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In other words, I think I’m giving an even stronger critique of authorial intention than is usually the case. Not only do authors fail to master the infinite dissemination of their texts, they probably don’t even put the text in the right shape in the first place. Most of them should have written better texts. Just as social surroundings fail to exhaust a literary work, the exact written form of a literary work fails to exhaust the deeper spirit of that work...

Graham Harman responds to Dan Green (who in turn was writing in response to Harman's The Well-Wrought Broken Hammer: Object-Oriented Literary Criticism [pdf]).

Speculative Realism and OOO have much of interest to say on literature and literary criticism. In particularly, Harman's concept of a withdrawing ontology, of objects that can't be fully known, has some potentially interesting literary critical applications. The conversation between Green and Harman opens up some interesting avenues, but I think there is yet a lot more to say on this...

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