Richard, over at his excellent blog The Existence Machine, says:
Repetition plays a major role in this novel. The re-enactments are repeated over and over again. The narrator's singlemindedness creates restlessness in the reader (or, well, this reader): what, I wonder, is the purpose of these re-enactments? Or, where is this going? Indeed, expectations of "story" are continually raised and then thwarted. But the re-enactments are the point: he is trying to have a real experience, to enter into the experience, and his experience is such that we enter into it ourselves, almost achieve a trance state in our reading... In the re-enactments, as the narrator seeks to enter into the moment, to recreate these fleeting sensations when he felt most real, most alive, as he slows down the process, the prose slows, and we enter into the moment as readers, achieve an almost trance-like state, as he does.
And, today, Dan Wagstaff posts the first part of his interview with Tom over at the Raincoast Books blog.
RB: Is ambiguity a virtue?
TM: For sure. If you were simply communicating a message you were certain about it wouldn’t be any good as literature.