This evening of "politics, poetry & the fictions of modern love... with Danny Hayward, Jennifer Cooke, Reina van der Wiel and Felicity Allen" looks interesting (more at parasol-unit.org), particular the talk by Danny Hayward (How to be Dominated, or, Night Thoughts on Poetry and World History):
The talk will attempt to specify a category of writing that wishes not only to contest the ownership of the category of the popular, but which wants actively to ownthat category. In its first parts it will offer a polemical history of its central category for the previous two centuries of capitalist development, from Schiller via Wordsworth to Brecht, before proceeding to a more speculative discussion of contemporary writing that wishes to seize (and not merely to gain) popularity from the interests for whom popularity is a synonym of turnover. Setting itself in equal opposition to Adorno's view of "high" and "low" culture as two torn halves that will not be added together, and the profitable therapeutics of anything goes, the talk will argue that a contemporary communist popular culture can only function as a comedy of domination instated at the level of syntax, prosody, and narrative. Broadly speaking, the talk will claim that the poetic writing, if it wishes to maintain some relation to historical development, must learn how to work with its own domination.