The University of Alabama Press ("Life is short. Read good books.") have just published Coming Out of War: Poetry, Grieving, and the Culture of the World Wars by Janis P Stout. Back-cover puff (coming from Philip Beidler, author of Late Thoughts on an Old War: The Legacy of Vietnam) reckons:
It is hard for me, as a reader, to contain my praise. This study of the poetries of the great wars of the 20th century in their relation to what Stout calls the culture of mourning is comprehensive and masterful. It is immensely learned, yet readable. Most important, the book is intensely wise and humane, distilled from a career of reading and writing and meditating on the meanings of art forms and expressions.
And the publisher's own description certainly make it sound worth a read:
While probing the work of such well known war poets as Rupert Brooke, Wilfred Owen, and Randall Jarrell, Stout also highlights the impact of the wars on lesser studied, but equally compelling, sources such as the music of Charles Ives and Cole Porter, Aaron Copland and Irving Berlin. She challenges the commonplace belief that war poetry came only from the battlefield and was written only by men by examining the wartime writings of women poets such as Rose Macaulay, Marianne Moore, Elizabeth Bishop, and Gwendolyn Brooks. She also challenges the assumption that World War II did not produce poetry of distinction by studying the work of John Ciardi, Karl Shapiro, Louis Simpson, Robert Frost, and Wallace Stevens. While emphasizing aesthetic continuity between the wars, Stout stresses that the poetry that emerged from each displays a greater variety than is usually recognized.