the Roman Republic of Cicero and the Empire of St Paul and St Augustine, to the medieval world of Averroes, Thomas Aquinas and William of Ockham, Citizens to Lord offers a rich, dynamic exploration of thinkers and ideas that have indelibly stamped our modern world.
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Books of the Week: Monday, August 25, 2008
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Georg Büchner
Lenz, Georg Büchner’s visionary exploration of an 18th-century playwright’s descent into madness, has been called the inception of European modernist prose. Elias Canetti considered this short novella to be one of the seminal reading experiences of his entire life, and writers as various as Paul Celan, Christa Wolff and Peter Schneider have paid homage to it in their works. Published posthumously in 1839, Lenz is a taut case study of three weeks in the life of a schizophrenic, perhaps the first third-person text ever to be written from the “inside” of insanity. Partially based on the memoir of an Alsatian pastor describing Lenz’s stay with him in 1778 (translated here in its entirety for the first time), Büchner’s text moves well beyond its source by the rapt and virtually autistic attention it brings to the details of the natural world, whose landscapes prefigure those of Cézanne or Van Gogh. Printed here in the original German and flanked by a fresh English translation based on best recent philological readings of the text, this edition will allow readers to discover why Heiner Müller has pronounced Lenz the finest example of “21st-century prose.”
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Rosalind Belben
Winner of the 2008 James Tait Black Memorial Prize, Our Horses in Egypt tells the story of Philomena, fat and lazy when she is requisitioned from an English field at the start of the First World War, who sails for Egypt with the territorial regiment, the Dorset Yeomanry. She serves faithfully, charging the dervishes in the Western Desert and enduring the privations of Allenby’s great campaign in Palestine. She recovers from wounds to swelter through a summer in the Jordan Valley. She takes part in the triumphant advance on Damascus – only to be sold off in Cairo among the 22,000 horses left behind by the War Office after the Armistice. By 1921, the forceful Griselda Romney, a war widow – in the author's Hound Music she was a child – has discovered that her old hunter, Philomena, could be still alive. With her six-year-old daughter, and of course Nanny, Mrs Romney sets out to Egypt, to find Philomena and to rescue her.
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Books of the Week: Monday, August 18, 2008
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Pierre Martory
John Ashbery’s translations of Pierre Martory’s poems offer a unique insight into the work of the French poet, and into the creative dialogue between two poets. Ashbery describes Martory’s writing as ‘touched by the gaiety of René Clair’s films and the melancholy of Piaf, echoing the witty surrealism of Pierre Reverdy and Raymond Queneau’; in Ashbery’s translations, the distinctive flavour of Martory’s poetry, ‘located somewhere between Paris and New York’, finds its English voice. The Landscapist gathers Ashbery’s published translations, some with emendations, together with uncollected pieces and facing-page French text. With a definitive introductory biographical essay by Ashbery and bibliographies of both the translations and Martory’s publications, The Landscapist is an indispensable introduction to Martory’s poetry and an illuminating addition to Ashbery’s work.
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Nancy Ruttenburg
Dostoevsky's Democracy offers a major reinterpretation of the life and work of the great Russian writer by closely reexamining the crucial transitional period between the early works of the 1840s and the important novels of the 1860s. Sentenced to death in 1849 for utopian socialist political activity, the 28-year-old Dostoevsky was subjected to a mock execution and then exiled to Siberia for a decade, including four years in a forced labor camp, where he experienced a crisis of belief. It has been influentially argued that the result of this crisis was a conversion to Russian Orthodoxy and reactionary politics. But Dostoevsky's Democracy challenges this view through a close investigation of Dostoevsky's Siberian decade and its most important work, the autobiographical novel Notes from the House of the Dead (1861). Nancy Ruttenburg argues that Dostoevsky's crisis was set off by his encounter with common Russians in the labor camp, an experience that led to an intense artistic meditation on what he would call Russian "democratism." By tracing the effects of this crisis, Dostoevsky's Democracy presents a new understanding of Dostoevsky's aesthetic and political development and his role in shaping Russian modernity itself, especially in relation to the preeminent political event of his time, peasant emancipation.
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Books of the Week: Monday, August 11, 2008
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Todd May
This is the first single-authored book in any language devoted entirely to the thought of Jacques Rancière. It focuses on his central political idea that a democratic politics emerges from the presupposition of equality. Todd May examines and extends this presupposition, offering a framework for understanding it, placing it in the current political context, and showing how it challenges traditional political philosophy and opens up neglected political paths. May aims to show that Rancière's view offers both hope and perspective for those who seek to think about and engage in progressive political action.
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Fernando Pessoa
The only integral collection of the Caeiro heteronym in English, this is accompanied by the introductions of Ricardo Reis and a memoir by Álvaro de Campos, two of Pessoa's other major poetic heteronyms, as well as a poem dedicated to Caeiro by C. Pacheco, thought by many commentators to be another one-off heteronym. Illustrating the complexity of Pessoa's heteronymic project still further, the volume also includes an anonymous introductory note, a further introduction to the 'author's' work by Thomas Crosse (one of Pessoa's English heteronyms), and an 'interview with Caeiro', recorded by Campos. In short, much of Pessoa's heteronymic world is on view in this volume.
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Books of the Week: Monday, August 04, 2008
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James Williams
This book offers the first critical study of The Logic of Sense, Gilles Deleuze’s most important work on language and ethics, as well as the main source for his vital philosophy of the event. Deleuze’s philosophy has always promised a revolution in ethical theories and in our understanding of the relation between language, thought and action. This book develops a critical reading of Deleuze’s work in order to convey the potential and risks of his new approaches to questions of how to live an intense life in response to the excitement and danger of events. This interpretation covers all aspects of Deleuze’s book, including engagements with phenomenology, with analytic philosophy of language, with stoicism, with literary theory and with psychoanalysis. Its aim is to open new debates and develop current ones around Deleuze’s work in philosophy, politics, literature, linguistics and sociology.
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Marcel Ayme
Translated by our good friend, and RSB contributor, Sophie Lewis, Beautiful Image is the story of Raoul Cerusier, an entirely ordinary man, who seems to have changed his identity somewhere between home and the government office he is visiting to obtain a document. Between blackmailing the secretary of his former self and seducing his own wife, Raoul is confronted with the dark realisation of his true nature... Marcel Aymé was born in Joigny, France in 1902. Following his studies at the Collège de Dole he moved to Paris and worked, most notably, as a journalist. Aymé was able to dedicate himself entirely to literature following the success of The Green Mare, a dark satire on sexuality published in 1933. Following the German occupation and the French resistance, Aymé’s ironic, and often disillusioned perception of the state of affairs in France during this period, produced a body of work that is still placed at the forefront of twentieth century French literature. Marcel Aymé died in Paris in 1967.
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Books of the Week: Monday, July 28, 2008
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Ian Balfour
More than twenty years after his death, Paul de Man remains a haunting presence in the American academy. His name is linked not just with "deconstruction," but with a "deconstruction in America" that continues to disturb the scholarly and pedagogical institution it inhabits. The academy seems driven to characterize "de Manian deconstruction," again and again, as dead. Such reiterated acts of exorcism testify that de Man's ghost has in fact never been laid to rest, and for good reason: a dispassionate survey of recent trends in critical theory and practice reveals that de Man's influence is considerable and ongoing. His name still commands an aura of excitement, even danger: it stands for the pressure of a text and a "theory" that resists easy assimilation or containment. The essays in this volume analyze and evaluate aspects of de Man's strange, powerful legacy. The opening contributions focus on his great theme of "reading"; subsequent chapters explore his complex notions of "history," "materiality," and "aesthetic ideology," and examine his institutional role as a teacher and, more generally, as a charismatic figure associated with the fortunes of "theory."
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Jean Baudrillard
Where is the Other today? Can Otherness challenge our arrogant, insular cultural narcissism? From artificial intelligence to the streets of Venice, from early explorers to contemporary photographers, Jean Baudrillard and Marc Guillaume discuss the traces of radical alterity in our world. These provocative seminars, held in 1990 and 1991, follow the multiple, intertwined trajectories first projected in Baudrillard's work and his reading of the "radical exoticism" posited by Victor Segalen--ideas Baudrillard extends into the realms of mass media, pseudonyms, technology, and that illusorily close yet radically foreign "primitive society of the future," America. In a world where no corner is unexplored, the Other remains a challenge to thought, a crack in the shell of universal understanding, impossible to communicate but potentially the linchpin of communication itself. Together, Baudrillard and Guillaume explore the threatened and fatal figures of radical alterity. This collection is no longer available in French, and this English edition includes an additional essay by Baudrillard, "Because Illusion and Reality Are Not Opposed." Jean Baudrillard (1929-2007) was a philosopher, sociologist, cultural critic, and theorist of postmodernity who challenged all existing theories of contemporary society with humor and precision. An outsider in the French intellectual establishment, he was internationally renowned as a twenty-first century visionary, reporter, and provocateur. His Simulations (1983) instantly became a cult classic and made him a controversial voice in the world of politics and art. Economist and professor at the Université de Paris-Dauphine, Marc Guillaume has published several works in French rethinking contemporary socioeconomics and has collaborated with such thinkers as Jacques Derrida and Jacques Attali.
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Books of the Week: Monday, July 21, 2008
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Antonio Negri
In 2004 and 2005, Antonio Negri held ten workshops at the Collège International de Philosophie in Paris to formulate a new political grammar of the postmodern. Biopolitics, biopowers, control, the multitude, people, war, borders, dependency and interdependency, state, nation, the common, difference, resistance, subjective rights, revolution, freedom, democracy: these are just a few of the themes Negri addressed in these experimental laboratories. Postmodernity, Negri suggests, can be described as a "porcelain factory": a delicate and fragile construction that could be destroyed through one clumsy act. Looking across twentieth century history, Negri warns that our inability to anticipate future developments has already placed coming generations in serious jeopardy. Describing the years 1917-1968 as the "short century," Negri suggests that by the end of it, all of the familiar markers of modernity (including that of socialism) had lost their relevance. Confronted with an intolerable reality, indignation and the revolutionary will to transform the world have both taken new forms and must be understood anew, free of modernist assumptions. In the impassioned debates recounted in this book, Antonio Negri attempts to describe the formation of an alternative political horizon and looks for a way to define the practices and modes of expression that democracy could take.
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Fernando Pessoa
In 1925, Fernando Pessoa wrote a guidebook to Lisbon for English-speaking visitors, and wrote it in English. The typescript was only discovered amongst his papers in the 1980s. The book is fascinating in that it shows us Pessoa's view of his native city – and Pessoa, as an adult, rarely left Lisbon, and it figures large in his poetry. The book can still be useful to visitors today, given that the majority of the sights described are still to be found. A fascinating scrap from the master's table...
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Books of the Week: Monday, July 14, 2008
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Marguerite Duras
Moderato Cantabile is a carefully woven tapestry of emotion that begins with a jealous lover murdering the woman he loves. Fascinated by the crime, Anne returns several times to the bistro where it took place, drinking through the afternoon with the worker who patiently answers her eager questions, inventing what he does not know. A haunting, oblique love story, which perfectly demonstrates Duras's technique of associating human emotion with locales and landscapes. Marguerite Duras won the Prix Goncourt in 1985 and has won many other prizes. In addition to novels, she has written plays and film scenarios, the most famous of which is Hiroshima, Mon Amour. Born in French Indo-China in 1914, she died in Paris in early 1996.
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Peter Pessl
Aquamarine is the result of two years' musings following the author's long and twisted journey (both in terms of pathways and encounters) to Mexico in 1993. After having been variously reworked, the volume was eventually published in German in 1998. Considered groundbreaking in form and style, the novel is composed of seven intertwining tales whose unsettling, exceptionally ambivalent female protagonists, "Aquamarine" and "Marine," crisscross diverse Mexican landscapes and cities of both external and internal geographies much like a madcap road movie plowing straight through historical episodes into present-day reality. Along the way we encounter the horrific tragedies of private and political worlds as the tales channel into a common stream of storytelling that is so immediate in its presentation it violently impacts the very language itself (and the immanent possibilities or impossibilities in the author's use of language). The reader is thus swept into a swirling dreamscape of words and images, a ramshackle narrative construct where every kind of reality that is, always was, and will continue to be exist simultaneously. Aquamarine explores the unfolding of ideas using a palette of blues, yellows, beiges, or "leg-color," ideas coiled like a garden hose with all its kinks, awkward convolutions, and ungainly twists, each loop having its own radius but belonging to the same — is the same — loop. Revolution in every sense.
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Books of the Week: Monday, July 07, 2008
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Russell Jacoby
Utopianism suffers from an image problem: A recent exhibition on utopias in Paris and New York included photographs of Hitler's Mein Kampf and a Nazi concentration camp. Many observers judge utopians and their sympathizers as foolhardy dreamers at best and murderous totalitarians at worst. However, as noted social critic and historian Russell Jacoby argues in this salient, polemical, and innovative work, not only has utopianism been unfairly characterized, a return to an iconoclastic utopian spirit is vital for today's society. Shaped by the works of Theodor Adorno, Walter Benjamin, Ernst Bloch, Gustav Landauer, and other predominantly Jewish thinkers, iconoclastic utopianism revives society's dormant political imagination and offers hope for a better future. Writing against the grain of history, Jacoby reexamines the anti-utopian mindset and identifies how utopian thought came to be regarded with such suspicion. He challenges standard readings of such anti-utopian classics as 1984 and Brave New World and offers stinging critiques of the influential liberal and anti-utopian theorists Hannah Arendt, Isaiah Berlin, and Karl Popper.
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Alain Robbe-Grillet
In his most famous and perhaps most typical work, Robbe-Grillet explores his principle preoccupation, the meaning of reality. The novel is set on a tropical banana plantation and the action is seen through the eyes of a narrator who never appears in person, never speaks and never acts. He is a point of observation, his personality only to be guessed at, watching every movement of the other two characters' actions and events as they flash like moving pictures across the distorting screen of a jealous mind. The result is one of the most important and influential books of our time, a completely integrated masterpiece that has already become a classic. Alain Robbe-Grillet is one of the best-known post-war French novelists, the principal theoretician and spokesman of the 'noveau roman', the most important school of French contemporary fiction that looks at reality in a new subjective way and has changed our conception of the novel. Contains a foreword by Tom McCarthy.
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Books of the Week: Monday, June 30, 2008
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Marguerite Duras
Yann Andrea Steiner (in a new translation from the French by Mark Polizzotti) is a haunting dance between two parallel stories of love and solitude: the love between the reminiscing Duras and the young, sensitive Yann Andrea, and a seaside romance witnessed—or imagined—by the narrator between a camp counselor and an orphaned camper: a Holocaust survivor who witnessed his sister's murder at the hands of a German soldier. Through this mix of memory and desire, the summer of 1980 flows into 1944 in an enigmatic journey through history, creation, and raw emotion.
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John Edgar Wideman
A philosopher, psychiatrist, and political activist, Frantz Fanon was a fierce, acute critic of racism and oppression. Born of African descent in Martinique in 1925, Fanon fought in defense of France during World War II but later against France in Algeria’s war for independence. His last book, The Wretched of the Earth, published in 1961, inspired leaders of diverse liberation movements: Steve Biko in South Africa, Che Guevara in Latin America, the Black Panthers in the States. Wideman’s novel is disguised as the project of a contemporary African American novelist, Thomas, who undertakes writing a life of Fanon. The result is an electrifying mix of perspectives, traveling from Manhattan to Paris to Algeria to Pittsburgh. Part whodunit, part screenplay, part love story, Fanon introduces the French film director Jean-Luc Godard to the ailing Mrs. Wideman in Homewood and chases the meaning of Fanon’s legacy through our violent, post-9/11 world, which seems determined to perpetuate the evils Fanon sought to rectify.
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Books of the Week: Monday, June 23, 2008
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Joseph Stiglitz
The $3 Trillion War: The True Cost of the Iraq Conflict is a devastating reckoning of the true cost of the Iraq war - quite apart from its tragic human toll - which the Bush administration has estimated at $50 billion, but which Stiglitz and Bilmes show underestimates the real figure by approximately sixty times. The authors expose the gigantic expenses which have so far not been officially accounted for, including not only big ticket items like replacing military equipment (being used up at six times the peacetime rate) but also the cost of caring for thousands of wounded veterans - for the rest of their lives. Shifting to a global perspective, the authors investigate the cost in lives and damage within Iraq and the Middle East generally. They calculate what the money spent on the war would have produced had it been further invested in the growth of the economy, in the US and around the world, and in infrastructure building. Stiglitz and Bilmes write in simple language, which makes the details they present, and the sums they add up, all the more disturbing. This book will change forever the way we think about the Iraq war - and about the cost of war generally.
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Eva Figes
In the spring of 1939, six-year-old Eva Unger (later Figes) came to settle in London. Born in Berlin, her middle-class Jewish family managed to get out of Nazi Germany, leaving behind friends, relatives and their penniless, orphan housemaid, Edith. Ten years later, with Eva assimilated into post-war British society, word arrived from Edith in Palestine, asking for her old job back in the bosom of the only family she ever knew. At the kitchen table, Edith told the curious schoolgirl Eva of her miraculous survival in wartime Berlin, and her post-war life in the city's ruins, until she was persuaded to go to Palestine. Here she found herself treated with bitter contempt as a despised German Jew, and at the centre of another war, between Arab and Jew.Through Edith's story, Figes argues that continuing anti-Semitism at the end of the century's worst catastrophe led to the creation of Israel. Part memoir, part polemic Journey to Nowhere is a highly charged and profoundly moving account of post-war displacement and a fierce attack on America's role in the Middle East.
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Books of the Week: Monday, June 16, 2008
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Cees Nooteboom
Alma and Almut share a fascination for Australia and its ancient peoples; their ceremonies, sand drawings and body paintings. After Alma suffers a traumatic attack, they board a cheap flight from Sao Paulo to Sydney, and together begin their journey across their secret continent. Alma slowly recovers through a brief love affair with an Aboriginal artist, and both women become involved with the Angel Project in Perth, where actors dressed as angels are concealed around the city for the public to discover. In a seemingly unconnected story, a man staying at a remote Alpine spa unexpectedly meets a woman he encountered years before and with whom he shared a single night. It was in a faraway city and she was dressed as an angel.
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John J. Mearsheimer
Does America's pro-Israel lobby wield inappropriate control over US foreign policy? This book has created a storm of controversy by bringing out into the open America's relationship with the Israel lobby: a loose coalition of individuals and organizations that actively work to shape foreign policy in a way that is profoundly damaging both to the United States and Israel itself. Israel is an important, valued American ally, yet Mearsheimer and Walt show that, by encouraging unconditional US financial and diplomatic support for Israel and promoting the use of its power to remake the Middle East, the lobby has jeopardized America's and Israel's long-term security and put other countries - including Britain - at risk.
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Books of the Week: Monday, June 09, 2008
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Marek Kohn
Trust -- whether between parents and children, merchants and shoppers, or citizens and their government -- lies at the very heart of our relationships, our society, and our everyday lives. This vividly written compact book reveals how modern thinkers -- scientists, social scientists, and philosophers -- have shed much light on the nature of trust. Beginning with some fascinating evolutionary puzzles about the origins of trust; for instance, how cooperation can evolve among individuals pursuing their own selfish interests, Marek Kohn incorporates many different perspectives from the fields of science, sociology, economics, and politics, to draw out the wider implications for trust in human society today. The book discusses trust in gods and how people have sought to reinvest this trust as religious faith has diminished; the effect of low social trust on economic development; and the loss of trust between mutually antagonistic communities, each warming itself by the flames of its hostility to the other. He shows how Communism relied on distrust, and devoted much of its energy to seeding it among its subjects, and Liberal democracy is also based on distrust, but in the opposite direction: it is founded upon the suspicion that the powerful will be tempted to abuse their power, and so must be subject to checks and balances. Perhaps most important, he shows that if we understand what makes trust possible, and why it matters, then we will live better lives in a fast-moving, fast-changing, global society.
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Pablo Neruda
Pablo Neruda was a Chilean poet and diplomat who received the Nobel Prize in Literature in 1971. Recognized during his life as "a people's poet", he is considered one of the greatest artists of the twentieth century. The Hands of Day - at long last translated (by William O'Daly) into English in its entirety - pronounces Neruda's desire to take part in the great human making of the day. Moved by the guilt of never having worked with his hands, Neruda opens with the despairing confession, "Why did I not make a broom? / Why was I given hands at all?" The themes of hands and work grow in significance as Neruda celebrates the carpenters, longshoremen, blacksmiths, and bakers-those laborers he admires most - and shares his exuberant adoration for the earth and the people upon it in this handsome bilingual edition.
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Books of the Week: Monday, June 02, 2008
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Kevin P. Spicer
Shaken by military defeat and economic depression after War World I, Germans sought to restore their nation’s dignity and power. In this context the National Socialist Party, with its promise of a revivified Germany, drew supporters. Among the most zealous were a number of Catholic clergymen known as “brown priests” who volunteered as Nazi propagandists. Some brown priests, particularly war veterans, advocated National Socialism because it appealed to their patriotic ardor. Others had less laudatory motives: disaffection with clerical life, conflicts with Church superiors, or ambition for personal power and fame. Whatever their individual motives, they employed their skills as orators, writers, and teachers to proclaim the message of Nazism. Especially during the early 1930s, when the Church forbade membership in the party, these clergymen strove to prove that Catholicism was compatible with National Socialism, thereby justifying their support of Nazi ideology. While a handful of brown priests enjoyed the forbearance of their bishops, others endured reprimand or even dismissal; a few found new vocations with the Third Reich. After the fall of the Reich, the most visible brown priests faced trial for their part in the crimes of National Socialism, a movement they had once so earnestly supported.
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Ferenc Karinthy
A linguist flying to a conference in Helsinki has landed in a strange city where he can't understand a word anyone says. As one claustrophobic day follows another, he wonders why no one has found him yet, whether his wife has given him up for dead, and how he'll get by in this society that looks so familiar, yet is so strange. In a vision of hell unlike any previously imagined, Budai must learn to survive in a world where words and meaning are unconnected. A suspenseful and haunting Hungarian classic.
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Books of the Week: Monday, May 26, 2008
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Susan George
George Bush leaves the White House in January 2009 and the United States goes back to "normal", right? Wrong, argues Susan George in this fascinating, thorough and often chilling account of the decades-long transformation of American society and political culture. Using the four "Ms" - money, media, marketing, management - but above all with a keen sense of mission, the American secular and religious right has made its "long march through the institutions" and changed the way Americans think. As the left went about its business in blissful ignorance, convinced that its policies, programmes and projects spoke for themselves and would always prevail; the right's well-oiled machine of foundations, lobbies, think-tanks, publications, political cadres, lawyers and activist organisations slowly and strategically took over. A broad alliance of neo-liberals, neo-conservatives and the religious right successfully manufactured a new common sense, assaulted Enlightenment values and targeted the top of society where culture is created and legitimised, because they knew that ideas have consequences - and not just in the United States. For all those who hope for a different America in the future, the first step is to hold the present one up to the light and understand how it got that way.
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Tom Engelhardt
TomDispatch.com has established itself as the go-to blog for contemporary US politics, and the favored web platform for radical commentators from Noam Chomsky to Howard Zinn. Its powerful, no-holds-barred features draw a huge response from the public and resonate throughout the global media, acting as a touchpaper for debates which subsequently become headline news. This comprehensive volume offers readers a chance to catch up on some of the finest political analysis of our age, including trenchant accounts of the two Bush administrations: catastrophic imperial adventures in Afghanistan and Iraq; Guantánamo, extraordinary rendition and its apologists; and Hurricane Katrina, global warming, black gold and the rise of Hugo Chávez. Introduced, arranged and with additional commentary throughout by the blog’s founder Tom Engelhardt, The World According to Tomdispatch is the essential primer for anyone seeking illumination and guidance along the highways and byways of our post-9/11 world.
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Books of the Week: Monday, May 19, 2008
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Nicholas Murray
At the height of the British Empire, countless travellers set off to explore the globe, at the very same moment that the phenomenon of mass tourism was being launched by a certain Mr Thomas Cook. Their reasons for leaving Britain were many and various. They were searching for knowledge, for adventure, for fame, for exotic animals to kill. Some hoped to be the first to stamp their mark upon a lake, a river source or an unknown inland sea, while others dreamed of finding untold natural riches or ancient works of art. Some were soldiers, sailors, spies, scholars or scientists, and some wished to convert the heathen and spread their religion. And some travelled, as people have always done, for no reason at all except the sheer marvellous enjoyment of it. Drawing on the travellers’ own unique and colourful accounts, from Livingstone and Stanley in Africa, Darwin aboard the Beagle and Richard Francis Burton on the road to Mecca to less well-known but equally intrepid explorers, A Corkscrew is Most Useful is a fascinating odyssey.
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Werner Hofmann
Caspar David Friedrich, now viewed as the leading German Romantic artist of the nineteenth century, was described by one contemporary as the pioneer of a new genre: ‘the tragedy of landscape.’ Here, Werner Hofmann considers Friedrich’s principal achievement, the invention of ‘landscape as icon’, and vividly demonstrates the artist’s extraordinary ability to reproduce the natural world in faithful detail, while at the same time imbuing it with spiritual and religious significance. Carefully placing the artist in a wider context, Hofmann examines contemporary judgments and influences on Friedrich’s work and his difficult relationship with critics such as Goethe, as well as the way that his religious and political beliefs informed his art, and his unique place within the framework of European Romanticism as a whole. The beautiful illustrations include many of Friedrich’s drawings and watercolours as well as over ninety of his works in oils. Friedrich extended an invitation for others to read multiple meanings into his pictures. Hofmann’s ideas cast a remarkable new light on Friedrich’s work, yet at the same time leave it open to individual interpretation.
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Books of the Week: Monday, May 12, 2008
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Stefan Zweig
The logic of capitalism, boom and bust, is unremitting and unforgiving. But what happens to human feeling in a completely commodified world? In The Post-Office Girl (translated from the German by Joel Rotenberg), Stefan Zweig, a deep analyst of the human passions, lays bare the private life of capitalism. Christine toils in a provincial post office in post–World War I Austria, a country gripped by unemployment. Out of the blue, a telegram arrives from Christine's rich American aunt inviting her to a resort in the Swiss Alps. Christine is immediately swept up into a world of inconceivable wealth and unleashed desire. She feels herself utterly transformed: nothing is impossible. But then, abruptly, her aunt cuts her loose. Christine returns to the post office, where yes, nothing will ever be the same. Christine meets Ferdinand, a bitter war veteran and disappointed architect, who works construction jobs when he can get them. They are drawn to each other, even as they are crushed by a sense of deprivation, of anger and shame. Work, politics, love, sex: everything is impossible for them. Life is meaningless, unless, through one desperate and decisive act, they can secretly remake their world from within. Left unpublished at the time of his death. The Post-Office Girl transforms our image of a modern master's achievement.
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Paul Verhaeghen
Moving back and forth between the main stages of the past century, Omega Minor (translated from the Dutch by the author himself) is a tale of the survival of the soul. A novel of big ideas, the book's whirlwind plot is set between Berlin, Boston, Los Alamos and Auschwitz, and takes in neo-Nazis, a physics professor who returns to Potsdam to atone for his sins, an Italian postdoctorate who designs an experiment that will determine the fate of the universe and a Holocaust survivor, who tells his tale to the willing ear of a young psychologist. Omega Minor is Paul Verhaeghen's second novel and his first to be translated from Dutch into English. Aside from his writing career, Verhaeghen also works as a cognitive psychologist; his work focuses on memory and the basic aspects of cognitive ageing. He currently resides in Atlanta, Georgia, where he is associate professor at the Georgia Institute of Technology.
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Books of the Week: Monday, May 05, 2008
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Nicholson Baker
At a time when the West seems ever more eager to call on military aggression as a means of securing international peace, Nicholson Baker's provocative narrative exploring the political misjudgements and personal biases that gave birth to the terrifying consequences of the Second World War could not be more pertinent. With original and controversial insights brought about by meticulous research, Human Smoke: The Beginnings of World War II, The End of Civilization re-evaluates the political turning points that led up to war and in so doing challenges some of the treasured myths we hold about how war came about and how atrocities like the Holocaust were able to happen. Baker reminds us, for instance, not to forget that it was thanks in great part to Churchill and England that Mussolini ascended to power so quickly, and that, before leading the United States against Nazi Germany, a young FDR spent much of his time lobbying for a restriction in the number of Jews admitted to Harvard.Conversely, Human Smoke also reminds us of those who had the foresight to anticipate the coming bloodshed and the courage to oppose the tide of history, as Gandhi demonstrated when he made his symbolic walk to the ocean -- for which he was immediately imprisoned by the British.
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Mike Marqusee
If I Am Not For Myself is a passionate, thought-provoking exploration of what it means to be Jewish in the twenty-first century. It traces the author’s upbringing in 1960s Jewish-American surburbia, his anti-war and pro-Palestinian activism on the British left, and life as a Jew among Muslims in Pakistan, Morocco, and Britain. Interwoven with this are the experiences of his grandfather’s life in Jewish New York of the 1930s and 40s, his struggles with anti-Semitism and the twists and turns that led him from anti-fascism to militant Zionism. In the course of this deeply personal story, Marqusee refutes the claims of Israel and Zionism on Jewish loyalty and laments their impact on the Jewish diaspora. Rather, he argues for a richer, more multi-dimensional understanding of Jewish history and identity, and reclaims vital political and personal space for those castigated as “self-haters” by the Jewish establishment.
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Books of the Week: Monday, April 28, 2008
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Gregor von Rezzori
The elusive narrator of this beautifully written, complex, and powerfully disconcerting novel is the scion of a decayed aristocratic family from the farther reaches of the defunct Austro-Hungarian Empire. In five psychologically fraught episodes, he revisits his past, from adolescence to middle age, a period that coincides with the twentieth century's ugliest years. Central to each episode is what might be called the narrator's Jewish Question. He is no Nazi. To the contrary, he is apolitical, accommodating, cosmopolitan. He has Jewish friends and Jewish lovers, and their Jewishness is a matter of abiding fascination to him. His deepest and most defining relationship may even be the strange dance of attraction and repulsion that throughout his life he has conducted with this forbidden, desired, inescapable, imaginary Jewish other. And yet it is just this relationship that has blinded him to — and makes him complicit in — the terrible realities of his era. Lyrical, witty, satirical, and unblinking, Gregor von Rezzori's most controversial work is an intimate foray into the emotional underworld of modern European history.
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Iain MacDonald
Adorno and Heidegger explores the conflictual history of two important traditions of twentieth-century European thought: the critical theory of Theodor W. Adorno and the ontology of Martin Heidegger. As is well known, there has been little productive engagement between these two schools of thought, in large measure due to Adorno’s sustained and unanswered critique of Heidegger. Stemming from this critique, numerous political and philosophical barriers have kept these traditions separate, such that they have rarely been submitted to scrutiny, let alone questioned. The essays making up this collection are fresh and original attempts at coming to terms with the nuances and difficulties that these two towering figures have bequeathed to the history of European thought. The volume’s authors deal with a variety of issues ranging from epistemology to esthetics, to ethics, to intellectual history and modernity, providing the reader with detailed insight into a thorny debate in the history of recent European thought.
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Books of the Week: Monday, April 21, 2008
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David Norton
David Norton has re-edited the King James Bible for Cambridge University Press, and this book arises from his intensive work on that project. Here he shows how the text of the most important Bible in the English language was made, and how, for better and for worse, it changed in the hands of printers and editors until, in 1769, it became the text we know today. Using evidence as diverse as the manuscript work of the original translators, and the results of extensive computer collation of electronically held texts, Norton has produced a scholarly edition of the King James Bible for the new century that will restore the authority of the 1611 translation. This book describes this fascinating background, explains Norton's editorial principles and provides substantial lists and tables of variant readings. It will be indispensable to scholars of the English Bible, literature, and publishing history.
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Robin J. Maconie
The German composer Karlheinz Stockhausen was arguably the most influential figure of the European postwar avant-garde, and unquestionably the most elusive and enigmatic musical thinker of a generation that includes Pierre Boulez, John Cage, and Luciano Berio. His radically new electronic and instrumental music converted Igor Stravinsky to serialism in the 1950s, and has continued to inspire young composers for over fifty years. Other Planets draws on over forty years of the author's close study of Stockhausen and functions as a catalogue raisonee of Stockhausen's complete output. With plentiful citations from the history of radio, film, and sound recording, as well as from contemporary science and technology, the book is laid out in strictly chronological order and contains unusually ample commentary on the composer's sources of inspiration. Each composition is also fully documented within the text, giving full information of each work's publisher, catalogue number, instrumentation, duration, and authorized compact disc.
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Books of the Week: Monday, April 14, 2008
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Robert Bird
The films of Andrei Tarkovsky have been revered as ranking on a par with the masterpieces of Russia’s novelists and composers. His work, from films such as Ivan’s Childhood, Andrei Rublev, Solaris, Mirror, Nostalgia and Sacrifice, has had an enormous influence on the style of contemporary European film, with its open narrative structures and slow, pensive mood; yet Tarkovsky has remained an elusive subject for reflection and analysis. This book is a comprehensive, well-illustrated and much-needed account of Tarkovsky’s entire film output. Robert Bird’s analysis is centred around a detailed account of Tarkovsky’s technique, which provides the best interpretive guide to both the director’s films and his theoretical speculations. Integrating his idiosyncratic ideas with his films’ irresistible sensuality, Bird highlights Tarkovsky’s fascination with the elusive correlation between cinematic representation and the more primeval perception of the world. The book examines Tarkovsky’s films elementally, grouping them into four sections: Water, Fire, Earth, and Air. It also discusses Tarkovsky’s works for the radio, theatre and opera, and how he was in addition an accomplished actor, screenwriter, film theorist and diarist. The author’s claim, however, is that Tarkovsky was a filmmaker before all else, and this book examines what Tarkovsky’s cinema reveals about the medium in which he worked.
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Alberto Manguel
What is the role of the storyteller in 21st Century society? Do stories possess the power to change the world we live in? In this most original and stimulating study Alberto Manguel, award winning author of A History of Reading, sets out to investigate the ways in which stories can lend an identity to a whole society. From Gilgamesh to the Bible, from Don Quixote to The Fast Runner, Manguel explores how books can hold the secret to what binds us together. His thesis is argued here in an engrossing and highly personal book that encompasses narratives of autobiography, mythology, history and theology. He also raises concerns that technological developments – the internet, for one – may well fatally undermine the publishing industry and threaten the survival of the individual around whom the entire literary industry was originally constructed: the beleaguered author. Do innovations like CD-Rom replace creative readers with passive viewers? This book is also about the art of reading, at a time when Manguel argues that it is still possible for stories to change us and the world we live in.
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Books of the Week: Monday, April 07, 2008
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Brigitte Le Juez
Samuel Beckett lectured on modern French literature at his old university, Trinity College, in 1930-31 but those lectures are not widely known and have rarely been studied. This is one of the least known periods of his life. He had just returned from Paris where he had met James Joyce and had started his literary career but had not yet written his first novel. In 1930, Rachel Burrows studied French at Trinity College and her notes of Beckett's lectures have recently been found in the archives of Trinity College. Brigitte Le Juez is the first writer to fully study these lectures, the most complete record of Beckett the young intellectual, and a valuable guide to the inspirations behind his work and concept of literature. They answer many of the questions about Beckett's work. How did he define the modern novel of his day? What should literature strive to achieve, or more properly, what should it not be? They reveal the writers he studied and was influenced by and the notebooks demonstrate that Racine is the writer most frequently praised by Beckett while Balzac is the target of his fiercest criticism. Other writers studied by Beckett include Proust, Flaubert and Stendhal, Dostoyevsky and Andre Gide. Beckett before Beckett: Samuel Beckett's Lectures on French Literature reveals Beckett's own history of French literature and his understanding of the origins of the modern literature of his time.
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Pascal Richet
The quest to pinpoint the age of the Earth is nearly as old as humanity itself. For most of history, people trusted mythology or religion to provide the answer, even though nature abounds with clues to the past of the Earth and the stars. In A Natural History of Time, geophysicist Pascal Richet tells the fascinating story of how scientists and philosophers examined those clues and from them built a chronological scale that has made it possible to reconstruct the history of nature itself. Richet begins his story with mythological traditions, which were heavily influenced by the seasons and almost uniformly viewed time cyclically. The linear history promulgated by Judaism, with its story of creation, was an exception, and it was that tradition that drove early Christian attempts to date the Earth. Until the mid-eighteenth century, such natural timescales derived from biblical chronologies prevailed, but, Richet demonstrates, with the Scientific Revolution geological and astronomical evidence for much longer timescales began to accumulate. Fossils and the developing science of geology provided compelling evidence for periods of millions and millions of years — a scale that even scientists had difficulty grasping. By the end of the twentieth century, new tools such as radiometric dating had demonstrated that the solar system is four and a half billion years old, and the universe itself about twice that, though controversial questions remain.
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Books of the Week: Monday, March 31, 2008
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Johann Gottfried Herder
Without Johann Gottfried Herder (1744-1803), we simply would not understand Shakespeare in the way we do. In fact, much literature and art besides Shakespeare would neither look the same nor be the same without the influence of Herder's Shakespeare (1773). One of the most important and original works in the history of literary criticism, this passionate essay pioneered a new, historicist approach to cultural artifacts by arguing that they should be judged not by their conformity to a set of conventions imported from another time and place, but by the effectiveness of their response to their own historical and cultural context. Rejecting the authority of a dominant and stifling French neoclassicism that judged eighteenth-century plays by the criteria of Aristotle, Herder's Shakespeare signaled a break with the Enlightenment, the approach of Romanticism, and the arrival of a distinctly modern form of aesthetic appreciation.
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Michael Hofmann
This new Selected Poems is a retrospective on a poetic career which includes four Faber collections: Nights in the Iron Hotel (1983), which won the Cholmondeley Award; Acrimony (1986), which won the Geoffrey Faber Memorial Prize; Corona, Corona (1993) and Approximately Nowhere (1999). Michael Hofmann's poems have been widely admired, notably for their gift of compressed and vividly pointed reportage, and the collision course of words and dictions that his poetry characteristically provokes. His subject matter has been equally individual, including his remarkable and complex series of 'father-poems', his subtle portraiture of the lives of others, East and West, together with his acerbic impressionism of contemporary England, and his exploration of Adorno's injunction that 'it is part of morality not to be at home in one's home'. Michael Hofmann has written to date some of the boldest, frankest and most searching poetry of our time.
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Books of the Week: Monday, March 24, 2008
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Christa Knellwolf
This ninth volume in The Cambridge History of Literary Criticism presents a wide-ranging survey of developments in literary criticism and theory during the last century. Drawing on the combined expertise of a large team of specialist scholars, it offers an authoritative account of the various movements of thought that have made the late twentieth century such a richly productive period in the history of criticism. The aim has been to cover developments which have had greatest impact on the academic study of literature, along with background chapters that place those movements in a broader, intellectual, national and socio-cultural perspective. In comparison with Volumes Seven and Eight, also devoted to twentieth-century developments, there is marked emphasis on the rethinking of historical and philosophical approaches, which have emerged, especially during the past two decades, as among the most challenging areas of debate.
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Gennady Aygi
Lifelong Aygi translator and friend Peter France wrote in The Guardian: "Aygi wrote from a deep awareness of the losses and destructions of the 20th century." Field-Russia is a book of poems arranged shortly before Aygi's death, which in his view occupied a central place in his work. The collection opens with an informal conversation about poetry, and is followed by a series of little lyric "books"— Field-Russia, Time of the Ravines, and Final Departure—that form a part of Aygi's "life-book." Like Ahkmatova and Celan before him, Aygi has left us with these most necessary words to dwell in—a quiet, spiritual poetry in a time of uprootedness and despair.
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Books of the Week: Monday, March 17, 2008
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Anthony Uhlmann
Beckett often made use of images from the visual arts and readapted them, staging them in his plays, or using them in his fiction. Anthony Uhlmann sets out to explain how an image differs from other terms, like 'metaphor' or 'representation', and, in the process, to analyse Beckett's use of images borrowed from philosophy and aesthetics. This is the first study to carefully examine Beckett's thoughts on the image in his literary works and his extensive notes to the philosopher Arnold Geulincx. Uhlmann considers how images might allow one kind of interaction between philosophy and literature, and how Beckett makes use of images which are borrowed from, or drawn into dialogue with, philosophical images from Geulincx, Berkeley, Bergson, and the ancient Stoics. Uhlmann's reading of Beckett's aesthetic and philosophical interests provides a revolutionary new reading of the importance of the image in his work.
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Peter Szendy
In this intimate meditation on listening, beautifully translated by Charlotte Mandell, Peter Szendy examines what the role of the listener is, and has been, through the centuries. The role of the composer is clear, as is the role of the musician, but where exactly does the listener stand in relation to the music s/he listens to? What is the responsibility of the listener? Does a listener have any rights, as the author and composer have copyright? Szendy explains his love of musical arrangement (since arrangements allow him to listen to someone listening to music), and wonders whether it is possible in other ways to convey to others how we ourselves listen to music. How can we share our actual hearing with others? Along the way, he examines the evolution of copyright laws as applied to musical works and takes us into the courtroom to examine different debates on what we are and aren’t allowed to listen to, and to witness the fine line between musical borrowing and outright plagiarism. Finally, he examines the recent phenomenon of DJs and digital compilations, and wonders how technology has affected our habits of listening and has changed listening from a passive exercise to an active one, whereby one can jump from track to track or play only selected pieces.
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Books of the Week: Monday, March 10, 2008
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James Simpson
James Simpson focuses on a critical moment in early modern England, specifically the cultural transformation that allowed common folk to read the Bible for the first time. Widely understood and accepted as the grounding moment of liberalism, this was actually, Simpson tells us, the source of fundamentalism, and of different kinds of persecutory violence. His argument overturns a widely held interpretation of sixteenth-century Protestant reading -- and a crucial tenet of the liberal tradition. After exploring the heroism and achievements of sixteenth-century English Lutherans, particularly William Tyndale, Burning to Read turns to the bad news of the Lutheran Bible. Simpson outlines the dark, dynamic, yet demeaning paradoxes of Lutheran reading: its demands that readers hate the biblical text before they can love it; that they be constantly on the lookout for unreadable signs of their own salvation; that evangelical readers be prepared to repudiate friends and all tradition on the basis of their personal reading of Scripture. Such reading practice provoked violence not only against Lutheranism's stated enemies, as Simpson demonstrates; it also prompted psychological violence and permanent schism within its own adherents.
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Jose Saramago
On the first day of the New Year, no one dies. This understandably causes great consternation amongst religious leaders – if there’s no death, there can be no resurrection and therefore no reason for religion – and what will be the effect on pensions, the social services, hospitals? Funeral directors are reduced to arranging funerals for dogs, cats, hamsters and parrots. Life insurance policies become meaningless. Amid the general public, on the other hand, there is initially celebration: flags are hung out on balconies and people dance in the streets. They have achieved the great goal of humanity – eternal life. But will death’s disappearance benefit the human race, or will this sudden abeyance backfire? How long can families cope with malingering elderly relatives who scratch at death’s door while the portal remains firmly shut? Then, seven months later, death returns, heralded by purple envelopes informing the recipients that their time is up. Death herself is now writing personal notes giving one week's notice. However, when an envelope is unexpectedly returned to her, death begins to experience strange, almost human emotions.
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Books of the Week: Monday, March 03, 2008
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Joseph Joubert
The elusive French luminary Joseph Joubert is a great explorer of the mind's open spaces. Edited and translated by Paul Auster, this selection from Joubert's notebooks introduces a master of the enigmatic who seeks "to call everything by its true name" while asking us to "remember everything is double." "Joubert speaks in whispers," Auster writes. "One must draw very close to hear what he is saying."
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Darian Leader
What happens when we lose someone we love? A death, a separation or the break-up of a relationship are some of the hardest times we have to live through. We may fall into a nightmare of depression, lose the will to live and see no hope for the future. What matters at this crucial point is whether or not we are able to mourn. In this important and groundbreaking book, acclaimed psychoanalyst and writer Darian Leader urges us to look beyond the catch-all concept of depression to explore the deeper, unconscious ways in which we respond to the experience of loss. In so doing, we can loosen the grip it may have upon our lives.
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Books of the Week: Monday, February 25, 2008
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Angela Morgan Cutler
Auschwitz: a place where millions were killed and which thousands now visit each year. A mass grave – and a tourist destination. The focus of this work of autobiographical fiction is on the sightseers – the curious that are drawn to visit. It is a book that questions our need to look: what is there to uncover, other than the difficulty of peering into such a place and into a subject that has been obsessively documented, yet can never really be understood? How to write about Auschwitz in the twenty-first century, in a time when the last generation of survivors is soon to be lost? This is also a book that searches for a personal story. It opens on a local bus that takes Angela, her husband En (whose mother survived the holocaust where most of her family did not) and their two sons to Auschwitz sixty years after the holocaust, and ends in a pine forest outside Minsk where En’s grandparents were shot in May 1942. The backbone of Auschwitz is a series of e-mails between the author and acclaimed American writer Raymond Federman. At the age of 14, Federman (now approaching 80) was hastily thrust into the small upstairs closet of their Paris apartment by his mother just before she, his father and two sisters were taken to Auschwitz, where they were killed. Federman also has spent a lifetime trying to find a language appropriate for the enormity of the holocaust and his part in its legacy, ultimately espousing laughterature – laughter as a means of survival.
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Sherman Young
Sometime in the late twentieth century the book died. Sherman Young, passionate book lover and a consumer and producer of digital technology, is on a mission to make book culture matter again. Shirking nostalgia and without apology, The Book is Dead (Long Live the Book) investigates the economics and technological demands of publishing, making a case for books and reading all the while. His bold and exciting book will inspire readers, non-readers and publishers to put books centre-stage again, even if they’re not books as we now know them.
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Books of the Week: Monday, February 18, 2008
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Witold Gombrowicz
A Kind of Testament is part autobiography and part justification of the life’s work of one of Poland’s most important novelists and playwrights. Written in France in 1968, this personal testimony is more than just a life history or a critique of his work. A Kind of Testament stands as a testament to how Gombrowicz came to be the person and writer that he was and overlap between the two.
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Carolin Duttlinger
Throughout his life, Franz Kafka was fascinated by photography, a medium which for him came to encapsulate both the attractions and the pitfalls of modern life. Kafka's personal engagement with the medium - as a keen viewer and collector of photographs as well as an amateur photographer - is reflected in his writings, which explore photography from a variety of different perspectives. This study not only explores photography's recurrence as a theme within his texts but it is also the first to take systematic account of Kafka's use of photographs as literary source material. Kafka and Photography presents one of the most important modern writers from an entirely new perspective; it sheds new light on familiar works and uncovers unexplored aspects of Kafka's engagement with his time and context. Its detailed textual analyses are set against a richly documented historical context which illustrates Kafka's interest in contemporary culture through a range of visual material taken from public as well as private sources - some of which has only recently become available. As this book demonstrates, photography had a profound impact on Kafka's literary imagination and as such helps to explain the mesmerizing intensity of enigmatic visual detail which is a hallmark of his narratives.
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Books of the Week: Monday, February 11, 2008
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Neil Shubin
Your Inner Fish tells the extraordinary history of the human body. Why do we look the way we do? When did we first evolve the features that we have? Why are we still able to do all the different things we do? And, finally, why do we fall ill in the way that we do? Neil Shubin draws on the latest genetic research and his huge experience as an expeditionary palaeontologist to show the incredible impact the 3.5 billion year history of life has had on our bodies. It turns out that many of our most distinctive features evolved when we were still swimming in the oceans. Shubin takes readers on a fascinating, unexpected journey and allows us to discover the deep connection to nature in our own bodies.
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Eric G. Wilson
More than any other generation, we seem to believe in the transformative power of positive thinking. But who says we’re supposed to be happy? Where does it say that in the Bible, or in the Constitution? In Against Happiness, Eric G. Wilson argues that melancholia is necessary to any thriving culture, that it is the muse of great literature, painting, music, and innovation—and that it is the force underlying original insights. Francisco Goya, Emily Dickinson, Marcel Proust, and Abraham Lincoln were all confirmed melancholics. So enough Prozac-ing of our brains. Let’s embrace our depressive sides as the wellspring of creativity. What most people take for contentment, Wilson argues, is living death, and what the majority takes for depression is a vital force. It’s time to throw off the shackles of positivity and relish the blues that make us human.
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Books of the Week: Monday, February 04, 2008
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Fred Wander
He grew up on the street, a high school dropout. In 1938 he left his mother and sister behind in Vienna and fled on foot to France, where later he was put on a train to Auschwitz. Transported from camp to camp, Fred Wander was haunted for twenty-five years by the crystalline, episodic stories that chronicle the plight of his fellow inmates. Only after the tragic death of his little daughter did these voices pour forth. The result was this novel, published in East Germany in 1970. Finally it appears in English in this masterful translation, its haunting cadences evoking Levi and Celan, its backstory as heartrending as Suite Française. Wander demonstrates that the survival of a single man is a collaborative enterprise. The Seventh Well, named after the well of truth, recalls Dante’s Inferno with its mesmerizing descent into evil. Its existence is a miracle.
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Mark Booth
In this groundbreaking new work, Mark Booth embarks on an enthralling intellectual tour of our world’s secret histories. Starting from a dangerous premise — that everything we’ve been taught about our world’s past is corrupted, and that the stories put forward by the various cults and mystery schools throughout history are true — Booth produces nothing short of an alternate history of the past 3,000 years. History is more than a list of things that have happened; it’s a measure of consciousness and experience. And in The Secret History of the World, Booth’s take on history is relentless, charging through time and space and thought in interdisciplinary fashion; embracing cognitive science, religion, psychology, historiography, and philosophy, a new timeline is drawn, and a huge swath of our cultural heritage that has for long been hidden is restored. From Greek and Egyptian mythology to Jewish folklore, from Christian cults to Freemasons, from Charlemagne to Don Quixote, from George Washington to Hitler-Booth shows without a doubt that history as we know it needs a revolutionary rethink, and he has 3,000 years of hidden wisdom to back it up.
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Books of the Week: Monday, January 28, 2008
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Esther Leslie
The work of Walter Benjamin, critic, essayist, translator, philosopher – one of the twentieth century’s most influential intellectuals – continues to stimulate a profusion of responses in the form of new novels, operas, films and artworks, as well as a never-abating production of academic texts. In this new biography, the first to be written in over a decade, author Esther Leslie uses the recently published entirety of Benjamin’s correspondence, drawing on his numerous diaries and autobiographical works, in order to provide a careful account of his circumstances and thoughts. Benjamin had many interests: he cherished childhood and its trappings; had a passion for the displacement and novelty of travel; toys; cities; trick-books; and ships; all are given due attention as the author weaves Benjamin’s wayward apperceptions into the narrative of a life lived. She follows Benjamin as he travels from Berlin to Capri, Ibiza, Riga, Moscow, Paris, and finally the Spanish border where he died in 1940. The author acknowledges Benjamin’s thesis that personal histories can be traced only in the context of social milieus, economic forces, technological shifts, and historical events, and seamlessly interweaves biographical details with an accessible yet concentrated account of Benjamin’s intellectual development, drawing a colourful portrait of a capacious intellect trapped in increasingly hostile circumstances.
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Marguerite Duras
The really special thing about this edition or Marguerite Duras's Wartime Notebooks is that understated subtitle and other texts. This truly is a compendious collection of Duras's unpublished writing and publisher Quercus are to be congratulated for producing such a lovely -- and important -- book. Duras -- most famous for her exquisite novel The Lover -- was one of the leading intellectuals and writers of post-war France. Her novels are all very autobiographical, but don't let that make you think that that takes anything away from her skill as a writer. How she uses her life, how she wrote and rewrote and explored all the facts and facets of it, are what make her so exceptional. Wartime Notebooks contains the contents of four notebooks kept "in a blue closet in her country home in France ... until now no one recognised just how important was the material she had written between 1943 and 1949." The Pink Marbled Notebook, devoted to her childhood, includes, amongst much other material, rough drafts of The Sea Wall; the 20th Century Press and Hundred-Page Notebooks contain a rough draft of The War; and the Beige Notebook contains -- again, amongst much other great diary material -- a rough draft of The Sailor from Gibraltar. In addition, the book has fifty pages of additional texts. Essential.
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Books of the Week: Monday, January 21, 2008
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Slavoj Zizek
The premise of Zizek’s theory is that the subjective violence we see – violence with a clear identifiable agent – is only the tip of an iceberg made up of ‘systemic’ violence, which is essentially the catastrophic consequence of the smooth functioning of our economic and political systems. With the help of Marx, Engels, Sartre, Hegel, Kierkegaard, Lacan, Brecht and many more, Zizek examines the hidden causes of violence, delving into the supposed ‘divine violence’ which propels suicide bombers and the unseen ‘systemic’ violence which lies behind outbursts, from Parisian suburbia to New Orleans. For Zizek, the controversial truth is that sometimes doing nothing is the most violent thing you can do. He calls for a forceful confrontation with the vacuity of today’s democracies – using an unconventional plethora of references: Hitchcock, Orwell, Fukuyama, Freud and more.
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David W. Anthony
Roughly half the world's population speaks languages derived from a shared linguistic source known as Proto-Indo-European. But who were the early speakers of this ancient mother tongue, and how did they manage to spread it around the globe? Until now their identity has remained a tantalizing mystery to linguists, archaeologists, and even Nazis seeking the roots of the Aryan race. The Horse, the Wheel, and Language lifts the veil that has long shrouded these original Indo-European speakers, and reveals how their domestication of horses and use of the wheel spread language and transformed civilization. Linking prehistoric archaeological remains with the development of language, Anthony identifies the prehistoric peoples of central Eurasia's steppe grasslands as the original speakers of Proto-Indo-European, and shows how their innovative use of the ox wagon, horseback riding, and the warrior's chariot turned the Eurasian steppes into a thriving transcontinental corridor of communication, commerce, and cultural exchange.
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Books of the Week: Monday, January 14, 2008
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Giorgio Bassani
Jamie McKendrick new translation of this haunting, elegiac novel which captures the mood and atmosphere of Italy (and in particular Ferrara) in the last summers of the thirties, focusing on an aristocratic Jewish family moving imperceptibly towards its doom. Vittorio De Sica turned the book into a film in 1970, winning the Academy Award for Best Foreign Language Film in 1974.
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Philip Gourevitch
A second volume of fascinating interviews from one of the world's best loved literary magazines. The encounters between The Paris Review and the world's leading writers have elicited some of the most revelatory and revealing thoughts from the literary masters of our age. Entertaining and thought-provoking, it is essential reading for anyone who cares about writers and writing. Includes interviews with Graham Greene, William Faulkner, Gabriel Garcia Marquez, Philip Larkin, Raymond Carver, Philip Roth and Toni Morrison.
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Books of the Week: Monday, January 07, 2008
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Irmre Kertesz
As readers, we are accustomed to reading stories of war and injustice from the victims' point of view, sympathising with their plight. In Detective Story, the tables have been turned, leaving us in the mind of a monster, as Kertész plunges us into a story of the worst kind, told by a man living outside morality. Now in prison, Antonio Martens is a torturer for the secret police of a recently defunct dictatorship. He requests and is given writing materials in his cell, and what he has to recount is his involvement in the surveillance, torture, and assassination of Federigo and Enrique Salinas, a prominent father and son whose principled but passive opposition to the regime left them vulnerable to the secret police. Preying upon young Enrique’s aimless life, the secret police began to position him as a subversive and then targeted his father. Once this plan was set into motion, any means were justified to reach the regime’s chosen end—the destruction of an entire liberal class. Inside Martens’s mind, we inhabit the rationalising world of evil and see first-hand the inherent danger of inertia during times of crisis.
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Dino Buzzati
Giovanni Drogo is a young army officer who is posted to Fort Bastiani, a remote and almost forgotten outpost that looks out over the desert and mountains of the steppe and onto the barren reaches of the Northern Kingdom. There is a vague possibility that acrimonious relations with the Northern Kingdom could, at any time, descend into war. There is an even vaguer chance that if war were to come it would arrive over the inhospitable steppe. Whilst younger officers, like Drogo, keep their spirits up with constant chatter about the possibility of such an attack, the older officers know better. They have spent a lifetime waiting, they've succumbed to many a false hope but, in their hearts, they know that no-one will attack, certainly not over the steppe, and that their chance to prove themselves as valiant soldiers has slowly died over the course of many years pointlessly waiting for something to happen. Drogo is astute enough to see this. As soon as he arrives at the Fort he asks to be posted somewhere else, but is persuaded to stay for a few months. Those months turn into years. The years quickly turn into a lifetime.
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Books of the Week: Monday, December 31, 2007
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Enrique Vila-Matas
The narrator of Montano's Malady is a writer named Jose who is so obsessed with literature that he finds it impossible to distinguish between real life and fictional reality. Part picaresque novel, part intimate diary, part memoir and philosophical musings, Enrique Vila-Matas has created a labyrinth in which writers as various as Cervantes, Sterne, Kafka, Musil, Bolano, Coetzee, and Sebald cross endlessly surprising paths. Trying to piece together his life of loss and pain, Jose leads the reader on an unsettling journey from European cities such as Nantes, Barcelona, Lisbon, Prague and Budapest to the Azores and the Chilean port of Valparaiso. Exquisitely witty and erudite, it confirms the opinion of Bernardo Axtaga that Vila-Matas is "the most important living Spanish writer.
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Pawel Huelle
Picking up on a throwaway line in The Magic Mountain, Castorp tells the story of Hans Castorp’s student years in Gdansk, long before the adventures in Davos described in Thomas Mann’s novel. Pawel Huelle skilfully creates a credible scenario for this influential period in Hans Castorp’s development, imagining what happened when the rational German student was exposed to the Slavonic eastern edge of the Prussian empire. He comes across people, events and ideas that anticipate some of the encounters he will experience in years to come, including an enigmatic Polish woman who becomes his obsession. Set at the dawn of the twentieth century, Castorp faithfully recreates the atmosphere of central Europe as the storm began that would lead to two world wars. Beautifully written, full of humour, mystery and eccentricity, this is a moving tribute to a masterpiece of European literature.
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Books of the Week: Monday, December 17, 2007
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Pierre Bayard
In this mischievous and provocative book, already a runaway bestseller in France, Pierre Bayard contends that in this age of infinite publication, the truly cultivated person is not the one who has read a book, but the one who understands the book's place in our culture. Drawing on examples from works by Graham Greene, Umberto Eco, Oscar Wilde, Montaigne (who couldn't remember books he himself had written), and many others, he examines the many kinds of 'non-reading' (forgotten books, unknown books, books discussed by others, books we've skimmed briefly) and the many potentially nightmarish situations in which we are called upon to discuss our reading with others (with our loved ones, with the book's author, etc.) At heart, this is a book that will challenge everyone who's ever felt guilty about missing some of the Great Books to consider what reading means, how we absorb books as part of ourselves, and how and why we spend so much time talking about what we have, or haven't, read.
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Tim Parks
The title piece of Tim Parks' The Fighter addresses D.H. Lawrence’s fundamental belligerence and how all the significant relationships in his life, including those with his readers and critics, were characterized by intense intimacy and ferocious conflict. Elsewhere there are literary essays on tension and conflict in the work of Beckett and Hardy, Bernhard and Dostoevsky, amongst others. Parks is known for his acerbic chronicles of Italian life and here are essays on Mussolini, Macchiavelli and the Medici. Besides discussing questions of history, politics and literature, The Fighter also takes on the serious issue of World Cup football. These are essays whose ideas and themes call to each other in the most unexpected and ironic ways. From the wide variety of subjects emerges a consistent and convincing picture of a world that forever resists the writer’s embattled attempts to wrap it up in language.
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Books of the Week: Monday, December 10, 2007
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Charles Taylor
What does it mean to say that we live in a secular age? Almost everyone would agree that we -- in the West, at least -- largely do. And clearly the place of religion in our societies has changed profoundly in the last few centuries. In what will be a defining book for our time, Charles Taylor takes up the question of what these changes mean -- of what, precisely, happens when a society in which it is virtually impossible not to believe in God becomes one in which faith, even for the staunchest believer, is only one human possibility among others. Taylor offers a historical perspective. He examines the development in "Western Christendom" of those aspects of modernity which we call secular. What he describes is in fact not a single, continuous transformation, but a series of new departures, in which earlier forms of religious life have been dissolved or destabilized and new ones have been created. As we see here, today's secular world is characterized not by an absence of religion -- although in some societies religious belief and practice have markedly declined -- but rather by the continuing multiplication of new options, religious, spiritual, and anti-religious, which individuals and groups seize on in order to make sense of their lives and give shape to their spiritual aspirations. What this means for the world -- including the new forms of collective religious life it encourages, with their tendency to a mass mobilization that breeds violence -- is what Charles Taylor grapples with here.
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Emile Zola
Unjustly deported to Devil's Island following Louis-Napoleon's coup-d'état in December 1851, Florent Quenu escapes and returns to Paris. He finds the city changed beyond recognition. The old Marché des Innocents has been knocked down as part of Haussmann's grand programme of urban reconstruction to make way for Les Halles, the spectacular new food markets. Disgusted by a bourgeois society whose devotion to food is inseparable from its devotion to the Government, Florent attempts an insurrection. Les Halles, apocalyptic and destructive, play an active role in Zola's picture of a world in which food and the injustice of society are inextricably linked. The Belly of Paris ( Le Ventre de Paris) is the third volume in Zola's famous cycle of twenty novels, Les Rougon-Macquart. It introduces the painter Claude Lantier and in its satirical representation of the bourgeoisie and capitalism complements Zola's other great novels of social conflict and urban poverty.
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Books of the Week: Monday, December 03, 2007
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Sarah M. Hall
Virginia Woolf's involvement in the lively and controversial Bloomsbury Group, which included the writer Lytton Strachey, the painters Vanessa Bell and Roger Fry and the economist Maynard Keynes, was a significant part of both her personal and creative lives. As a group they were witty, bold and original and their intellectual and artistic accomplishments have had a lasting impact. The Bedside, Bathtub and Armchair Companion to Virginia Woolf and Bloomsbury presents Woolf as a dynamic individual with a wide and fascinating circle of friends. The book explores Woolf's early life and family, the origins and activities of the Bloomsbury Group and Woolf's later career and those of her friends. It also includes sections on the Hogarth Press, Virginia Woolf and the Suffrage movement, the myths and reality of Virginia's death and the continuing presence of the Bloomsbury Group in popular culture. Packed with insight and information, and illustrated throughout, the companion is the ideal guide to Virginia Woolf and her contemporaries.
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Ronan McDonald
The critic has long been a reviled figure, at best the mere handmaiden of the ‘creative’ arts, at worst a parasite upon them. For Brendan Behan, critics are like eunuchs in a harem. They know how it is done. They have seen it done every day. But they are unable to do it themselves. In an age of book clubs, celebrity endorsements and internet bloggers, what role is there now for the professional critic as an arbiter of artistic value? Are literature and the arts only a question of personal taste? Is one opinion ‘as good as another’? Rónán McDonald’s The Death of the Critic seeks to defend the role of the public critic. McDonald argues against recent claims that all artistic value is simply relative and subjective. This forceful, accessible and eloquent book considers why high-profile, public critics, such as William Empson, F.R.Leavis or Lionel Trilling, become much rarer in the later twentieth century. A key reason for the ‘death of the critic’, he believes, is the turn away from value judgements and the very notion of artistic quality amongst academics and scholars.
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Books of the Week: Monday, November 26, 2007
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Mary Beard
It followed every major military victory in ancient Rome: the successful general drove through the streets to the temple of Jupiter on the Capitoline Hill; behind him streamed his raucous soldiers; in front were his most glamorous prisoners, as well as the booty he'd captured, from enemy ships and precious statues to plants and animals from the conquered territory. Occasionally there was so much on display that the show lasted two or three days. A radical re-examination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph -- but also its darker side. What did it mean when the axle broke under Julius Caesar's chariot? Or when Pompey's elephants got stuck trying to squeeze through an arch? Or when exotic or pathetic prisoners stole the general's show? And what are the implications of the Roman triumph, as a celebration of imperialism and military might, for questions about military power and "victory" in our own day? The triumph prompted the Romans to question as well as celebrate military glory. Beard's richly illustrated work is a testament to the profound importance of the triumph in Roman culture -- and for monarchs, dynasts and generals ever since.
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Michael Picard
This is Not a Book will "stretch your mind, put your neurons through their paces and challenge the foundations of your opinions and of knowledge itself". Filled with philosophical puzzles that have intrigued great minds of many nations for centuries, insoluble logical paradoxes and moral dilemmas, This is Not a Book is divided into four sections, reflecting the major fields of philosophy: Logic, Epistemology, Ethics and Metaphysics. Each section includes a subject overview and philosopher profiles, as well as quizzes, games and thought experiments which apply the tools of philosophy to ultimate questions and everyday life. Thought-provoking and logic-defying and great fun.
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Books of the Week: Monday, November 19, 2007
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Charles Nicholl
In 1612, Shakespeare gave evidence at the Court of Requests in Westminster – it is the only occasion his spoken words are recorded. The case seems routine – a dispute over an unpaid marriage-dowry – but it opens up an unexpected window into the dramatist’s famously obscure life-story. Some eight years earlier, Shakespeare was lodging in the house of a French immigrant family, the Mountjoys, in the Cripplegate area of London. And while there he was called on to ‘persuade’ the family’s former apprentice to marry their daughter. Marshalling evidence from a wide variety of sources, including previously unknown documentary material on the Mountjoys, Charles Nicholl conjures up a detailed and compelling description of the circumstances in which Shakespeare lived and worked, and in which he wrote such plays as Othello, Measure for Measure and King Lear. Nicholl also throws new light on the puzzling story of Shakespeare’s collaboration with the hack-author and brothel-keeper George Wilkins. In this exploration of Shakespeare at forty, we see him not from the viewpoint of literary greatness, but in the humdrum and very human context of Silver Street, where to the maid of the house he was merely ‘one Mr Shakespeare’, renting the room upstairs.
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Jameel Jaffer, Amrit Singh
When the media published photographs of U.S. soldiers abusing prisoners at Abu Ghraib, the Bush administration assured the world that the abuse was isolated and that the perpetrators would be held accountable. Over the next three years, it refined its stance: some soldiers abused prisoners, but these soldiers were anomalous sadists who ignored clear orders. Abuse, the administration said, was aberrational not systemic, not widespread, and certainly not a matter of policy. The government's own documents, obtained by the American Civil Liberties Union, tell a starkly different story. They show that the abuse of prisoners was not limited to Abu Ghraib but was pervasive in U.S. detention facilities in Iraq and Afghanistan and at Guantánamo Bay. The documents also reveal that senior officials endorsed the abuse of prisoners as a matter of policy. Administration of Torture is the most detailed account thus far of what took place in America's overseas detention centers, including an essay in which Jameel Jaffer and Amrit Singh draw the connection between the policies adopted by senior civilian and military officials and the torture and abuse that took place on the ground. The book also reproduces hundreds of government documents — including interrogation directives, FBI e-mails, autopsy reports, and investigative files — that constitute both an important historical record and a profound indictment of the Bush administration's policies with respect to the detention and treatment of prisoners in U.S. custody abroad.
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Books of the Week: Monday, November 12, 2007
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Janet Malcolm
Janet Malcolm's elliptical essay makes for a wonderfully fluent introduction to the Modernist writer Gertrude Stein (1874-1946) and her life partner Alice B. Toklas (1877-1967). And, as ever with Malcolm's work, her book is also an investigation into itself: whilst this is a (brief) biography of Stein, it is also a (brief) meditation on the art – the duplicities, the impossibilities – of writing biography itself. Malcolm is an incisive journalist, and her book reads like a long New Yorker piece, a magazine for which she is a celebrated staffer. It makes the notoriously difficult Stein seem worth the effort of reading, whilst at the same time being clear that Stein's often silly ramblings won't be to everyone's taste. As they say the best literary journalism should do, this leads one back to the work under discussion newly invigorated for the difficult task of reading ahead.
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Margaret Iversen
Text to follow.
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Books of the Week: Monday, November 05, 2007
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Eric D. Weitz
Weimar Germany tells how Germans rose from the defeat of World War I and the turbulence of revolution to forge democratic institutions and make Berlin a world capital of avant-garde art. Setting the stage for this story, Weitz takes the reader on a walking tour of Berlin to see and feel what life was like there in the 1920s, when modernity and the modern city -- with its bright lights, cinemas, "new women," cabarets, and sleek department stores -- were new. We learn how Germans enjoyed better working conditions and new social benefits and listened to the utopian prophets of everything from radical socialism to communal housing to nudism. Weimar Germany also explores the period's revolutionary cultural creativity, from the new architecture of Erich Mendelsohn, Bruno Taut, and Walter Gropius to Hannah Höch's photomontages and Bertolt Brecht and Kurt Weill's theater. Other chapters assess the period's turbulent politics and economy, and the recipes for fulfilling sex lives propounded by new "sexologists." Yet Weimar Germany also shows how entrenched elites continually challenged Weimar's achievements and ultimately joined with a new radical Right led by the Nazis to form a coalition that destroyed the republic.
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Giovanni Arrighi
In the late eighteenth century, the political economist Adam Smith predicted an eventual equalization of power between the conquering West and the conquered non-West. In this magisterial new work, Giovanni Arrighi shows how China's extraordinary rise invites us to read The Wealth of Nations in a radically different way than is usually done. He examines how the recent US attempt to bring into existence the first truly global empire in world history was conceived in order to counter China's spectacular economic success of the 1990s, and how the US's disastrous failure in Iraq has made the People’s Republic of China the true winner of the US War on Terror. In the 21st century, China may well become again the kind of noncapitalist market economy that Smith described, under totally different domestic and world-historical conditions.
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Books of the Week: Monday, October 29, 2007
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Giorgio Agamben
In Profanations, Agamben has assembled for the first time some of his most pivotal essays on photography, the novel, and film. A meditation on memory and oblivion, on what is lost and what remains, Profanations proves yet again that Agamben is one of the most provocative writers of our time. In ten essays, Agamben ponders a series of literary and philosophical problems: the relation among genius, ego, and theories of subjectivity; the problem of messianic time as explicated in both images and lived experience; parody as a literary paradigm; and the potential of magic to provide an ethical canon. The range of topics and themes addressed here attest to the creativity of Agamben's singular mode of thought and his persistent concern with the act of witnessing, sometimes futile, sometimes earth-shattering: the talking cricket in Pinocchio; "helpers" in Kafka's novels; pictorial representations of the Last Judgment, of anonymous female faces, and of "Rosebud," the infamous object of obsession in Citizen Kane. The central essay, In Praise of Profanity, confronts the question of profanity as the crucial political task of the moment. An act of resistance to every form of separation, the concept of profanation reorients perceptions of how power, consumption, and use interweave to produce an urgent political modality and desire: to profane the unprofanable.
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John Updike
This new collection of John Updike’s non-fiction writings includes a preface, Everything Considered, in which he tells of his lifelong love affair with words; essays on travel, and on faith; introductions to some of the classics; reviews of lesser known foreign writers and new books by English and American contemporaries; as well as non-fiction topics from the sinking of the Lusitania to Coco Chanel's ‘unsinkable career’; tributes to legendary New Yorker figures, and much more.
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Books of the Week: Monday, October 22, 2007
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Brian Cummings
According to Gabriel Josipovici: "[Cummings] writes with a clarity and wit all too rare in scholarly works. But this is not just a masterly survey of a fascinating subject; it demonstrates that literary, linguistic and philosophical issues will always be intertwined, and that we improverish ourselves by hiving them off into different disciplines." Cummings examines the place of literature in the Reformation, considering both how arguments about biblical meaning and literary interpretation influenced the new theology, and how developments in theology in turn influenced literary practices. Bringing together genres and styles of writing which are normally kept apart (poems, sermons, treatises, commentaries), Cummings offers a major re-evaluation of the literary production of this intensely verbal and controversial period.
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John Perkins
John Perkins' Confessions of an Economic Hit Man is a startling, riveting and absolutely essential read. Perkins, who was himself, for many years, an economic hit man (EHM), explains how highly paid professionals cheat poor countries out of trillions of dollars by convincing them to take out huge loans that they cannot afford to repay. Once they are hugely indebted these countries are forced to become loyal friends to their U.S. paymaster: debt pulls them into a "vast network that promotes U.S. commercial interests ... we can draw on them whenever we desire -- to satisfy our political, economic, or military needs." This system is running amok and it is creating an unstable and dangerous world. We know this is a form of criminal insanity when we note that "the United States spends over $87 billion conducting a war in Iraq while the United Nations estimates that for less than half that amount we could provide clean water, adequate diets, sanitation services, and basic education to every person on the planet." Perkins' frightening book explains how this "corporatocracy" whilst not a conspiracy is unscrupulous in the extreme and is creating a future that "is guaranteed to end tragically" if we do not heed his warnings about the unsustainable economics and dodgy deals that lie at the heart of globalisation.
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Books of the Week: Monday, October 15, 2007
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Mark Cocker
Rooks and jackdaws are both members of the same bird family . To ornithologists the group is known as the corvids, to the layperson they are crows. But to the Mark Cocker these two species have become a fixation and a way of life. When he moved with his family to a rundown cottage in the Norfolk Broads he acquired first a naturalist’s perfect home in the countryside, then the keys to a secret landscape. Twice a day flight-lines of rooks and jackdaws pass over the house on their way to a roost in the Yare Valley. Following them down to the river one winter’s night, the author discovered a roiling, deafening flock of birds which rises at its peak to 40,000. From the moment he watched the multitudes blossom as a mysterious dark flower above the night woods, these gloriously commonplace birds were unsheathed entirely from their ordinariness. Cocker goes in search of them, journeying from the cavernous, deadened heartland of South England to the hills of Dumfriesshire. Step by step he pieces together the complexities of the birds’ inner lives, the historical depth of the British relationship with the rook and the unforeseen richness hidden in that sombre voice, a raucous crow song that he calls ‘our landscape made audible’.
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Robert Macfarlane
The Wild Places is both an intellectual and a physical journey, and Macfarlane travels in time as well as space. Guided by monks, questers, scientists, philosophers, poets and artists, both living and dead, he explores our changing ideas of the wild. From the cliffs of Cape Wrath, to the holloways of Dorset, the storm-beaches of Norfolk, the saltmarshes and estuaries of Essex, and the moors of Rannoch and the Pennines, his journeys become the conductors of people and cultures, past and present, who have had intense relationships with these places. Certain birds, animals, trees and objects – snow-hares, falcons, beeches, crows, suns, white stones – recur, and as it progresses this densely patterned book begins to bind tighter and tighter. At once a wonder voyage, an adventure story, an exercise in visionary cartography, and a work of natural history, it is written in a style and a form as unusual as the places with which it is concerned. It also tells the story of a friendship, and of a loss. It mixes history, memory and landscape in a strange and beautiful evocation of wildness and its vital importance.
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Books of the Week: Monday, October 08, 2007
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John Berger
John Berger, Naomi Klein, Arundhati Roy, Joe Sacco and others examine the consequences of the "War on Terror". On October 7th 2001, US-led forces invaded Afghanistan, marking the start of George Bush and Tony Blair’s "War on Terror". Six years on, where have the policies of Bush and Blair left us? Bringing together some of the finest contemporary writers, this wide-ranging anthology, from reportage and “faction” to fiction, explores the impact of this "long war” throughout the world, from Palestine to Iraq, Abu Ghraib, the curtailment of civil liberties and manipulation of public opinion. Published in conjunction with Stop the War Coalition and United for Peace and Justice, it provides an urgent, necessary reflection on the causes and consequences of the ideological "War on Terror".
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Philip Roth
That latest (the last?) Nathan Zuckerman title from Philip Roth.
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Books of the Week: Monday, October 01, 2007
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Naomi Klein
Naomi Klein turns her eye on the rise of disaster capitalism.
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Books of the Week: Monday, September 24, 2007
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Viktor Shklovsky
Viktor Shklovsky's A Sentimental Journey, which borrows its title from Laurence Sterne, describes the travels of a bewildered intellectual through Russia, Persia, the Ukraine, and the Caucasus during the period of the Russian Revolution. Valuable as a historical document for its first-hand account of the events during the period of 1917-1922, A Sentimental Journey is also an important experimental literary work—a memoir in the form of a novel. At times lyrical, disturbing, ironic, and erudite, A Sentimental Journey is a singular book from one of the most recognizable and influential voices of twentieth-century Russian literature.
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Etienne Balibar
An excellent introduction to Marx’s thought from a major French philosopher. Providing a lucid, succinct, and accessible introduction to Marx and his key followers, complete with pedagogical information for the student, Balibar makes the most difficult areas of theory easy to understand. Balibar examines all the key areas of Marx’s writings in their wider historical and theoretical context including the concepts of class struggle, ideology, humanism, progress, determinism, commodity fetishism, and the state. Suitable for the student and scholar in the humanities and social sciences, this will become the standard guide to Marx.
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Books of the Week: Monday, September 17, 2007
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Gregory J. Chaitin
Meta Maths is truly idiosyncratic. Informal, chatty and cerebral, it's almost a personal statement: it mixes mathematics with Chaitin's outlook on life and philosophy. For example, computer programming language shares a chapter with Kurt Gödel, friend of Einstein and developer of an immensely important theory of the limitations of mathematical methods. DNA and biological systems turn up intermittently. Where Chaitin wants to emphasize a word, a sentence or a paragraph, he prints it in bold. It's a bit like shouting in the reading room of the British Library. This tendency to jump between subjects is perhaps not surprising. Chaitin's reputation is based on his work on randomness in mathematics. Meta Maths explains how he arrived at an infinitely long and completely incalculable number he calls "omega" -- which has to do with the probability that a computer program will eventually halt (another question that mathematicians love). Chaitin's book is great fun even if his style can be irritating. (Review from the FT.)
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Virginia Woolf
Woolf's diaries are a delight: "Nothing yet published about her so totally contradicts the legend of Virginia Woolf.... [This] is a first chance to meet the writer in her own unguarded words and to observe the root impulses of her art without the distractions of a commentary" (New York Times). This edition is edited and with a preface by Anne Olivier Bell and with an fascinating introduction by Quentin Bell.
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Books of the Week: Monday, September 10, 2007
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Deane Blackler
W.G. Sebald was born in 1944 in Germany. He found his way as a young academic to England and a career as professor of German. Only between the late 1980s and his untimely death in 2001 did he concentrate on nonacademic writing, crafting a new kind of prose work that shares features with but remains distinct from the novel, essay, travel writing, and memoir forms and gaining elevation to the first rank of writers internationally. No less a critic than Susan Sontag was moved to ask "Is literary greatness still possible?" implying that it was and that she had found it embodied in his writing. Deane Blackler explores Sebald's biography before analyzing the reading practice his texts call forth: that of a "disobedient reader," a proactive reader challenged to question the text by Sebald's peculiar use of poetic language, the pseudoautobiographical voice of his narrators, the seemingly documentary photographs he inserted into his books, and by his exquisite representations of place. Blackler reads Sebald's fiction as adventurous and disobedient in its formulation, an imaginative revitalization of literary fiction for the third millennium.
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David Kynaston
Coursing through Austerity Britain is an astonishing variety of contemporary voices: from Judy Haines, a plucky Chingford housewife, to Henry St John, a pernickety civil servant in Bristol, to more familiar figures such as John Arlott (here making his first radio broadcast, still in police uniform), Glenda Jackson (taking the 11+) and Doris Lessing (newly arrived from Africa, struck by the levelling poverty of postwar Britain) — all vivid, unselfconscious, and unaware of what the future holds. Into this story David Kynaston deftly weaves a critical, sophisticated narrative of how the victorious 1945 Labour government shaped the political, economic and even social landscape for the next three decades. Deeply researched, often amusing and always intensely readable, the first volume of David Kynaston’s ambitious history offers an entirely fresh perspective on Britain during six momentous years.
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Books of the Week: Monday, September 03, 2007
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Peter Woit
Not Even Wrong: The Failure of String Theory and the Continuing Challenge to Unify the Laws of Physics tells a fascinating and complex story -- neatly summed up in its sub-title -- about human beings and their attempts to come to grips with perhaps the most intellectually demanding puzzle there is: how does the world work at the most fundamental level and what is the role of mathematics in its description? The book begins with an historical survey of the experimental and theoretical developments that led to the creation of the phenomenally successful so-called ‘Standard Model’ of particle physics around 1975. Despite its successes, the Standard Model does not answer all questions that one would expect it to address, and for the last thirty years physicists have been trying to come up with a better theory. ‘String Theory’ has come to dominate the field of theoretical physics, but in recent years string theorists have found that the theory seems to lead to an unimaginably large number of possibilities and may be inherently unable to make predictions. The author explains what physicist's hopes have been, why they haven't worked out, and what may be more promising directions for investigation.
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Mark Edmundson
When Hitler invaded Vienna in the winter of 1938, Sigmund Freud, old and desperately ill, was among the city’s 175,000 Jews dreading Nazi occupation. Mark Edmundson traces Hitler and Freud’s oddly converging lives, then zeroes in on the last two years of Freud’s life. Staring down certain death, Freud, in typical fashion, does not enjoy his fame but instead writes his most provocative book yet, Moses and Monotheism, in which he debunks all monotheistic religions and questions the legacy of the great Jewish leader, Moses. Edmundson probes Freud’s ideas about secular death, and also about the rise of fascism and fundamentalism, and finally grapples with the demise of psychoanalysis after Freud’s death, when religious fundamentalism is once again shaping world events.
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Books of the Week: Monday, August 27, 2007
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Bruno Arpaia
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Ann Wroe
Text to follow.
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Books of the Week: Monday, August 20, 2007
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Rene Girard
René Girard (1923-) was Professor of French Language, Literature and Civilization at Stanford Unviersity from 1981 until his retirement in 1995. Violence and the Sacred is Girard's brilliant study of human evil. Girard explores violence as it is represented and occurs throughout history, literature and myth. Girard's forceful and thought-provoking analyses of Biblical narrative, Greek tragedy and the lynchings and pogroms propagated by contemporary states illustrate his central argument that violence belongs to everyone and is at the heart of the sacred. (Translated by Patrick Gregory.)
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Jerry Vermilye
"He always is very, very close to the camera, and he is terribly inspiring. I don't know what his magic is, but it is something that makes you want to give everything you have. He has respect for actors and for everybody. A bad director very often doesn't have that respect." Liv Ullman's words about Ingmar Bergman hint at the consummate director he was, one who knew the business, the strengths and weaknesses of actors and crews, the arrangement of the set, the framing of the camera, and all other particulars of the fine art of directing. This work presents Bergman's life and work, beginning with his youth in Uppsala, Sweden, and covering his formative years, his development as an artist, and his career as a world-renowned director. A brief synopsis for each of Bergman's films is provided, with such information as producer, screenwriter, cinematographer, editor, art director, music sound credits, running time, casts, Bergman's own comments, and the reactions of critics.
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Books of the Week: Monday, August 13, 2007
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Haniel Long
Haniel Long's curious short book, "The Marvellous Adventure of Cabeza de Vaca" is a novelisation of the memoir of 38-year-old Nunez Cabeza de Vaca, written in the form of a long letter to his King. (A long letter, but a very short book of just 90 pages, with de Vaca's story accompanied by the tale of Cortes' slavegirl Malinche).
In November 1528 a handful of Spaniards were shipwrecked in the Gulf of Mexico. 400 men became 40 and were soon reduced by the harsh conditions to just four. These four then spent 8 years, naked and barefoot, on a journey across the Americas. As they travelled, they developed a miraculous power to heal the poverty-stricken Indians they met along the way. This power came about after "all that we had learned across the water we have had to throw away." A warm fable.
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Michael Blastland
The Tiger that Isn't is that rarest of things: a compelling book about statistics. Easily readable in just a couple of sittings, the book does a superb job at reminding us that numbers can only go so far in describing our very messy, very complicated, very human world: "One number, because it implies one definition, is almost never enough. What single measure, for example, would you choose to express your life's worth". This is not to breed cynicism about what numbers can do, but just to remind us about what they cannot achieve, what remains exceedingly difficult to count. "Numbers have amazing power to put life's anxieties into proportion," but they can be violently reductive.
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Books of the Week: Monday, August 06, 2007
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Peter Abbs
The poems range widely. Some are deeply personal issuing from the immediate pressure of experience: the haunting memories of childhood, the harrowing death of parents, the experience of love; some are disturbing eco-poems responding to the current violation of the planet; while others are more impersonal, exploring through the strategies of persona and impersonation, other poets’ experience – apprehensions of the ephemeral, the erotic and the transcendent. The voices of Sappho, Nietzsche and Rilke reverberate, suggesting that only in the resonating echo-chamber of a long tradition can the contemporary poet hope to fulfill the task of imaginative representation and consilience.
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Diane Di Prima
Revolutionary Letters is Diane di Prima's (in)famous book of outlaw poems. Transgressive and bewitching, this new edition includes 23 additional poems.
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Books of the Week: Monday, July 30, 2007
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Asja Szafraniec
The late Jacques Derrida’s notion of literature is explored in this new study. Starting with Derrida’s self-professed inability to comment on the work of Samuel Beckett, whom Derrida nevertheless considered one of the most interesting and exemplary writers of our time, Asja Szafraniec argues that the shared feature of literary works as Derrida understands them is a double, juridical-economical gesture, and that one aspect of this notion (the juridical) is more hospitable to Beckett’s oeuvre than the other. She then discusses other contemporary philosophical approaches to Beckett, including those of Gilles Deleuze, Stanley Cavell, and Alain Badiou. The book offers an innovative analysis of Derrida’s approach to literature, as well as an overview of current philosophical approaches to contemporary literature, and a number of innovative readings of Beckett’s work.
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Erich Auerbach
Erich Auerbach's Dante: Poet of the Secular World is an inspiring introduction to one of world's greatest poets as well as a brilliantly argued and still provocative essay in the history of ideas. Here Auerbach, thought by many to be the greatest of twentieth-century scholar-critics, makes the seemingly paradoxical claim that it is in the poetry of Dante, supreme among religious poets, and above all in the stanzas of his Divine Comedy, that the secular world of the modern novel first took imaginative form. Auerbach's study of Dante, a precursor and necessary complement to Mimesis, his magisterial overview of realism in Western literature, illuminates both the overall structure and the individual detail of Dante's work, showing it to be an extraordinary synthesis of the sensuous and the conceptual, the particular and the universal, that redefined notions of human character and fate and opened the way into modernity.
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Books of the Week: Monday, July 23, 2007
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Andrea Lauterwein
The art of Anselm Kiefer is rich with references to writers, philosophers and poets, and his relationship with Paul Celan has been the most complex and intense of these dialogues with the past. Celan’s poetry, inextricably linked with the memory of the Holocaust, has haunted Kiefer’s work for more than twenty-five years and has influenced him on every level, from the naming of works and exhibitions to the incorporation of symbolic materials from Celan’s imagery into the physical reality of his paintings. Magnificently illustrated throughout with reproductions of Kiefer’s best-known works, this book explores the intricate web of associations between the poet and the painter, a network that is extended to embrace other artistic and literary figures such as Ingeborg Bachmann and Joseph Beuys. Through Celan’s linguistic innovations and Kiefer’s intense explorations of past and present, artistic creation becomes both an expression of horror and an act of commemoration.
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Adam Tooze
This chilling, fascinating new economic history is the first fully to get to grips with how Hitler's Nazi empire really functioned. There was no aspect of Nazi power untouched by economics - it was Hitler's obsession and the reason the Nazis came to power in the first place. The Second World War was fought, in Hitler's view, to create a European Empire strong enough to take on the United States - a last chance for Europe to dig itself in before being swept away by the USA's ever greater power. But, as The Wages of Destruction: The Making and Breaking of the Nazi Economy makes clear, Hitler was never remotely strong enough to beat either Britain or the Soviet Union - and never even had a serious plan as to how he might defeat the USA. It took years of fighting and the deaths of millions of people to destroy the Third Reich, but effectively World War II in Europe was fought in pursuit of a fantasy: the years in which Western Europe could settle the world's fate were, by 1939, long past.
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Books of the Week: Monday, July 16, 2007
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Linda Nochlin
For more than four decades, Linda Nochlin has been at the forefront of the feminist critique of art history, playing a pivotal role in shaping the course of the discipline. Since completing a doctorate on Gustave Courbet in the early 1960s, she has devoted herself to a lifelong study of the artist, arguably the most radical of all nineteenth-century painters and one of the fathers of modern art. Here, Nochlin presents her complete writings on Courbet’s work. Every aspect of his œuvre – from his vast realist depictions of provincial French life, allegorical works and paint-encrusted landscapes to his dark, brooding portraits, sensual nudes and earthy still lifes – comes under her scrutiny. In a specially written introduction, Nochlin considers Courbet’s lasting impact not only on later painting but also on the practice of art history itself. With essays spanning forty years, Courbet is much more than a monograph on a single artist. It is also the story of the intellectual development of one of our leading writers on the visual arts.
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Honore de Balzac
Sarrasine is one volume in arguably the greatest body of work in world literature, Balzac’s Comédie Humaine. Ostensibly a tale of sexual androgyny, the power of love and its bitter aftermath, it is in fact a study of the force of Art on society and the deadly immortality of beauty. The nameless narrator attends a ball held by a wealthy Parisian family, whose fortune comes from a work of art, and there meets an extraordinary old woman, who bears a strange resemblance to the statue depicted in the painting. He returns to his lodgings to tell the tragic, yet ultimately rewarding tale of the creation of the painting’s inspiration: a tale of passion, lust and transexuality in which Music and Art, their powers combined, are fatally attracted. This is a new translation of the classic that inspired Roland Barthes' seminal S/Z.
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Books of the Week: Monday, July 09, 2007
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John Gray
John Gray is a controversial and divisive thinker -- and he certainly seems to like it that way! But is he any more than a curmudgeonly doom-monger? Whilst very readable, Black Mass is infuriating and uneven. Gray maintains that messianic thought lays behind Nazism, Communism and liberalism. Utopianism -- drawing on Norman Cohn's exceptional The Pursuit of the Millennium -- is always transgressive: it is anti-realist and always leads to the promise of more tomorrow (our omelette) with the absolute certainty of misery today (very, very many broken eggs). Certainly, his argument is nuanced in places, but overall Gray tends to some crass and very broad brushstrokes. As a thesis, Black Mass doesn't hold together at all. It is banal to suggest that Nazism, Communism and liberalism are essentially the same (particularities are vital to understanding political history) and self-evident that Western thought owes much to Christianity. Despite this, Black Mass is an invigorating read and Gray's provocations are often dead-on. His description of the dangerous growth of neo-conservative thought, and his analysis (which has debts to Peter Oborne's The Rise of Political Lying) of Bush and Blair's outrageous mendacity, is exceptionally well done. After outlining his argument early on that "-isms" are utopian and therefore bad, Gray then cracks on with the more interesting and compelling case against the war in Iraq and against its messianic and historically naive delusions. Bush and Blair's messianism is not key to the Iraq debacle, and liberalism is a far more confused and chaotic creed than Communism or Nazism, but Gray's book, despite these faults, is both angry and entertaining.
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Julia Smith
This is the first single-author study in over fifty years to offer an integrated appraisal of the early Middle Ages as a dynamic and formative period in European history. It makes extensive use of original sources to introduce early medieval men and women at all levels of society from slave to emperor, and allows them to speak to the reader in their own words. It overturns traditional narratives and instead offers an entirely fresh approach to the centuries from c.500 to c.1000. Rejecting any notion of a dominant, uniform early medieval culture, it argues that the fundamental characteristic of the early middle ages is diversity of experience. To explain how the men and women who lived in this period ordered their world in cultural, social, and political terms, it employs an innovative methodology combining cultural history, regional studies, and gender history. Ranging comparatively from Ireland to Hungary and from Scotland and Scandinavia to Spain and Italy, the analysis highlights three themes: regional variation, power, and the legacy of Rome.
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Books of the Week: Monday, July 02, 2007
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Alain Badiou
Everywhere, the twentieth century has been judged and condemned as the century of totalitarian terror, of utopian and criminal ideologies, of empty illusions, of genocides, of false avant-gardes, of democratic realism everywhere replaced by abstraction. It is not this book’s wish to plead for an accused that is perfectly capable of defending itself without the author’s help. Nor does it seek to proclaim, like Frantz, the hero of Sartre’s Prisoners of Altona: ‘I have taken the century on my shoulders and I have said: I will answer for it!’ The Century simply aims to examine what this accursed century, from within its own unfolding, said that it was. Alain Badiou’s proposal is to reopen the dossier on the century – not from the angle of those wise and sated judges that too often we claim to be, but from the standpoint of the century itself. In order to do this, The Century makes use of poems (Mandelstam, Pessoa), philosophical fragments (Sartre, Foucault), political visions (Mao), theatre pieces (Brecht, Pirandello)… This is the material through which the century declares, in thought, its life, its drama, its creations, its passion. Against the grain of all the judgments hitherto pronounced on the century, Badiou argues that this passion was not at all the passion for the imaginary or the passion for ideologies. Even less was it a messianic passion. The terrible passion of the twentieth century was – in contradistinction to the prophetic character of the nineteenth century – the passion for the real. It was a question of activating the True, here and now.
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Karen Armstrong
It seems fashionable to think of religion as an aberration: a style of thinking only credible to fools and fanatics. But fashionable thinking is itself often wrong-headed. Religious thought has helped mankind as often as it has hampered it; has been the cause of great good as well as unspeakable evil. When thinking about religion it is worth remembering both its continuing ubiquity as well as its antiquity. Religion has been with us for a very long time and looks able to renew itself in very many different contexts (and, as John Gray points out in Black Mass, to insert itself squarely inside secular thought too). Whilst the new atheists (Richard Dawkins, AC Grayling, Sam Harris, Michel Onfray et al) are right to be robust in their attacks on religion, they could do with both a little more humility and a lot more history. Karen Armstrong's The Great Transformation could help them out here. Explaining the beginnings of religious faith as we still know it, Armstrong's sensitive book shows us when, how and why certain ideas about human beings -- what we need to prosper, why we are here, how to improve ourselves -- first developed. It was between 800 and 300 BC, "in the time of Buddha, Socrates, Confucius and Jeremiah" that new ways of thinking -- ways of thinking that transformed humanity for ever -- first came about. Those ideas are still with us. The new atheists are right to challenge these notions, but understanding them better should be their first motivation, rather than simply deriding them. Armstrong should be congratulated on on excellent, and very readable, journey back to the beginning of thinking.
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Books of the Week: Monday, June 25, 2007
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John Berger
Hold Everything Dear is John Berger’s vital response to today’s global economic and military tyranny. From Hurricane Katrina, 9/11 and 7/7, to resistance in Ramallah and traumatic dislocation in the Middle East, Berger explores the countless personal choices, encounters, illuminations, sacrifices, new desires, griefs and memories that occur in the course of political resistance to empire and colonialism. These sensuous reflections reveal the political at the core of human existence, from the relentlessness of daily life in the West Bank, to the potential force of desire, to the unflinching gaze of Pasolini’s political film. Visceral and passionate, Hold Everything Dear is a profound meditation on what political resistance means today, by one of the most compelling radical voices of our age.
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Beatriz Sarlo
Jorge Luis Borges is generally acknowledged to be one of the twentieth century’s most significant writers. Yet in all the critical debates on his work, the fact that he is Argentinian is rarely discussed, as if his international reputation had somehow cleansed him of nationality. In this brilliant introduction to his work, Sarlo challenges these “universalist” readings, arguing that they leave aside vital aspects of Borges’ writing, including his powerful vision of Argentina’s past and its traditions, which placed both the writer and his country at the intersection of European and Latin American culture.
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Books of the Week: Monday, June 18, 2007
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Jean-Luc Nancy
In this lyrical meditation on listening, Jean-Luc Nancy examines sound in relation to the human body. How is listening different from hearing? What does listening entail? How does what is heard differ from what is seen? Can philosophy even address listening, écouter, as opposed to entendre, which means both hearing and understanding? Unlike the visual arts, sound produces effects that persist long after it has stopped. The body, Nancy says, is itself like an echo chamber, responding to music by inner vibrations as well as outer attentiveness. Since “the ear has no eyelid” (Quignard), sound cannot be blocked out or ignored: our whole being is involved in listening, just as it is involved in interpreting what it hears.
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Antonio Tabucchi
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Books of the Week: Monday, June 11, 2007
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Time Out Guides Ltd
I'm in this! A not very enlightening chapter by me on "Death" ...
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Georges Perec
This volume features ingenious contemplations on the ways in which we occupy urban and domestic space; engrossing accounts of George Perec's experience with psychoanalysis; depictions of the Paris of his childhood; and thought-provoking examinations of the "infra ordinary" and of how the commonplace items of our lives elude our attention.
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Books of the Week: Monday, June 04, 2007
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Stefan Zweig
A Doctor in the Dutch East Indies torn between his medical duty to help and his own mixed emotions; a middle-aged maidservant whose devotion to her master leads her to commit a terrible act; a hotel waiter whose love for an unapproachable aristocratic beauty culminates in an almost lyrical death and a prisoner-of-war longing to be home again in Russia. In these four stories, translated by Anthea Bell, Stefan Zweig shows his gift for the acute analysis of emotional dilemmas. His four tragic and moving cameos of the human condition are played out against cosmopolitan and colonial backgrounds in the first half of the twentieth century.
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Charles Baudelaire
51 stunning short prose poems, heavily inspired by Aloysius Bertrand's Gaspard de la nuit, Paris Spleen was first posthumously published in 1869 by Baudelaire's sister. The works existentially capture "the beauty of life in the modern city."
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Books of the Week: Monday, May 28, 2007
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