Don't miss Chris Petit's superb, Sebaldian new film Content whilst it is still on 4OD. Mark Fisher reviewed Petit's "informal coda" to his 1979 film Radio On in Sight & Sound recently, and wrote:
At one point in Chris Petit’s haunting new film Content, we drive through Felixstowe container port. It was an uncanny moment for me, since Felixstowe is only a couple of miles from where I live – what Petit filmed could have been shot from our car window. What made it all the more uncanny was the fact that Petit never mentions that he is in Felixstowe; the hangars and looming cranes are so generic that I began to wonder if this might not be a doppelgänger container port somewhere else in the world. All of this somehow underlined the way Petit’s text describes these “blind buildings” while his camera tracks along them: “non-places”, “prosaic sheds”, “the first buildings of a new age” which render “architecture redundant”.
Content could be classified as an essay film, but it’s less essayistic than aphoristic. This isn’t to say that it’s disconnected or incoherent: Petit himself has called Content a “21st-century road movie, ambient”, and its reflections on ageing and parenthood, terrorism and new media are woven into a consistency that’s non-linear, but certainly not fragmentary (more...)