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Over at Hungarian Literature Online, Tim Wilkinson reviews László Krasznahorkai's Satan Tango (via the literary saloon). Once you've read that, mouse over to HLO's interview with Krasznahorkai:


Whenever I manage to state my view in its full extent, my partner in conversation at any point of the world invariably reminds me: if you paint such a gloomy picture of the world, then why write? This is a subtle way of asking why I don´t shoot myself in the head right there and then and, indeed, why I hadn´t done so a long while ago. My critical remarks do not mean that I think or have ever thought that literature could directly interfere with the workings of the society it criticises or rejects. The impact that a writer can exert over his or her own society is far more subtle, almost indecipherably complex and indirect, working through a number of transformations. I even doubt whether at such a degree of remoteness you can still call this an impact and an influence.

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