In the past I have been very critical of literary critics using scientific methods to justify itself, yet here a medical scientist allows literary creation to countermand the positivist inferences of science. Indeed, Mishara recognises that "literature documents and records cognitive and neural processes of self with an intimacy that is otherwise unavailable to neuroscience." One has to attend to literary writing as literary writing rather than only as clinical data. And while documented intimacy is Mishara's concern, for us it can teach us again how to resist dominant contemporary notions of literature as craft, as mastery, as memory, as a record of historical events, as social commentary, as a career, as something less than an impossible letting-go. "In a letter to Max Brod," Mishara notes, "Kafka writes that it is 'not alertness but self-oblivion [that] is the precondition of writing'". For Kafka, writing was a means of transformation, the seeking of an unsayable end, whether or not there are traces left on the page (more...)
Stephen Mitchelmore responds to psychiatrist Aaron Mishara's "remarkable paper" Kafka, paranoic doubles and the brain.