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I want to argue that works of art are machinic rather than hermeneutic. In Anti-Oedipus, Deleuze and Guattari say that the unconscious is a factory, not a theater. By this they mean that the unconscious does not represent or mean, but that it produces. I want to say that works of arts are factories or machines, not theaters. They don’t have meanings, but are powers of producing differences in the world. They are real actors. They do not represent, even in the tradition of realism, but make. I read Proust, for example, and his exquisite discussion of various emotional states has the power to actually create new forms of affect in me that I never before had. I begin to love as Proust’s characters do. The work of art is thus a factory that both transforms the artist that creates it (artists tell me that they become something else as a result of their work) and that transforms the audiences that encounter the work. Works of art are difference engines that circulate throughout the world and that transform the people and things that encounter them. Picasso’s Guernica does not represent the bombing of Guernica, but both transforms the event of that bombing, giving it a new sense, and creates an affect for the slaughter of the innocents everywhere....

Machinic Art: The Matter of Contradiction

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