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Lukács first published the Hungarian version of Soul and Form in 1910, so this is its centennial. In the hundred years since the first edition, consider how vastly the world has changed; even Lukács’s own thinking went though profound transformation after penning these essays. Yet the essays still speak to us powerfully: of the difficulty of meaningful communication and the forms though which it can be achieved, of the need to criticize forms of authority without taking on the mantle of authoritarianism, of the sort of suffering that characterizes human alienation and of its honest assessment. In other words, these essays engage ideas that continue to trouble and encourage us, not merely as topics in aesthetic or political theory, but as matters of binding human concern. In a way, one wants to insist that these essays are searching, evocative, and often downright beautiful, simply in themselves. Yet Lukács also addresses a diverse set of thinkers, including his favorite author-heroes, among them Plato, Novalis, Kierkegaard, and Stephan George. And as he does, Lukács inaugurates a unique approach to aesthetics and literary criticism. From the perspective of our distance from that inauguration, we can appreciate where the thought presented here indicates a serious challenge to well-known readings of Lukács as well as to common approaches of our contemporary literary criticism. So, for us personally, when we began rereading these essays we were struck by the perspective they allowed on Lukács’s thinking and on subsequent developments in criticism as well as by their contemporary relevance...

Jack Sanders and Katie Terezakis, coeditors of the new edition of György Lukács's Soul and Form, interviewed on the Columbia University Press blog.

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