ReadySteadyBlog

As I mentioned last Monday, I'm enjoying Steven Shaviro's new Whitehead-meets-Speculative Realism (SR) book Universe of Things, but before I (hopefully) review it, I should perhaps make a brief comment on why I'm reading it. And that particular story makes better sense if I mention that I'm also reading Peter Wolfendale's Object-Oriented Philosophy: The Noumenon's New Clothes (from the always excellent Urbanomic) and briefly mention why I'm reading that...

I read more philosophy books than books on any other topic – and, to be honest, it's probably more than time that RSB reflected that a little more clearly. It's a little difficult suddenly to begin a "justification" for my interests, but I want to start shaping up to providing one, not least because it will help me (I hope) articulate what I find lacking in a number of the works that have been fascinating me of late.

Like many, my head has been (somewhat) turned by the vibrant SR/OOO blogging community. And if you spend any time in this particular pond you soon come across the work of Graham Harman – one of the big fishes.

I find Harman's work... problematic. And I'll come back to that later. But I also find it profoundly engaging, subtle and intellectually exciting. For now, I'll just mention Harman's notion of withdrawal as an example of a technical term that, I think, is particularly fecund.

Levi Bryant defines withdrawal like this: "Withdrawal is a protest against all ambitions of domination, mastery, and exploitation. What withdrawal says is that all entities harbor – as Graham likes to put it – scarcely imagined volcanic cores bubbling beneath the surface that we are never completely able to master or control. It is this from whence his profound respect for things – human and nonhuman – indeed his indignation against those that would try to reduce things to signifiers, concepts, sensations, lived experiences, intuitions, etc., arises. Harman seldom talks about politics or ethics, but who can fail to hear an ethical refrain throughout all his work..."

Harman proposes that no object is ever exhausted by its relations; that an object's real properties are hidden and can never fully be grasped. I find that a fascinating and productive thought. And I find I read so much philosophy because of a love of – and a quest to find – words and phrases, constructions and contortions, that help me form new thought-words and new thought-worlds. Philosophy, for me, is simply a search for better ways to think about the world, and if that means working through some pretty dreadful prose every now and again, so be it. So, when I ask myself why I'm pushing through pages and pages of dry, technical, definitional analysis and forbidding, unforgivable academicese, it's because of the diamonds in the dirt. A term like withdrawal opens something new up for me.

Shaviro's book is useful because it is telling me that 'process philosophy' is able to shed light on Harman's thought, that a dialogue between those two thinkers is helpful to understanding both. It is also bringing my attention back to how very Deleuzian such thought is... all is becoming, nothing is static being, and so you can, I think, map onto that a constant 'flow' between the 'real' and the 'fictional' which doesn't bespeak a 'reality hunger' but more a constant lack in reality which is areadly always 'over-filled' by the fictive, the constructed. Reality is gappy, and thought is real. There are similarities here to Miguel de Beistegui's Proust as Philosopher. (And the car crash of scare quotes in this paragraph is evidence, of course, that further thought is needed!)

What I'm finding missing in Wolfendale's admirable volume, however, is such food for thought. Wolfendale's Kantian/Sellarsian takedown of Harman was waiting to be written. (You can read a 77-page "taster" in Speculations.) And despite Nick Land's recent comments that Wolfendale's book "deserves to be absorbed in very different terms to those it superficially invites," I'm afraid I find myself amongst the superficial. Wolfendale scores some knockout blows, but Harman bounces back up like a weeble. Wolfendale himself writes: "Whatever else can be said about Harman’s presentation of OOP, it is certainly compelling. On the one hand, it attempts to reveal the inherent oddness of the world we live in, by painting us a landscape of a reality in which everything is radically individual, cut off from everything else in almost every respect, connected only by fleeting glimmers of phenomenal appearance. On the other, it attempts to humble humanity by seeing humans as just one more disparate association of objects within the universal diaspora."

Like good fiction, philosophy, for me, doesn't have to prove facts – it doesn't need to limit itself to a theory of knowledge – it needs to open up our minds and make us epistemoligically astute. And that starts with fascination, with an aesthetics perhaps. In such a struggle, Wolfendale can't help but come off sounding like something of a humourless pedant. His book does have virtues, however, and, as I said, I do find Harman problematic... but I've written enough for one day.

Austin Roberts reviews Steven Shaviro's The Universe of Things: On Speculative Realism:

One of the most interesting trends in recent philosophy is what is sometimes called Speculative Realism. The name comes from a conference in 2007 at the University of London that brought together four very different philosophers who nevertheless were united in their efforts to resurrect realist metaphysics: Quentin Meillassoux, Ray Brassier, Graham Harman, and Iain Hamilton Grant. Each of them hold quite different metaphysical positions, but all four critique what they name "philosophies of correlation." As a theologian and not a philosopher, I can't help but make a connection to my field here. Just as the Radical Orthodox movement identifies a key moment in the history of philosophy (for RO, this is Duns Scotus' univocity) that leads to its destructive decline, the Speculative Realists point back to Kant's apparently disastrous argument that the thing-in-itself is unknowable. MORE...

I've just started this myself. Lots of Whitehead, and lots of good sense so far...

From World Literature Today, review of The Contemporary Spanish-American Novel: Bolaño and After:

This unique collection of essays by fifty scholars and writers on the work of sixty-nine contemporary novelists from Spanish America is a valuable resource for scholars and readers alike. The authors included for discussion were born between 1949 and the early 1970s and have published the bulk of their work since 1996. The essays on individual writers are organized in six chapters based on their point of origin from one of the following geographical and cultural regions: Mexico, Central America, the Spanish speaking Caribbean and Venezuela, the Greater Andean region, the Southern Cone, or the United States. Although much of US Latino literature is currently being written in English, the editors conclude that the influence of these writers and their works on Spanish American letters, both in English and in Spanish translation, merits their inclusion in this volume. For readers who do not read Spanish, information is provided on recent novels that have been translated into English, and, for film aficionados, cinematic adaptations of novels by the authors studied are also cited. MORE...

Collapse Vol. VIII is finally ready for pre-order. Do it.

With the public trial of 'Casino Capitalism' underway, Collapse VIII examines a pervasive image of thought drawn from games of chance. Surveying those practices in which intellectual resources are most acutely concentrated on the production of capitalizable risk, the volume uncovers the conceptual underpinnings of methods developed to extract value from contingency - in the casino, in the markets, in life.

According to standard interpretations of 19th-century European philosophy, a stark ’either / or’ divided Hegel and Kierkegaard, and this divide profoundly shaped the subsequent development of Continental philosophy well into the 20th century. While left Hegelians carried on the legacy of Hegel’s rationalism and universalism, existentialists and postmodernists found inspiration, at least in part, in Kierkegaard’s critique of systematic philosophy, rationality, and socially integrated subjectivity. In Kierkegaard’s Relation to Hegel Reconsidered, Jon Stewart provides a detailed historical argument which challenges the standard assumption that Kierkegaard’s position was developed in opposition to Hegel’s philosophy, and as such is antithetical to it. (It is worth noting that, in Hegel: Myths and Legends, Stewart criticized the ’either / or’ from the other direction, arguing that Hegel is not the arch-rationalist he is often taken to be). Without denying the existence of a certain “metalevel” dispute between Hegel and Kierkegaard, Stewart argues that (a) many of Kierkegaard’s central ideas, such as the theory of stages, are creatively, i.e., not uncritically, adopted from Hegel, and, (b) the true target of Kierkegaard’s critique is not Hegel per se, but prominent Danish Hegelians of his time. According to Stewart, ignorance of Kierkegaard’s intellectual milieu, coupled with a distorted and inadequate understanding of Hegel, has led many English-speaking critics to adopt the overly simple ’either / or’. Stewart seeks to correct this problem by showing how Kierkegaard’s writing rose out of, and responded primarily to, debates in Denmark in the 1830’s and 40’s surrounding Hegel’s philosophy and its implications for theology. MORE...

Review of Jon Stewart's Kierkegaard's Relation to Hegel Reconsidered (from way back in 2004) in NDPR.

Launch of Stewart Home's new novel The 9 Lives of Ray The Cat Jones (Test Centre) on Thursday 6 November 2014 at 6.30pm, at The Function Room, Upstairs at The Cock Tavern, 23 Phoenix Road, London NW1 1HB.

This is also the final opportunity to see Stewart Home & Chris Dorley Brown's current exhibition The Age of Anti-Ageing at The Function Room.

It is not too surprising that of all the singular voices in modern French literature Maurice Blanchot (1907-2003) is still relatively unknown to an English readership. Despite the indelible mark that he has left on the strand of 20th century French literary criticism and philosophy that continues to enjoy popularity in translation today—from Roland Barthes to Jacques Derrida and Michel Foucault—we have only recently begun to learn how to read Blanchot. This is at least in part because the reclusive author has remained enigmatic, even in France. Blanchot never held a University position, nor did he give lectures or frequent the many literary cafes and salons in Paris. Instead, he retreated from the spectacle of public life and made a living strictly off his vocation as a writer. More...

Maurice Blanchot and Fragmentary Writing by Leslie Hill reviewed by Michael Krimper in MakeMag.

On Friday November 7, from 7.30 - 9.30pm, Urbanomic presents a book launch and discussion with Peter Wolfendale on his new book Object-Oriented Philosophy, followed by Q&A, at Baltic Kitchen, Baltic Centre for Contemporary Art, Gateshead, UK.

The Story Plant have re-issued RSB-contributor Leora Skolkin-Smith's highly praised novel Edges:

It's summer, 1963. Fourteen-year-old Liana travels to Jerusalem, accompanied by her older sister and larger-than-life mother. The trip takes her from a sheltered life in Westchester County, NY to the hot, bustling, and thoroughly confusing landscape of the Middle East, where Jewish and Arab cultures exist side by side in an uneasy truce. She soon drifts away from her colorful family and their over-the-top relatives, and starts a furtive, increasingly passionate, secret relationship with the runaway son of an American diplomat. Together, they abscond to neighboring Palestine, where they hide in an abandoned monastery, while a frantic search for the two missing youngsters gets under way on the other side of an increasingly hostile border. More...

"French philosopher and novelist Tristan Garcia is joined in the ICA Cinema by London-based writer, musician, broadcaster and curator Morgan Quaintance, for a discussion about his recent writings. Touching upon Garcia’s literature and philosophy, the pair will punctuate their conversation with screenings of TV and film clips that have lent influence to Garcia’s work." MORE.